Tag Archives: Autumn Ramsey

AUTOMATIC DOOR

I have made conscious decisions to support artists that live in and produce within ecologies of the body and world in a way that seeks to represent the process of moving into some sort of raw reality or deeper truth, realities or truths that can only be known fleetingly. Of acknowledging what is the truth of the moment, and how that is interconnected to all living things, non-living things, systems of race and class, ideologies of power and economy, and so on. Narrative and meaning exist as support structures within this mode, but as self-reflexive tools that are also by-products. They are treated as just another level of thought trying to understand that that cannot be understood, another level of mimesis. Paul Soto, gallerist*

AUTOMATIC DOOR, a group show at Park View / Paul Soto, will be up for one more week.

Participating artists include Victoria Colmegna, Andy GiannakakisAidan Koch, Mark McKnight, Dylan Mira, Alex Olson, Matt Paweski, Autumn Ramsey, Mark A. Rodriguez, Kate Spencer Stewart, J. Parker Valentine, and Willa Wasserman.

AUTOMATIC DOOR*

Through August 30.

Park View / Paul Soto

2271 West Washington Boulevard, Los Angeles.

Automatic Door, Park View / Paul Soto, August 2019. Images courtesy and © the artists and Park View / Paul Soto.

CARLA 17 LAUNCH

The launch party for CARLA 17 is this weekend at Park View / Paul Soto.

The new issue includes features on Donna Huanca, David Hammons, Ragen Moss, and collectors and Gemini G.E.L. founders Elyse and Stanley Grinstein.

Concurrent with the launch is AUTOMATIC DOOR, a group show featuring the work of Victoria Colmegna, Andy GiannakakisAidan Koch, Mark McKnight, Dylan Mira, Alex Olson, Matt Paweski, Autumn Ramsey, Mark A. Rodriguez, Kate Spencer Stewart, J. Parker Valentine, and Willa Wasserman.

CARLA ISSUE 17 LAUNCH

Saturday, August 17, from 5 pm to 8 pm.

Park View / Paul Soto

2271 West Washington Boulevard, Los Angeles.

From top: Carla issue 17 (3); Carla issue 1. Images courtesy and © Contemporary Art Review Los Angeles.

PAINT, ALSO KNOWN AS BLOOD

PAINT, ALSO KNOWN AS BLOOD—WOMEN, AFFECT, AND DESIRE IN CONTEMPORARY PAINTING is a large-scale exhibition “devoted to women whose painting practice re-evaluates stereotypes concerning submission and domination”*

The show—featuring work from Poland and abroad— “takes on the challenge of representing the intensity of the external and internal worlds…

“In the beginning of the 1990s, third-wave feminism introduced a new, sometimes self-mocking and ironic, unconstrained and exhibitionist tone in the debate on the images of women in culture, their social roles and desires, the physiology of their bodies, and identity. The exhibition demonstrates that—despite the advancing digitization and dematerialization occurring in social media—firmly embedded in the body, its pleasures, and traumas, painting remains an exceptionally evocative medium for representing human experience.”

“In the context of current social transformations, the postulates of equal access to reproductive and sexual rights, and the race and class struggles, women’s painting provides an important contemplation on the violence inscribed in the orders of seeing and consuming images—how we look at them, what we see, and how others see us. And yet, this is not the kind of painting that seeks to forcibly instruct, provide current affairs commentary, or to admonish. Rather, it calls for alternative scenarios and, most of all, the freedom of expression and the presence of multiple, intersecting identities…”*

PAINT, ALSO KNOWN AS BLOOD—WOMEN, AFFECT, AND DESIRE IN CONTEMPORARY PAINTING*

Through August 11.

Museum of Modern Art in Warsaw

Wybrzeże Kościuszkowskie 22, Warsaw.

Artists in the exhibition include Lena Achtelik, Darja Bajagic, Gosia Bartosik, Kamilla Bischof, Agata Bogacka, Martyna Borowiecka, Agnieszka Brzeżańska, Chelsea Culprit, Martyna Czech, Olga Dmowska, Angela Dufresne, Isabelle Fein, Viola Głowacka, Penny Goring, Jenna Gribbon, Hyon Gyon, Karolina Jabłońska, Katarina Janeckova, Cheyenne Julien, Ewa JuszkiewiczCelina Kanunnikava, Irini Karayannopoulou, Allison Katz, Simone Kennedy Doig, Caitlin Keogh, Stanislava Kovalcikova, Dominika Kowynia, Sarah Ksieska, Katarzyna Kukuła, Agata Kus, Sasa Lubinska, Reba Maybury, Monika Misztal, Magdalena Moskwa, Marta Nadolle, Paulina Ołowska, Julia Poziomecka, Christina Quarles, Autumn Ramsey, Megan Rooney, Dana Schutz, Tschabalala Self, Agata Słowak, Paulina Stasik, Frieda Toranzo Jaeger, Alex Urban, Aleksandra Waliszewska, Ambera Wellmann, Issy Wood, and Amelie von Wulffen.

From top: Christina Quarles, Grounded By Tha Side of Yew, 2017, acrylic on canvas, courtesy of the artist and Pilar Corrias, London; Karolina Jabłońska, Goddess, 2018, oil on canvas; Martyna Borowiecka, Sleepy snakes lay curled up in their secret hides, 2018 oil on canvas; Chelsea Culprit, Cheeseburger in Paradise, 2016, oil, acrylic, mixed media, canvas, 110 x 87 cm. The FED Collection, Mexico; Ambera Wellmann, Now Now, 2018, oil, canvas; Martyna Czech, Yours Forever, 2018, oil on canvas. All images courtesy and © the artists, collectors, and the Museum of Modern Art in Warsaw.