For his directorial debut, Rashid Johnson has shot an update of Richard Wright’s controversial 1940 novel about Bigger Thomas’ seemingly irrevocable slide into the void. The screenplay by Suzan Lori-Parks changes some of the novel’s key plot points—”It’s not the book,” Elvis Mitchell told a recent Film Independent audience at the Arclight screening in Hollywood—but the expendability of black lives in this new NATIVE SON is, tragically, still contemporary.
“One of the criticisms of the book—and one I share—is the character’s lack of agency. Wright wrote them as archetypes.” — Rashid Johnson, at the Film Independent screening of NATIVE SON
As Bigger, Ashton Sanders (Moonlight) gives a performance of cool hesitation that recalls the voice and armature of James Dean and a young Keanu Reeves. For a scene at the home of Bigger’s rich, art-collecting employer, Johnson—in an audacious move—places his own 2015 painting Untitled (Anxious Man) directly behind Sanders as an angel/devil-over-my-shoulder figure.
NATIVE SON—which premieres tonight on HBO—co-stars KiKi Layne (If Beale Street Could Talk), Bill Camp, Sanaa Lathan, Margaret Qualley, Nick Robinson, Elizabeth Marvel, and David Alan Grier.
From April 6.
Film stills, from top: Ashton Sanders in Native Son (2019); Sanders and KiKi Layne; Sanders; Sanders and Nick Robinson (right); Sanders. Photographs by Matthew Libatique, images courtesy Sundance Institute and HBO.
Film Independent photos, from top: KiKi Layne and Rashid Johnson; Elvis Mitchell, Johnson, and Layne. Film Independent Presents HBO Screening Series—Native Son, March 20, 2019, Arclight Hollywood, photographs by Araya Diaz/Getty Images.
