Tag Archives: Claudia Rankine

CLAUDIA RANKINE AND JUDITH BUTLER IN CONVERSATION

On my way to retrieve my coat I’m paused in the hallway in someone else’s home when a man approaches to tell me he thinks his greatest privilege is his height. There’s a politics around who is tallest, and right now he’s passively blocking passage, so yes. But greatest, no. Predictably, I say, I think your whiteness is your greatest privilege. To this, he pivots and reports that, unlike other whites who have confessed to him they are scared of Blacks, he is comfortable around Black people because he played basketball. He doesn’t say with Black men because that’s implied. For no good reason, except perhaps inside the inane logic of if you like something so much, you might as well marry it, I ask him, are you married to a Black woman? What? He says, no, she’s Jewish. After a pause, he adds, she’s white. I don’t ask him about his closest friends, his colleagues, his neighbors, his wife’s friends, his institutions, our institutions, structural racism, unconscious bias — I just decide, since nothing keeps happening, no new social interaction, no new utterances from me or him, both of us in default fantasies, I just decide to stop tilting my head to look up.

I have again reached the end of waiting. What is it the theorist Saidiya Hartman said? “Educating white people about racism has failed.” Or, was it that “hallways are liminal zones where we shouldn’t fail to see what’s possible.” Either way, and still, all the way home, the tall man’s image stands before me, ineluctable. And then the Hartman quote I was searching for arrives: “One of the things I think is true, which is a way of thinking about the afterlife of slavery in regard to how we inhabit historical time, is the sense of temporal entanglement, where the past, the present and the future, are not discrete and cut off from one another, but rather that we live the simultaneity of that entanglement. This is almost common sense to Black folk. How does one narrate that?” Her question is the hoop that encircles. Claudia Rankine, from Just Us: An American Conversation*

This week join Rankine and Judith Butler—author of The Force of Nonviolence—in conversation.

This online event is presented by the New Museum’s Stuart Regen Visionaries Series program. See link below for details.

CLAUDIA RANKINE and JUDITH BUTLER IN CONVERSATION

New Museum

Thursday, October 29.

4 pm on the West Coast; 7 pm East Coast.

*Claudia Rankine, Just Us: An American Conversation (Minneapolis: Graywolf Press, 2020). © Claudia Rankine.

From top: Claudia Rankine, photograph courtesy of Blue Flower Arts; Claudia Rankine, Just Us: An American Conversation (2020) cover image courtesy and © Graywolf Press; Judith Butler, The Force of Nonviolence (2020) cover image courtesy and © Verso; Judith Butler, courtesy of the photographer and the author.

JULIANA SPAHR AND CLAUDIA RANKINE

DU BOIS’S TELEGRAM is a brilliant inquiry into the institutions—from the CIA to the foundations and literary magazines it funded—that inform and shape literary production. The promoted, the funded and heralded—from Richard Wright to Gertrude Stein to James Baldwin—do the work of the nation state under the umbrella of culture. Our complicit freedoms are brought out in the open in this thought-provoking and erudite book. This is not a book to agree or disagree with, but rather a compelling argument that brings relevant facts forward for clear-eyed consideration. One would be remiss to pass on such essential research and analysis.” — Claudia Rankine

Juliana Spahr—author of DU BOIS’S TELEGRAM —will be joined by Rankine for a discussion about the book, which takes as its impetus the telegram W.E.B. Du Bois sent when he was denied a passport to attend the 1956 Présence Africaine Congress of Black Writers and Artists in Paris:

“Any Negro-American who travels abroad today must either not discuss race conditions in the United States or say the sort of thing which our State Department wishes the world to believe.” — W.E.B. Du Bois

 

CLAUDINE RANKINE AND JULIANA SPAHR

Thursday, December 13, at 7:30 pm.

92nd Street Y, 1395 Lexington Avenue, New York City.

 

DUBOIS’S TELEGRAM—LITERARY RESISTANCE AND STATE CONTAINMENT, (Cambridge, MA: Harvard University Press, 2018).

Above: Claudia Rankine.

Below: Juliana Spahr.

CLAUDIA RANKINE AND WILL RAWLS — WHAT REMAINS

“I’m still thinking about the potential of using abstraction to speak to identity: How can these two things fit together when identity is so much about announcing, concretizing, and naming, and abstraction is about undoing? Of course, abstraction has roots in something real…

“What does it mean to break apart language, and its history, and to work with it pictographically? Dance has this process built into it already: its visual and affective impact scrambles language. It produces and speaks other languages of and about the body.” — Will Rawls*

WHAT REMAINS—a collaboration between poet and playwright Claudia Rankine, dancer/choreographer Will Rawls, and filmmaker and photographer John Lucas exploring how “erasure and exposure shape black American life”—comes to MCA/Chicago’s Warehouse this week.

Performers include Leslie Cuyjet, Jessica Pretty, and Tara Aisha Willis. The sound design is by Jeremy Toussaint-Baptiste, production design by David Szlasa, and costume design by Eleanor O’Connell.

Tonight, the museum presents Rankine and Rawls for a discussion about their practice.

TALK—CLAUDIA RANKINE WITH WILL RAWLS

Tuesday, December 4, at 8 pm.

Museum of Contemporary Art, 220 East Chicago Avenue, Chicago.

 

WHAT REMAINS

Wednesday through Sunday, December 5, 6, 7, 8, and 9, at 7:30 pm.

MCA Warehouse, 1747 West Hubbard Street, Chicago.

*”Will Rawls: 1000 Words,” Artforum, October 2018, 194.

Claudia Rankine, Will Rawls, and John LucasWhat Remains. Photographs © Julieta Cervantes, courtesy Live Arts Bard.

WOMEN AT WORK

The new interview book by The Paris ReviewWOMEN AT WORK, with an introduction by Ottessa Moshfegh—is limited to 5,000 copies, and is available only through the journal’s website.

Included in the book are interviews with Dorothy ParkerClaudia RankineIsak DinesenSimone de BeauvoirElizabeth BishopMarguerite YourcenarMargaret AtwoodGrace PaleyToni MorrisonJan MorrisJoan Didion, and Hilary Mantel.

 

WOMEN AT WORK—INTERVIEWS FROM THE PARIS REVIEW

theparisreview.org/women-at-work/

Image credit: The Paris Review.

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