Tag Archives: David Horvitz

WHILE I WAS ALSO LISTENING TO DAVID ANTIN

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WHILE I WAS ALSO LISTENING TO NY & LA is a “dynamic and performative extension of the series of exhibitions and events Alors que j’écoutais moi aussi […], developed at La Criée Centre d’Art Contemporain, in Rennes, throughout 2017.

“The different components of this project are linked by a common thematic and conceptual concern: narrative. What is a narrative in art (i.e. as exemplified by the two extremes of a personal story and a general art history)? How is narrative used as a medium and form in the arts? How does narrative in turn generate different forms of interdisciplinarity and intermediality?…

“In March the series crosses the ocean and develops in Los Angeles and New York. David Antin—the American poet and performer who is the figurehead of this ambitious and polyphonic program—has history with both cities. It seemed meaningful to pay a tribute, starting in Los Angeles and ending in his hometown, to two cities that have been (and still are) a reference for artists and writers whose practice blurred the boundaries of poetry, performance, fiction and art.”*

Join Jennie Liu, David Horvitz, Lucky Dragons, Felicia Atkinson, LeRoy Stevens, Julien Bismuth, Krysten Cunningham, and Yann Sérandour for Parts One (at Human Resources) and Two (at CalArts, as part of REFRAMING THE HOUSE OF DUST) of the local iteration of the event.

 

WHILE I WAS ALSO LISTENING TO NY & LA

PART ONE, Thursday, March 22nd, at 8 pm.

HUMAN RESOURCES LOS ANGELES, 410 Cottage Home Street, Chinatown, Los Angeles.

PART TWO, Friday, March 23, from 3 pm to 8 pm.

HOUSE OF GLASS, CALARTS, 24700 McBean Parkway, Valencia.

criee.org/While-I-was-also-listening-to-NYLA

calarts.edu/reframing-the-house-of-dust-activations

See: hyperallergic.com/david-antin-cultural-icon

David Antin.

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WEEKLY WRAP UP | AUGUST 4 – 8, 2014

Postcard: Desert Botanical Gardens, Papago Park, Phoenix, Arizona.

Postcard: Desert Botanical Gardens, Papago Park, Phoenix, Arizona.

This week on the blog we announced Richard Prince’s new book Bibliothèque d’un amateur. Richard Prince’s Publications 1981-2014, and a performance in Los Angeles by Stefan Tcherepnin & Tobias Madison – SHADOW TRENCHES. We took a walk through Martine Syms’ exhibition The Queens English at the Pasadena Armory Center for the Arts, David Horvitz’s and Pia Camil’s exhibitions at Blum & Poe in L.A., and the Dries Van Noten exhibition at the Musée des Arts Décoratifs in Paris. We also gave a little review of Richard Linklater’s new film Boyhood.

Check out our posts!

 

DAVID HORVITZ AT BLUM & POE

David Horvitz Public Access (Pismo Beach), 2011-2014 C-print, wikipedia article printout 10 3/4 x 14 1/2 inches (image www.blumandpoe.com)

David Horvitz
Public Access (Pismo Beach), 2011-2014
C-print, wikipedia article printout
10 3/4 x 14 1/2 inches
(image www.blumandpoe.com)

David Horvitz has a lovely solo exhibition currently on view at Blum & Poe until August 23rd. The exhibition features two installations. The first, a row of clear glass vessels placed on the floor of the gallery  in a line dividing the space in two, contain clear liquid. The second installation is a series of color photographs from Horvitz’s ongoing Public Access project. In 2011, Horvitz travelled up the coast of California from Mexico to Oregon, photographing himself at public beaches. He then placed these photographs on the Wikipedia entries for each beach, often replacing the picture that was already there. The act prompted a negative response from Wiki editors, who were at first confused by the images, and then angered. In his work, Horvitz examines human response to nature, and systems of communication.

David Horvitz Installation View, 2014 Blum & Poe, Los Angeles (image www.blumandpoe.com)

David Horvitz
Installation View, 2014
Blum & Poe, Los Angeles
(image www.blumandpoe.com)

David Horvitz Installation View, 2014 Blum & Poe, Los Angeles (image www.blumandpoe.com)

David Horvitz
Installation View, 2014
Blum & Poe, Los Angeles
(image www.blumandpoe.com)

David Horvitz Installation View, 2014 Blum & Poe, Los Angeles (image www.blumandpoe.com)

David Horvitz
Installation View, 2014
Blum & Poe, Los Angeles
(image www.blumandpoe.com)

David Horvitz Public Access (El Segundo), 2011-2014 C-print, wikipedia article printout 9 5/8 x 14 5/8 inches (image www.blumandpoe.com)

David Horvitz
Public Access (El Segundo), 2011-2014
C-print, wikipedia article printout
9 5/8 x 14 5/8 inches
(image www.blumandpoe.com)

 

A DAY AT THE NEW MUSEUM

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Last weekend I was in New York City, where I caught three exhibitions at the New Museum before they closed: Camille Henrot, David Horvitz, and Ragnar Kjartansson.

I was very taken with Camille Henrot’s piece Is It Possible to be a Revolutionary and Like Flowers? (2012-14), where the artist translated books from her personal library into ikebana arrangements. The work was very poetic, beautiful, and at times humorous.

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I have always loved David Horvitz’s work, which occupied the back staircase and small adjacent gallery. A series of vessels were made of broken glass Horvitz collected on the shores of New York, melted down, and handblown into these new forms.

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These two iPhones displayed recordings of the sunset taken by both Horvitz and his mother on the same day.

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In 2012, Horvitz uploaded this self-portrait onto the Wikipedia page for “Mood Disorder” and it has since circulated and been used in multiple articles online related to mood disorders, depression, sadness, etc.

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Ragnar Kjartansson’s installation featured work made with, and about his family. His parents were both actors in an Icelandic film where they make love on the kitchen floor, and as rumor has it, conceived Ragnar. In his installation he presents this scene from the film along with a live performance by musicians who play a song by Sigur Rós.

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