Tag Archives: Annette Kelm

PARKETT — PHOTO

Parkett presents PHOTO, “the first survey exhibition of all photographic works made by artists for the journal over the last three decades. On view at Parkett’s Zurich space, the show includes some ninety works spanning a rarely seen, vast, and diverse range of photographic positions and ideas.”*

“The exhibition follows the evolution of photographic methods in the past three decades, with many of the earlier photographs making use of analog techniques, while digital editing informs the more recent works. Common threads including people and portraiture, landscapes both urban and natural, everyday objects, and abstraction, connect an otherwise expansive range of visual topics.”*

“Many of the works on view combine photographic elements with other media, such as gouache, collage, textiles, installation, or printmaking. Also on view are works, which while similar in terms of media and format, are unique and contain distinct differences within each project. Further exhibition displays include five video works, as well as a selection of artists’ inserts—the specially commissioned 10–12 book page projects published in each issue of Parkett.”*

“You can grab an issue from thirty years ago and see the context. You can grab that context and time. The internet has no historical orientation. You click on an article and you don’t know what context [it was published in]. I think this loss of memory is deplorable.” — Jacqueline Burckhardt, Parkett co-founding editor**

PHOTO

THE FIRST SURVEY OF ALL PHOTOGRAPHIC WORKS MADE BY ARTISTS FOR PARKETT SINCE 1984*

Through September 28.

Parkett Space Zürich

Limmatstrasse 268, Zürich.

**See “Time, Context, Object—The Parkett Story,” PARIS LA 16 (2018).

PHOTO artists include: Tomma Abts, Franz Ackermann, Doug Aitken, Allora/Calzadilla, Francis Alys, Ed Atkins, John Baldessari, Yto Barrada, Vanessa Beecroft, Alighiero e Boetti, Christian Boltanski, Glenn Brown, Angela Bulloch, Maurizio Cattelan, Chuck Close, Tacita Dean, Jeremy Deller, Thomas Demand, Trisha Donnelly, Tracey Emin, Omer Fast, Robert Frank, Katharina Fritsch, Cyprien Gaillard, Ellen Gallagher, Adrian Ghenie, Gilbert & George, Robert Gober, Nan Goldin, Dominique Gonzalez-Foerster, Felix Gonzalez-Torres, Dan Graham, Andreas Gursky, David Hammons, Rachel Harrison, Christian Jankowski, Annette Kelm, Martin Kippenberger, Jeff Koons, Jannis Kounellis, Lee Kit, Zoe Leonard, Liu Xiaodong, Paul McCarthy, Marilyn Minter, Tracey Moffatt, Jean-Luc Mylayne, Bruce Nauman, Gabriel Orozco, Richard Phillips, Sigmar Polke, Richard Prince, RH Quaytman, Charles Ray, Jason Rhoades, Pipilotti Rist, Ugo Rondinone, Mika Rottenberg, Thomas Ruff, Anri Sala, Wilhelm Sasnal, Gregor Schneider, Shirana Shahbazi, Cindy Sherman, Roman Signer, Dayanita Singh, Hito Steyerl, Beat Streuli, Thomas Struth, Sturtevant, Hiroshi Sugimoto, Sam Taylor-Wood, Diana Thater, Rosemarie Trockel, Wolfgang Tillmans, Danh Vo, Charline von Heyl, Jeff Wall, Andy Warhol, Lawrence Weiner, Christopher Wool, and Yang Fudong.

Parkett editions, from top: Doug Aitken, Decrease the Mass and Run like Hell, 1999, for Parkett 57; Vanessa Beecroft, untitled, 1999, for Parkett 56; Andy Warhol, untitled, 1987, for Parkett 12, 1987; David Hammons, Money Tree, 1992, for Parkett 31; Wolfgang Tillmans, Parkett edition 1992–1998, for Parkett 53; Trisha Donnelly, The Dashiell Delay, 2006 (2), for Parkett 77; Shirana Shahbazi, Composition with Mountain, 2014, for Parkett 94; Sigmar Polke, Desastres und andere bare Wunder, 1982–1984, for Parkett 2; Cindy Sherman, untitled, 1991, for Parkett 29; Jannis Kounellis, untitled, 1985, for Parkett 6; Tracey Emin, Self-Portrait, 12.11.01, for Parkett 63; Franz Ackermann, Peak Season, 2003, for Parkett 68. Images courtesy and © the artists and Parkett.


GROUNDINGS

GROUNDINGS, organized by Grace Deveney and Tara Aisha Willis, explores movement—seen and unseen—through a series of residencies with artists who work in dance, music, and performance art. The exhibition considers the reciprocal influence between bodies in motion and the invisible forces that govern movement, such as gravity, time, and electricity.

Over the run of GROUNDINGS, performers will hold open rehearsals in which they create performances and physical objects that speak to the themes of the exhibition.

GROUNDINGS artists include Katinka Bock, Blythe Bohnen, George Brecht, John Cage, Martin Soto Climent, Julia Dault, JimmyDeSana, Jonas Dovydenas, Adam EkbergWhit Forrester, Felix Gonzalez-Torres, Rashid Johnson, IsaacJulien, Annette Kelm, Paul Mpagi Sepuya, Jack Pierson, Stan Shellabarger, Nancy Spero, Dannielle Tegeder, CarrieMae Weems, and James Welling.

GROUNDINGS

Through May 12.

MCA Chicago

220 East Chicago Avenue, Chicago.

From top:

John CageA Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity, 1978. Felt-tip pen on map. Collection Museum of Contemporary Art Chicago. © 1993 John Cage TrustPhotograph © MCA Chicago.

Annette KelmUntitled, 2012. Chromogenic development print. Collection Museum of Contemporary Art Chicago.

Jimmy De SanaCowboy Boots, 1984. Vintage cibachrome. Collection Museum of Contemporary Art Chicago. Courtesy of the JimmyDe Sana Trust and Salon 94, New York.

Rashid Johnson, Multiple Consciousness, 2010. Gelatin silver print. Collection Museum of Contemporary Art Chicago. © 2010 RashidJohnsonPhotograph by Nathan Keay© MCA Chicago.

STERLING RUBY’S TRAINS AT NIGHT GALLERY

TRAINSTRAINS

Night Gallery

THE EXHIBITION WILL BE LAID OUT IN LINES. THE EXHIBITION WILL BE HUNG IN

SEQUENCES BREAKING CHRONOLOGY. THE EXHIBITION WILL BE FORMAL, BUT NOT

JUST SHAPES. PHOTOGRAPHY AND SCULPTURE ARE NOT THE SAME THING, BUT

THEY ARE COMPANIONS. SOME CHOOSE MORE, SOME CHOOSE LESS, EVERYONE

HAS TO HAVE AT LEAST TWO, AND THE BOUNDARIES ARE DERAILED.

PHOTOGRAPHY: NOBUYOSHI ARAKI, SARAH CONAWAY, RICHARD HAWKINS, MARCEL

ALCALÁ, ANNETTE KELM, MELANIE SCHIFF. SCULPTURE: THEA DJORDJADZE, ERIK

FRYDENBORG, PIERO GOLIA, JEFF ONO, AUGUSTUS THOMPSON, BRENNA

YOUNGBLOOD.

MOTIVE POWER, PULL YOUR WEIGHT, WHEN WILL THIS TRAIN EVER END, THE

PASSENGERS, THE UNDERGROUND, BLOCKING THE VARNISH, NIGHT TRAIN

EXPRESS, SPATIALLY SEPARATED IMAGES AND OBJECTS OCCUR AT THE SAME TIME

BECOMING LINKED BY THE OBSERVER, TRAIN AND PLATFORM EXPERIMENTS, WHEN

& WHERE EVENTS OCCUR WHEN YOU WERE NOT PRESENT, THE LOCOMOTIVE, THE

CHAIN, THE CABOOSE, THE TROLLEY PROBLEM, THE O TRAIN, THE REAPER RIPS

OVER THE TRACKS AND NOW EVERYTHING IS COVERED IN PISS.

— STERLING RUBY L.A., CA AUGUST 2014

Installation, TRAINS (image courtesy of Night Gallery, photo: Dawn Blackman)

Installation, TRAINS
(image courtesy of Night Gallery, photo: Dawn Blackman)

Richard Hawkins & Marcel Alcala  (image courtesy of Night Gallery, photo: Dawn Blackman)

Richard Hawkins & Marcel Alcala
(image courtesy of Night Gallery, photo: Dawn Blackman)

Annette Kelm (image courtesy of Night Gallery, photo: Dawn Blackman)

Annette Kelm
(image courtesy of Night Gallery, photo: Dawn Blackman)

Installation, TRAINS (image courtesy of Night Gallery, photo: Dawn Blackman)

Installation, TRAINS
(image courtesy of Night Gallery, photo: Dawn Blackman)

Installation, TRAINS (image courtesy of Night Gallery, photo: Dawn Blackman)

Installation, TRAINS
(image courtesy of Night Gallery, photo: Dawn Blackman)

Installation, TRAINS (image courtesy of Night Gallery, photo: Dawn Blackman)

Installation, TRAINS
(image courtesy of Night Gallery, photo: Dawn Blackman)