Category Archives: BOOKS/PERIODICALS

MADE IN L.A. 2020 CATALOG — HEDI EL KHOLTI

The beautiful exhibition catalog for MADE IN L.A. 2020: a version—available to order from the Hammer Store—includes a folio of collages by Hedi El Kholti bound into the book, as well as a conversation with El Kholti and Chris Kraus. The artist-designer-editor has also created two posters, available as exhibition takeaways at the Hammer Museum and the Huntington.

El Kholti’s work can also be seen in Because Horror by Johnny Ray Huston and Bradford Nordeen—a recent publication from Dirty Looks Press and Semiotext(e).

All images © Hedi El Kholti—courtesy of the artist, the Hammer Museum, and the Huntington Library, Art Museum, and Botanical Gardens—from Made in L.A. 2020: a version (2020), the catalog for the exhibition curated by Myriam Ben Salah and Lauren Mackler, with Ikechukwu Onyewuenyi.

MICHAEL CLARK — COSMIC DANCER

I never really had a plan, except to express myself as purely as possible… I still make work on my own body first, as I always have. I can only understand it from the inside. — Michael Clark

MICHAEL CLARK—COSMIC DANCER, recently at the Barbican, was the first comprehensive retrospective of the British dance artist. Interrupted by the pandemic shutdowns, the exhibition lives on in the catalog, edited by Florence Ostende.

Bringing together materials from his choreographic work and collaborations with artists—including Elizabeth Peyton, Silke Otto-Knapp, Sarah Lucas, Wolfgang Tillmans, Leigh Bowery, Peter Doig, Cerith Wyn Evans, and Duncan Campbell—the book is a beautiful complement to MICHAEL CLARK, a 2011 monograph edited by Suzanne Cotter and Robert Violette.

See link below for details.

MICHAEL CLARK—COSMIC DANCER

Edited by Florence Ostende.

Prestel Publishing

From top: Charles Atlas, Hail the New Puritan (1986), Michael Clark, stills, 16mm film transferred to video, image courtesy and © Charles Atlas and Luhring Augustine; Michael Clark and Company, I Am Curious, Orange, 1988, photograph by Richard Haughton, image courtesy and © the artists and the photographer; Michael Clark, Before and After: The Fall, 2001, in Berlin, Lorena Randi and Victoria Insole, photograph by Andrea Stappert, image courtesy and © the artists and photographer; Clark during the filming of Hail the New Puritan, photograph by Alexander James, image courtesy and © the artists and the photographer; Wolfgang Tillmans, man with clouds, 1998, image courtesy and © the artist, Galerie Buchholz, Maureen Paley, and David Zwirner; Elizabeth Peyton, Michael Clark, 2009, image courtesy and © the artist and Sadie Coles HQ; Silke Otto-Knapp, Group (Formation), 2020, watercolor, image courtesy and © the artist, Galerie Buchholz, and Greengrassi; Michael Clark: Cosmic Dancer (2020), edited by Florence Ostende, exhibition catalog cover image—Clark, Mmm, photograph by Hugo Glendinning—courtesy and © the artist, the photographer, the Barbican, and Prestel Publishing; Leigh Bowery and Rachel Auburn in Hail the New Puritan; Clark at the opening of Derek Jarman’s 1984 exhibition at the Institute of Contemporary Arts, London, photograph by Steve Pyke; Hail the New Puritan, courtesy and © Atlas and Luhring Augustine; Ellen van Schuylenburch and Clark in Hail the New Puritan, photograph by Haughton. Images courtesy and © the artists, the photographers, and the Barbican.

PATI HILL — SOMETHING OTHER THAN EITHER

The touring exhibition PATI HILL—SOMETHING OTHER THAN EITHER is in its last weeks in Switzerland. The show is “the most comprehensive exhibition of the artist’s works to date—an artist who was equally an author, columnist, model, antiques dealer, and gallerist.”*

Hill’s oeuvre includes four novels, short stories, artist’s publications, a collection of instruction manuals, and the invention of a new Symbol Language (1977–1978), as well as thousands of photocopies from 1974 onwards.*

See link below for details.

PATI HILL—SOMETHIG OTHER THAN EITHER*

Through May 2.

Kunsthalle Zürich

Limmatstrasse 270, Zürich.

Pati Hill, something other than either, Kunsthalle Zürich, December 12, 2020–May 2, 2021, from top: Untitled (napkin), circa 1985, courtesy and © Air de Paris; installation views (3), photographs by Julia Mangisch; page from Versailles Rose Garden, Déchet and Alternatives, circa 1997. Images courtesy and © Pati Hill Collection, Arcadia University.

RACHEL KUSHNER IN CONVERSATION

Sometimes I am boggled by the gallery of souls I’ve known. By the lore. The wild history, unsung. People crowd in and talk to me in dreams. People who died or disappeared or whose connection to my own life makes no logical sense, but exists, as strong as ever, in a past that seeps and stains instead of fading. The first time I took Ambien, a drug that makes some people sleep-fix sandwiches and sleepwalk on broken glass, I felt as if everyone I’d ever known were gathered around, not unpleasantly. It was a party and had a warm reunion feel to it. We were all there.

But sometimes the million stories I’ve got and the million people I’ve known pelt the roof of my internal world like a hailstorm. — Rachel Kushner*

A series of online events:

On Tuesday, Kushner will join Hal Foster to talk about her new book of essays The Hard Crowd. The following day she will join Dana Spiotta in conversation. And a week after that, Kim Gordon will sit down with the author.

RACHEL KUSHNER and HAL FOSTER—THE HARD CROWD

London Review 

Tuesday, April 6.

11 am on the West Coast, 2 pm East Coast, 6 pm London, 7 pm Paris.

RACHEL KUSHNER and DANA SPIOTTA IN CONVERSATION

City Lights 

Wednesday, April 7.

6 pm on the West Coast, 9 pm East Coast.

RACHEL KUSHNER with KIM GORDON

Skylight Books

Wednesday, April 14.

6:30 pm on the West Coast, 9:30 pm East Coast.

*Rachel Kushner, The Hard Crowd: Essays 2000–2020 (New York: Scribner, 2021). Text © Rachel Kushner, courtesy of the author and Scribner.

From top: Rachel Kushner, photograph by Chloe Aftel; Rachel Kushner, The Hard Crowd: Essays 2000–2020. Images courtesy and © the author and Scribner.

ON WOJNAROWICZ

On the occasion of the streaming release of WOJNAROWICZ—F**K YOU F*GGOT F**CKER, filmmaker Chris McKim will join editor Dave Stanke and artist-activist Leo Herrera in conversation.

The film features commentary by Fran Lebowitz, Peter Hujar, Kiki Smith, Richard Kern, Nan Goldin, and Carlo McCormick. See links below for information.

WOJNAROWICZ Q & A—CHRIS MCKIM, DAVE STANKE, and LEO HERRERA

Film Forum

Tuesday, March 30.

4 pm on the West Coast, 7 pm East Coast.

WOJNAROWICZ—F**K YOU F*GGOT F**KER

Directed by Chris McKim.

Laemmle Virtual Cinema

Through April 1.

Chris McKim, Wojnarowicz (2020), from top: Untitled, David Wojnarowicz image courtesy of the David Wojnarowicz Papers, Fales Library and Special Collections, New York University; Wojnarowicz, image courtesy of Tom Rauffenbart; Wojnarowicz poster courtesy and © World of Wonder and Kino Lorber; David Wojnarowicz, Fuck You Faggot Fucker, 1984, image © the Estate of David Wojnarowicz, courtesy of the estate and P.P.O.W.; Wojnarowicz, image © the Estate of David Wojnarowicz, courtesy of the estate and P.P.O.W.