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MIRA DANCY

“Mira Dancy’s deployment of mythology and expressive lines puts her wholly in the wet, messy lineage of neo-expressionism—a movement riddled with a history of macho market darlings… But under Dancy’s brush, this fluid style gets a necessary jolt of feminism and a dark, gothy charm (closer to OG expressionists James Ensor and George Grosz) that […]

About

"PARIS LA is born of shared perspectives. It’s a project, like a love story, that comes from the feeling of being in one place, thinking about another. A place between two cities, between scenes, between people, that exists only in the space of our imagination. In Paris, dreaming of the Pacific. Speaking French in LA. And it’s as true as a clear blue sky above us."—Dorothée Perret, Founder Editor (Paris, November 9, 2008)

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WOMEN AT WORK

The new interview book by The Paris Review—WOMEN AT WORK, with an introduction by Ottessa Moshfegh—is limited to 5,000 copies, and is available only through the journal’s website. Included in the book are interviews with Dorothy Parker, Claudia Rankine, Isak Dinesen, Simone de Beauvoir, Elizabeth Bishop, Marguerite Yourcenar, Margaret Atwood, Grace Paley, Toni Morrison, Jan Morris, Joan Didion, and Hilary Mantel.   WOMEN AT WORK—INTERVIEWS FROM THE […]

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TWIN PEAKS AT MOMA

Is TWIN PEAKS 2017 a television series or a movie? “David Lynch’s latest TWIN PEAKS season is simply unclassifiable: something totally and spectacularly unique. However as the chief curator of film, and not television, at MoMA, I will simply say that my opinion on the matter can be interpreted through the fact that I have invited it […]

ArtForum January 2018

JERRY SALTZ ON THE NEW ARTFORUM

“The art world is misogynist. Art history is misogynist. Also racist, classist, transphobic, ableist, homophobic. I will not accept this. Intersectional feminism is an ethics near and dear to so many on our staff. Our writers too. This is where we​ stand. There’s so much to be done. Now, we get to work.” — David Velasco, new […]

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AI WEIWEI — HUMAN FLOW

This week, Ai Weiwei will present his new film HUMAN FLOW at the Hammer and participate in a post-screening Q & A. Shot in twenty-three countries over the course of a year, Weiwei’s documentary is an “exploration of the global refugee crisis… ,” bearing “[witness to] its subjects’ desperate search for safety, shelter, and justice.”*   AI […]