Tag Archives: Anna Karina

ANNA

Join La Collectionneuse and Dynasty Typewriter for a special screening of the French art-pop musical ANNA (1967, directed by Pierre Koralnik), the first color film made for French television.

Starring Anna Karina, Serge Gainsbourg (who also wrote the songs), Marianne Faithfull (who sings one of them) and Jean-Claude Brialy, ANNA will be preceded by a Videotheque mix by EXP TV of surreal visuals and yé-yé hits by Jane Birkin, Françoise Hardy, France Gall, and more. The evening will close with a DJ set by Décandanse Soirée.

ANNA

Saturday, May 25, at 7:30 pm.

Hayworth Theatre

2511 Wilshire Boulevard, Los Angeles.

From top: Anna Karina and Jean-Claude Brialy in Anna; Serge Gainsbourg and Karina on set in Paris; soundtrack album cover, courtesy and Philips; Marianne Faithfull in Anna; Karina.

GODARD ENCORE AT THE AERO

A sequel of sorts to the recent American Cinematheque series For the Love of Godard arrives this weekend at the Aero.

CONTEMPT (Le Mépris) and ALPHAVILLE will screen, as well as 35mm prints of LE PETIT SOLDAT and MADE IN U.S.A.Anna Karina’s last film for Jean-Luc Godard, featuring a cameo by Marianne Faithfull.

And if you missed last year’s MOCA screening of ONE PLUS ONE—Godard’s documentary incorporating the Rolling Stone’s “Sympathy for the Devil” recording sessions—it will be at the Aero Sunday night.

(The Cinematheque’s exclusive run of Godard’s new film THE IMAGE BOOKLe livre d’imagecommences Friday, February 15.)

CONTEMPT and LE PETIT SOLDAT

Friday, January 18, at 7:30 pm.

ALPHAVILLE and MADE IN U.S.A.

Saturday, January 19, at 7:30

ONE PLUS ONE

Sunday, January 20, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

From top: Brigitte Bardot and Michel Piccoli in Contempt (1963); Piccoli(left), Fritz Lang, Jack Palance, and Jean-Luc Godard, on the set of ContemptAnna Karina in Alphaville (1965). Image credit: Rialto Pictures.

GODARD AT THE AERO

“A story should have a beginning, a middle, and an end… but not necessarily in that order.” — Jean-Luc Godard

The American Cinematheque kicks off its upcoming Aero series For the Love of Godard with a members’ screening of LE REDOUTABLE / GODARD MON AMOUR. Written and directed Michel Hazanavicius (The Artist, 2011), the new film is based on the autobiographical novel Un an après (“a year later”) by Anne Wiazemsky. The book covers the period Wiazemsky starred in LA CHINOISE (1967), Godard’s investigation of a group of Parisian Maoists.

Wiazemsky and Godard were wed while shooting LA CHINOISE—a paradigm of the director’s creative approach to editing—but the marriage was strained from the start by a director distracted by public indifference to his recent work.  At the same time, Godard became entrenched in the burgeoning revolution that had begun in the mid-Sixties at the university at Nanterre, and which culminated in the general strikes and Latin Quarter street battles of 1968—events for which LA CHINOISE had provided an agitprop blueprint.

GODARD MON AMOUR—starring Louis Garrel and Stacy Martin—gained Waizemsky’s blessing after Hazanavicius promised her the movie would be a comedy.  She joined him at the film’s Cannes premiere last year, one of her last public appearances before her death in October 2017.

Subsequent screenings in the series include LA CHINOISEÀ BOUT DE SOUFFLE (Breathless), BANDE À PART (Band of Outsiders), WEEKEND, and VIVRE SA VIE, as well as a 3-D presentation of ADIEU AU LANGAGE (Goodbye to Language).

GODARD MON AMOUR

With a post-screening conversation with Michel Hazanavicius.

Monday, April 16, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

LA CHINOISE

Wednesday, April 18, at 7:30 pm.

BREATHLESS and BAND OF OUTSIDERS

Saturday, April 21, at 7:30 pm.

GOODBYE TO LANGUAGE

Thursday, April 26, at 7:30 pm.

WEEKEND and VIVRE SA VIE

Friday, April 27, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

From top: Louis Garrel (foreground left) as Godard, Stacy Martin as Wiazemsky, and Micha Lescot as Jean-Pierre Bamberger (“Bambam”) in Le redoutable/Godard Mon Amour, image courtesy Cohen Media GroupAnne Wiazemsky and Jean-Luc Godard filming La Chinoise, image courtesy Pennebaker Films/PhotofestJean-Paul Belmondo and Jean Seberg in Breathless; Anna Karina with Claude Brasseur and Sami Frey at the Louvre in Band of Outsiders.

VISCONTI AND MASTROIANNI

Between 1949 and 1956, Luchino Visconti directed Marcello Mastroianni onstage seven times, mostly in Rome. Reflecting the early years of what David Thomson called “Visconti’s taste for high–minded literary thunder,” Mastroianni played the younger son in Death of a Salesman, Michail Astrov in Uncle Vanya, and Mitch in A Streetcar Named Desire, among others.

For their first film together, Visconti and Mastroianni chose Dostoevsky’s “White Nights”—also the source for Robert Bresson ’s Quatre nuits d’un rêveur—the story of a lonely, nameless narrator and his brief, unfulfilled encounter with an unattainable young woman. Visconti’s 1957 version, LE NOTTI BIANCHE/WHITE NIGHTS, co-stars Maria Schell and Jean Marais.

Ten years later, after Alain Delon dropped out of the role, Mastroianni—by then an international star—reunited with the director to play Meursault in LO STRANIERO/THE STRANGER, an unjustly forgotten film unavailable on DVD. Anna Karina and Bernard Blier co-star.

As part of their Il bello Marcello series, the Film Society of Lincoln Center will screen both Visconti/Mastroianni collaborations in beautiful 35 mm prints from the Istituto Luce Cinecittà.

 

LE NOTTI BIANCHE / WHITE NIGHTS

Thursday, May 25, at 2 pm.

LO STRANIERO / THE STRANGER

Saturday, May 27, at 7 pm, and Tuesday, May 30, at 4:15 pm.

Walter Reade Theater

165 West 65th Street, New York City.

Top: Marcello Mastroianni and Maria Schell in Le Notti bianche.

Above: Jean Marais (left), Schell, and Mastroianni on set, Le Notti bianche. Image credit: AFP/Getty Images.

Below: Mastroianni in Lo Straniero.