Tag Archives: Caravaggio

CARAVAGGIO

From the Galleria Borghese in Rome—home to the largest Caravaggio holdings in the world—the exhibition CARAVAGGIO—MASTERPIECES FROM THE GALLERIA BORGHESE will be at the Getty Center through mid-February.

 

CARAVAGGIO—MASTERPIECES FROM THE GALLERIA BORGHESE, through February 18.

GETTY CENTER, 1200 Getty Center Drive, Brentwood, Los Angeles.

getty.edu/art/exhibitions/caravaggio

Caravaggio, David with the Head of Goliath, about 1609-1610; oil on canvas.

Image credit: Ministero dei Beni e delle Attività Culturali e del Turismo–Galleria Borghese.

Image result for caravaggio david with head of goliath

Caravaggio-David-with-the-Head-of-Goliath

HERVÉ GUIBERT

CRAZY FOR VINCENT belongs in the tradition of what you might call ‘fucked-up boy art’—not verifiably straight or gay, but just devoted to ogling the hot wreck of a handsome young thing out of his mind. Vincent [Marmousez] doesn’t call himself anything whether he’s hopping into a cerebral dude’s bed or frolicking with a babe… A history of this tradition might begin with Caravaggio’s Young Sick Bacchus, that self-portrait of the artist totally wasted with his flesh tinged green, move through Anne Carson’s verse novel Autobiography of Red (1998) and Larry Clark’s entire career, before climaxing with Ryan McGinley’s shots of the late Dash Snow. Who could resist these beautiful hoodlums, even if their company turns out to be fatal?” — Charlie Fox*

 

CRAZY FOR VINCENT, by HERVÉ GUIBERT

1989, reprinted by Semiotext(e) in 2017, translation by Christine Pichini, introduction by Bruce Hainley.

semiotexte.com

frieze.com/crazy-vincent

See Ron Slate on Guibert: ronslate.com/ghost_image_essays_herv_guibert

Bottom: Hervé Guibert (1955–1991).

Guibert1989Guibert1989

JAKOB KOLDING IN GENEVA

Jakob Kolding—a Danish artist with recent shows in Berlin (ACUD), Chicago (Neubauer Collegium), Los Angeles and New York (Team Gallery)—and the Centre d’édition contemporaine in Geneva present the new exhibition THE OUTSIDE OR THE INSIDE OF THE INTERNALISED EXTERNALISED.

For this show, Kolding proposes “a scenography reminiscent of 19th century dioramas or the photomontages of the Théâtre Alfred Jarry, a small theatre that will fill all [the] exhibition spaces and be visible from outside, both as an installation and a public artwork. Several scaled up or down ‘standing’ silhouettes—Virginia Woolf, Jorge Luis Borges, Yvonne Rainer, Carl Andre, Lygia Clark, Édouard Manet, Adolfo Bioy Casares, Sigmund Freud, etc.—will be grouped on this stage set, creating an interplay of juxtapositions and gaps….illustrative of Jakob Kolding’s extended vocabulary of literary, philosophical, artistic or personal references, and encouraging a sociological, cultural and aesthetic interrogation of the use of space.

“Through a proven practice of collage extended to the exhibition space, Kolding proposes dynamic confrontations drawn from a variety of sources—the paintings of Caravaggio, the architecture of Ludwig Mies van der Rohe, the music of performers such as Arthur Russell and LL Cool J. These collisions—remixed in a highly-advanced montage aesthetic, and operating between a form of cultural dominance and spontaneous, humorous resistance—give his collages a fast-moving, quasi-musical and choreographic rhythm.”*

 

JAKOB KOLDING—THE OUTSIDE OR THE INSIDE OF THE INTERNALISED EXTERNALISED, Nuit de Bains opening preview, Thursday, May 18 at 6 pm.

Exhibition runs from May 19 through September 30.

CENTRE D’ÉDITION CONTEMPORAINE GENÈVE, Quartier des Bains, Geneva.

*c-e-c.ch/wordpress/en/news/mathisgasserdetail/

Jakob Kolding, Houseplants, 2017 © Jakob Kolding Image credit: CEC, Geneva

Jakob Kolding, Houseplants, 2017
© Jakob Kolding
Image credit: CEC Genève