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FOR SHANNON MICHAEL CANE

Printed Matter presents a survey of artist editions and publications produced by Shannon Michael Cane (1974-2017), the late Fairs and Editions Curator. 25% of Edition sales through September 2nd will be contributed to the Shannon Michael Cane Fund, supporting future projects carried out in Shannon’s name.   SHANZINI—SHANNON MICHAEL CANE AND PRINTED MATTER, through September […]

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"PARIS LA is born of shared perspectives. It’s a project, like a love story, that comes from the feeling of being in one place, thinking about another. A place between two cities, between scenes, between people, that exists only in the space of our imagination. In Paris, dreaming of the Pacific. Speaking French in LA. And it’s as true as a clear blue sky above us."—Dorothée Perret, Founder Editor (Paris, November 9, 2008)

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BRIGID HUGHES — A PUBLIC SPACE

Brigid Hughes—founding editor of the literary journal A Public Space and its new book imprint APS Books—succeeded George Plimpton as the editor of The Paris Review following Plimpton’s death in 2004. How and why she was fired by the Review and then expunged from its history has been reported by Allison Devers, on Longreads. See: […]

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A YEAR IN THE LIFE OF COLOR

1971: A YEAR IN THE LIFE OF COLOR, by Darby English, “should be required reading for anyone interested in the intersections of race and the history of twentieth-century art as it once was.” — Aram Moshayedi, curator, Hammer Museum* An investigation of two 1971 exhibitions—Contemporary Black Artists in America at the old Whitney, and The DeLuxe […]

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ROBERT LONGO IN BROOKLYN

The Brooklyn Museum exhibition PROOF—FRANCISCO GOYA, SERGEI EISENSTEIN, ROBERT LONGO brings together drawings, etchings, and film—mostly black and white—by three artists who “witnessed a turbulent transition from one era to another and the profound repercussions of revolution, war, and civil unrest. Within a broad chronological framework, PROOF traces the historical lineage of a visual language and […]

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FATIH AKIN’S IN THE FADE

Diane Kruger lights up the screen with tour de force performance in IN THE FADE, Fatih Akin’s riveting look at modern Germany through the lens of immigration and right-wing terrorism. During the post-screening Q & A at the film’s November premiere at AFI Fest 2017, Kruger was a bit anxious about how the film would be […]