Tag Archives: building: a simulacrum of power

WEEKLY WRAP UP | AUG. 18-22, 2014

1961 photograph by Ralph Crane documenting “Black Cat Auditions in Hollywood.”   For Tales of Terror (1962) by Roger Corman

1961 photograph by Ralph Crane documenting “Black Cat Auditions in Hollywood”
For Tales of Terror (1962) by Roger Corman

This week we started off with some documentation of Another Cats Show at 356 Mission, Los Angeles, announced an evening of powerpoint presentations at Machine Project by the Los Angeles Seminary for Civic and Embodied Art (LASECA), shared photographs from the Peter Hujar exhibition at Maureen Paley in London, watched the 1959 film The Savage Eye, shared images of the Lucio Fontana exhibition at MAM, announced Margaret Lee’s exhibition at The Green Gallery in Chicago, and announced the performance building: a simulacrum of power at Clockshop this weekend.

 

BUILDING : A SIMULACRUM OF POWER

Photo Credit: Jeny Amaya and Mackenzie Hoffman  Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman
Courtesy of Clockshop

This Sunday August 24th at 6:45pm, Clockshop presents building: a simulacrum of power on the site of The Unfinished.

The performance takes place at Bowtie Project, 2800 Casitas Ave., Los Angeles, CA 90039 (see map)

Please join us for building: a simulacrum of power, a performance by Rafa Esparza with artist Rebeca Hernandez on the site of Michael Parker’s The Unfinished. For this new work Esparza has held with his parents and siblings a collaborative, labor intensive residency prompted by the historical precedents of power and labor dynamics referenced in Parker’s The Unfinished.

In a continuation of working both with his family and with adobe brick making, Esparza invited his 4 brothers, his sister, and his parents to assist in making enough adobe bricks to cover the entire 137’ long obelisk. For apprx. 3 weeks the bricks have been molded and dried onsite using water from the L.A. river and resources made available by the Esparza family, Clockshop, California State Parks and Michael Parker. Once completed the bricks will be laid atop The Unfinished, where Esparza and Hernandez will stage movement-based performances engaging the bricked surface, the LA River and the sun.

Photo Credit: Jeny Amaya and Mackenzie Hoffman  Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman
Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman  Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman
Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman  Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman
Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman  Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman
Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman  Courtesy of Clockshop

Photo Credit: Jeny Amaya and Mackenzie Hoffman
Courtesy of Clockshop