Tag Archives: Art Catalogues LACMA

ART CATALOGUES — L.A. TO PARIS

Dagny Corcoran is packing up and moving to Paris.

Art Catalogues—Corcoran’s LACMA destination for out-of-print catalogues, new art books, and artist’s editions—is relocating to Staffan Ahrenberg’s Cahiers d’Art space in Paris’ Sixth.

Corcoran will also maintain an Art Catalogues office and showroom in Culver City.

ART CATALOGUES

Last day, December 31, 2018.

LACMA

5905 Wilshire Boulevard, Los Angeles.

From top:

Michael HeizerLevitated Mass, 2012. Archival digital print, LACMA.

Cahiers d’Art, 2012 edition.

Art Catalogues in the Ahmanson Building at LACMA.

Dagny Corcoran. Images courtesy Corcoran, Art Catalogues, and LACMA.

ALEX PRAGER’S GRANDE SORTIE

Commissioned by Benjamin Millepied when he was the head of the Paris Opéra Ballet, LA GRANDE SORTIE is Alex Prager’s short film about the audience-performance dichotomy, the psychology of the crowd, and spontaneous, unresolved connections never to be repeated.

Join Prager and LACMA director Michael Govan for a post-screening discussion in the museum’s Art Catalogues shop.

 

LA GRAND SORTIE

Saturday, October 13, at 3:30 pm.

Bing Theater, LACMA, 5905 Wilshire Boulevard, Los Angeles.

ALEX PRAGER and MICHAEL GOVAN IN CONVERSATION

Art Catalogues, LACMA, following the screening.

Above: Alex Prager, La Grande sortie.

Below: Émilie Cozette in La Grande sortie. Images courtesy the artist.

SHANA LUTKER

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The 1935 fistfight between André Breton and Ilya Ehrenburg is the focus of Shana Lutker’s CHAPTER 5: PHOSPHORESCENCE, PHEASANTS, AND UNPLEASANTS, a multimedia performance piece presented this weekend at Art Catalogues, followed by a book signing.

 

SHANA LUTKER—CHAPTER 5: PHOSPHORESCENCE, PHEASANTS, AND UNPLEASANTS, Sunday, March 4, at 4 pm.

ART CATALOGUES, LACMA, 5905 Wilshire Boulevard, Los Angeles.

artcatalogues.com/news

lacma.org/shana-lutker

shanalutker.com/artforum-review

Above: André Breton and Ilya Ehrenburg

Below: Shana Lutker.

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ABSTRACT FIGURATION

Earlier this year, former Interview editor and Vanity Fair special correspondent Bob Colacello made his curatorial debut with THE AGE OF AMBIGUITY: ABSTRACT FIGURATION/FIGURATIVE ABSTRACTION at the Vito Schnabel Gallery in St. Moritz.

The catalogue—published by Schnabel, with text by Colacello—is an 82-page hardcover featuring work by Jean-Michel Basquiat, The Bruce High Quality Foundation, Jeff Elrod, Jacqueline Humphries, Rashid Johnson, Adam McEwen, Sterling Ruby, Borna Sammak, Jonas Wood, Vito’s father Julian Schnabel, and Bob’s former employer Andy Warhol.

“As the 21st century grapples its way through its second decade, America seems to have entered what may be called The Age of Ambiguity, a time when everything is fluid and nothing concrete, and confusion overwhelms certainty… It is said that the best artists are the antennae of their society, the prophets of their era. Is it any wonder, then, that many younger American painters and sculptors have long abandoned the bygone absolutisms of Minimalism on one hand and Hyper-Realism on the other and are making works today that hover in a hard to define space that might be called Abstract Figuration or Figurative Abstraction?” — Bob Colacello*

BOB COLACELLO, THE AGE OF AMBIGUITY (Vito Schnabel, 2017). Edition: 1000.

SKYLIGHT BOOKS, 1818 North Vermont Avenue, Los Feliz, Los Angeles.

BOOK SOUP, 8818 Sunset Boulevard, West Hollywood.

ART CATALOGUES, LACMA, 5905 Wilshire Boulevard, Los Angeles.

vitoschnabel.com/fr/publications/the-age-of-ambiguity

vitoschnabel.com/fr/projets/group-show7/artworks?view=slider

* artnet.com/galleries/vito-schnabel/the-age-of-ambiguity-curated-by/

Top: Exhibition catalogue. Bottom: The Bruce High Quality Foundation, Landscape with Travelers Resting, 2015. Both images courtesy of the Vito Schnabel Gallery.

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