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MIRA DANCY

“Mira Dancy’s deployment of mythology and expressive lines puts her wholly in the wet, messy lineage of neo-expressionism—a movement riddled with a history of macho market darlings… But under Dancy’s brush, this fluid style gets a necessary jolt of feminism and a dark, gothy charm (closer to OG expressionists James Ensor and George Grosz) that […]

About

"PARIS LA is born of shared perspectives. It’s a project, like a love story, that comes from the feeling of being in one place, thinking about another. A place between two cities, between scenes, between people, that exists only in the space of our imagination. In Paris, dreaming of the Pacific. Speaking French in LA. And it’s as true as a clear blue sky above us."—Dorothée Perret, Founder Editor (Paris, November 9, 2008)

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CAROLYN CHRISTOV-BAKARGIEV

“I don’t believe curatorial or artistic practice is immediately a political act. I’m interested in how knowledge is constructed—to observe art on the micro level of a single artwork and see how it’s negotiated in the world. At the same time, everything we do, including art, is political, one way or another… “Some [art fairs] […]

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KAHLIL JOSEPH — FLY PAPER

KAHLIL JOSEPH—SHADOW PLAY, Joseph’s first solo show in New York City, features the premiere of FLY PAPER (2017), a film installation that pays tribute to Roy DeCarava (1919–2009)—photographer of jazz and Harlem life—and “extends DeCarava’s virtuosity with chiaroscuro effects to the moving image and brings together a range of film and digital footage to contemplate the dimensions of […]

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CARAVAGGIO

From the Galleria Borghese in Rome—home to the largest Caravaggio holdings in the world—the exhibition CARAVAGGIO—MASTERPIECES FROM THE GALLERIA BORGHESE will be at the Getty Center through mid-February.   CARAVAGGIO—MASTERPIECES FROM THE GALLERIA BORGHESE, through February 18. GETTY CENTER, 1200 Getty Center Drive, Brentwood, Los Angeles. getty.edu/art/exhibitions/caravaggio Caravaggio, David with the Head of Goliath, about 1609-1610; […]

HANEKE’S BACK

HANEKE’S BACK

Bourgeois eviscerator Michael Haneke is back with the droll, disjunctive HAPPY END, where all the adults, infantalized by their status, behave like children. Given the director’s cool detachment, this never descends into slapstick—until a joyous final iPhone shot of Anne (Isabelle Huppert) running to rescue her father (Jean-Louis Trintignant) from the abyss.   HAPPY END, […]