I want my work to be universally understood. Not necessarily appreciated but somehow to connect with people universally—which I think is a very utopic, if not moronic, approach to making art. [Laughter] But it’s something I aspire to. I think a lot of times, even beyond issues of race and gender and stuff like that, I’m also really interested in issues of humanity, and these utopic, kooky ideas of how [if] we can all come to understand each other, life will be better. — Alison Saar*
See link below to register for this online event.
Jordan Schnitzer Museum of Art at the University of Oregon
Thursday, April 15.
4 pm on the West Coast, 7 pm East Coast.
*Alison Saar, from forthcoming feature in PARIS LA 17.
From top: Alison Saar, Queen of the 88s, 2021, multi-block linocut on handmade Hamada Kozo paper backed with Sekishu Kozo, image © Alison Saar, courtesy of the artist and Elizabeth Leach Gallery, Portland; Saar, photograph by Paul O’Connor, courtesy of Saar and LA Louver; Hank Willis Thomas, courtesy and © Hank Willis Thomas Studio; Thomas, History is Past, Past is Present, 2017, print, lenticular, image © Hank Willis Thomas, courtesy of the artist and Jack Shainman Gallery.