The International Imagination of Anti-National Anti-Imperialist Feelings (IIAAF)—a coalition of artist and activist groups—has called for ten weeks of protest and action against the leadership of the Museum of Modern Art in New York City, beginning on April 9. What follows is a brief excerpt from their Strike MoMA framework and terms for struggle.

Any day now, hedge fund billionaire Leon Black is likely to resign as the chair of the board of MoMA. [On March 26, Black reportedly told colleagues he would not stand for chair re-election in June, but is expected to remain on the board.] It has been six weeks since the deep financial ties between Black and Jeffery Epstein resurfaced in the headlines. Black has already stepped down from Apollo Global Management, but MoMA remains silent about his ongoing role at the museum. Artists and community groups have demanded that Black be removed, and calls for action have been circulating publicly for a month. Last week anonymous sources confirmed to the media that Black is facing pressure from other members of the board to step down. They know his  continued presence on the board is a recipe for crisis, but getting rid of him could set a precedent and put at risk MoMA’s use of his priceless art collection. The museum administration is in a classic decision dilemma.

Whether Black stays or goes, a consensus has emerged: beyond any one board member, MoMA itself is the problem. MoMA Divest offered a summary of its reasoning as follows:

“Five MoMA board members—Steven Tananbaum, Glenn Dubin, Steven Cohen, Leon Black, Larry Fink—have been identified and targeted by different groups over the last year for their ties to war, racist prison and border enforcement systems, vulture fund exploitation, gentrification and displacement of the poor, extractivism and environmental degradation, and patriarchal forms of violence. Board members also have ties and donate to the NYPD Police Foundation. In short, the rot is at the core of the institution, which includes PS1.”

We agree, and also point to Honorary Chair Ronald Lauder, the cosmetics billionaire who is also president of the Zionist lobbying group World Jewish Congress and a major Trump donor. Deserving of recognition as well is board member Patricia Phelps Cisneros, whose billions come from the right-wing Grupo Cisneros media-industrial empire in Latin America. Speaking of Latin America, let’s shine a light on Tananbaum, Jeff Koons enthusiast and chief investment officer at Golden Tree Assets, one of the hedge funds involved in extracting wealth from the people of Puerto Rico through the PROMESA debt-restructuring program. And how could we forget Paula Crown and James Crown of the General Dynamics armaments fortune, whose Crown Creativity Lab on the second floor of the museum hosts The Peoples Studio, an “experimental space where visitors can explore the art and ideas of our time through participatory programs.” This is the condition of modernity that we find at Modernism Central: death-dealing oligarchs using art as an instrument of accumulation and shield for their violence.

From top: Image from MoMA exhibition on home movies Private Lives, Public Spaces (2021); Strike MoMA, courtesy and © IIAAF.

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