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THE LEFT IS TOO RIGHT
May 11th, 2012 — 8:05am

Bea Schlingelhoff
The Left Is Too Right

 

at New Jerseyy
April 29 to May 19, 2012


 

 

I don’t know how much a person needs to own to live. No idea. I don’t even know if necessity is the weapon against consumerism and exploitative mechanisms.

 

Recently, I saw a series of photos from 1974 in a german magazine, that showed all pieces of clothing, that a woman owned, at the time the photos were taken. I have no clue if this woman’s amount of clothing represents a prestigiuos average for 1974 or not. Altogether she owned 72 pieces, including underpants and shoes.

 

 

Probably this work was just an attempt to include everyday objects into the production of history, maybe it was meant to criticize (female?) consumerism in 1974. The amount of clothing objects to me seem little on the photos, but large as a number. I didn’t count how many I own, but my guess is, that it is more. Probably significantly more. Quantity. I am not guilt-tripping on quantity but I also have a hard time finding an argument for it.

 

 

Pleasure maybe. The romanticization of slavery, reproducing church and family in a purchasable format, horror not pleasure after all, lots of it.

 

 

Branding maybe. Free-range grazing, free-range shopping. Maybe a fantasy about how commodities are livestock, that we own, shepherds of our consumer goods, building a stage for our product-life, where knowledge is accredited to the subject of desire. The brand accredits knowledge to us and we accredit it to the brand. A grid. The Left looks too Right. A collaboration with the enemy in times of warfare.

 

 

Warfare between the (by now qualitatively emancipated) products that can only be sold and bought through a symbolic or imaginative surplus. A surplus lacking any gothic presence of an uncontrollable sphere. State Property, a subsidary of Rocawear.


Branding re/produces the values of ALL state and market institutions ENTIRELY, that claim cultural responsibility and distribution. The über-teacher. The ultimate didactic experience: my sneaker is my church, my sweater my police, my sunglasses my teacher, my burger my estate, my drink my emotion. My sneaker is your church, my sweater your police, my drink your emotion-and so on and so forth. Don’t chose. We decide by lot what brand to buy. Choice is predictable. The collaborator. ChoiceXCapital.

 

Comment » | ART

LOS ANGELES PLAYS ITSELF
May 3rd, 2012 — 2:13pm

In anticipation of our forthcoming issue out mid june focusing on the relation between art and film, we invite you to watch (if not done yet) the great video essay Los Angeles Plays Itself by Thom Andersen.

 

Finished in 2003, Los Angeles Plays Itself explores the way Los Angeles has been presented in movies. Consisting entirely of clips from other films, it was never released due to rights issues, though can been seen at film festivals and in special presentations by the director. (source Wikipedia)


Comment » | FILM

MY CALLING CARD
April 30th, 2012 — 2:52pm

Adrian Piper, My Calling (Card) #1 , 1989

 

In Piper‘s 1986-1990 Calling Card performances, she would hand this card to people she encountered in everyday life who made racist comments in front of her at dinners and cocktail parties.

Comment » | ART

ROMA
April 24th, 2012 — 1:54pm

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos ©PARIS, LA

Comment » | PHOTO

COMPTON, LA
April 17th, 2012 — 6:17pm

 

 

Comment » | MUSIC