KARL LAGERFELD, PARCOURS DE TRAVAIL

AT MAISON EUROPÉENNE DE LA PHOTOGRAPHIE

EXHIBITION FROM SEPT 15 TO OCT 31, 2010

CASA MALAPARTE

TADAO ANDO – VITRA HOUSE

NEW YORK FACADES

DESIGNED BY MEN AND NATURE

ANOTHER SIDE OF VERSAILLES

GALLERY OF PORTRAITS

FOCUS ON TWO AMERICAN FIGURES (David Lynch and Jack Nicholson)

FOCUS ON A TRUE PARISIAN (Jane Birkin)

FOCUS ON TWO FRENCH FIGURES (Vincent Cassel and Fanny Ardant)

Photography ©PARIS, LA

photography ©PARIS, LA.

GIO BLACK PETER recently came to perform in LA at a small downtown venue. I wanted to commemorate his visit and photograph him while he was here. There is a place at the top of Eysian Fields in Echo Park that is famous for anonymous man on man cruising. This is where Gio and I decided to shoot. We used the masks “Los Queridos” styled by Carolina Amaris, and made in Mexico by the artists Guadalupe Rosales and Anne Hall.—Daniel Trese.

AN EXHIBITION OF NEW WORK BY

CATHERINE OPIE AT REGEN PROJECTS

Opening Reception: Saturday, April 24, 6:00 – 8:00 pm

The exhibition will present a suite of new photographs that further the artist’s investigation into ideas of landscape. With the ocean as her backdrop, Opie explores the shifting mise en scène of light, color, movement, and the tension between boundaries and limitlessness.

Catherine Opie, Sunset #8, 2009.

In the summer of 2009, Opie traveled aboard a container ship en route from Korea to Long Beach. She documented the voyage in a series of time-based photographs that captured each sunrise and sunset for the ten-day duration of the trip. The works are composed with equal registers of water and sky, broken by a thin center horizon line. This is a format Opie  also used in her iconic Icehouses (2001) and Surfers (2003) series. These segmented panoramic landscapes capture the point where sky and water meet. Articulated in the title of the exhibition, the twelve-mile distance between the artist and horizon evokes notions of time, place, solitude, elusiveness, and possibility. The deliberate framing of each work places the viewer in a precise physical reference point and moment in time. Evoking a formal classicism, these beautifully elegant and masterful compositions immerse and seduce the eye. There are subtleties that reveal in the nuances of the photographs – whisper of color, shimmer of waves, and glimpse of light. These painterly, poetic, and lyrical visions of blue, grey, black, orange, and yellow resonate with oblivion, the sublime, and the unknown.

Catherine Opie’s complex and diverse body of work is political, personal, and highly aesthetic – the formal, conceptual, and documentary are always at play. Her work consistently engages in formal issues and maintains a formal rigor and technical mastery that underscores highly aestheticized oeuvre. Visual pleasure can always be found in her arresting and seductive photographs.

“All of Opie’s work is characterized by a stillness and quietude; even the black-and-white photographs of urban views never depict the hustle and bustle of city life but rather create a preternaturally calm, symmetrical image. The 1999 landscapes, as well as the subsequent Icehouses and Surfers series, call to mind Romantic paintings such as Caspar David Friedrich’s Monk by the Sea (1809), in which a lone figure stands before the sublime vastness of an open ocean. In a discussion of Romantic aesthetics, literary critic Susan Stewart noted that philosophers ‘consider the phenomenon of the horizon, particularly the horizon as a kind of temporal hinge between immediate apprehension and a constant postponement of closure. . . . The very fact of the horizon is what is immutable; it is an infinite dividing line between infinite entities, a place toward which the mind journeys and yet a place that appears as a continuous, productive deferral of place.’”

(Jennifer Blessing. “Catherine Opie: American Photographer” in Catherine Opie: American Photographer, published by The Solomon R. Guggenheim Museum, New York, 2008, p. 23)

Exhibition running from April 24 to May 22, 2010
Gallery Hours: Tuesday–Saturday, 10:00 am – 6:00 pm

Catherine Opie’s work has been the subject of numerous exhibitions throughout the United States and Europe. In 2008 she had a mid-career survey at the Solomon R. Guggenheim Museum in New York. Additionally she has had solo exhibitions at the Walker Art Center, Minneapolis; The Saint Louis Art Museum, St. Louis; Photographers’ Gallery, London; Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles. An exhibition of Opie’s football, surfer, and landscape photographs will open at the Los Angeles County Museum of Art in July 2010.

Photography by Camille Vivier.

Rose Red (Prod by Jahlil Beats) off “Gangsta Grillz: Flamerz 3

- The Wait Is Over” by Meek Mill and DJ Drama [Mixtape, 2010]