Tag Archives: David Kordansky Gallery Los Angeles

THESE LACUSTRINE HOMES

THESE LACUSTRINE HOMES, a group show featuring work by Valentin Carron, Isabelle Cornaro, Karin Gulbran, Matthew Lutz-Kinoy, and Mai-Thu Perret—curated by Perret—is now on view at David Kordansky.

Investigating “disparate ideas of art history, including a covert conceptualism,” the artists “draw loosely from religious iconography and its traditions, as well as European artistic movements.”

The works converge, however, in their exploration of the tension between domestic materiality on one hand and a biomorphic, dream-like strangeness on the other. This becomes a way for the artists to consider the intrinsic life force of the art object and the evasive past of each form.*

THESE LACUSTRINE HOMES*

Through March 6.

David Kordansky Gallery

5130 West Edgewood Place, Los Angeles.

These Lacustrine Homes, David Kordansky Gallery, January 23, 2021–March 6, 2021, from top: Mai-Thu Perret, A Magnetizer III, 2020, glazed ceramic; Isabelle Cornaro, Streams II (#7, Aluminum), 2019,resin with aluminum powder; Matthew Lutz-Kinoy, Lac Léman all year, 2020, acrylic on canvas; These Lacustrine Homes installation view, featuring (left) Valentin Carron, The Bathrobe (yellowish and cold), 2020, enamel on cast aluminum, and Mai-Thu Perret, Broken mirrors never again reflect, fallen flowers cannot return to the branch, 2020, glazed ceramic; Karin Gulbran, Singing Bird, 2020, glazed ceramic; Isabelle Cornaro, EYESORE, 2019, animation, color, silent; These Lacustrine Homes installation view, featuring works by Cornaro on wall and (foreground) Mai-Thu Perret, We receive the master’s grandmotherly kindness, 2020, glazed ceramic; These Lacustrine Homes installation view, featuring (on wall) Matthew Lutz-Kinoy, Heaven on Earth rose, 2020, pink marble, and works by Gulbran; Valentin Carron, You he we we you, 2013, iron (2, full work and detail); These Lacustrine Homes installation view. Images courtesy and © the artists and David Kordansky Gallery, Los Angeles.

TALA MADANI IN CONVERSATION

I am not using humor in the same way as I did in previous paintings and to some extent, laughter served as a side effect to a way of working. Humor and laughter, however, did allow for freedom in the painting process, as I experience euphoria when I paint. My most recent works are indeed darker both in their subject matter and physicality. These canvases are predominantly black with darker backgrounds surrounding figures, but light still breaks through them. The reason I paint in a comic style is to lessen the intensity of the subject matter so that it becomes rawer and more palatable both on the canvas and to the viewer. It is also a subversive way of rendering difficult subject matters in painting. — Tala Madani

Madani will join curator Jessica Cerasi in conversation this week for a discussion about artistic practice and Madani’s recent series Shit Moms.

TALA MADANI—ONLINE ARTIST TALK

Solomon R. Guggenheim Museum

Thursday, December 17.

9 am on the West Coast; noon East Coast; 5 pm London; 6 pm Paris.

Tala Madani, from top: Through modernism, 2017, oil on linen; Black Sun, 2017, silkscreen medium and oil on linen; Morris Men, 2012, oil on canvas; Untitled, 2015, oil on linen; The Womb, 2019, video still, animation, color, silent; Dirty Protest, 2015, oil on linen; Bedside Scratch, 2016, oil on linen. Images © Tala Madini, courtesy of the artist and David Kordansky Gallery.

ARTISTS FOR NEW YORK

Fourteen at-risk non-profit visual arts organizations in New York City—Artists Space, the Bronx Museum of the Arts, Dia Art Foundation, the The Drawing CenterEl Museo del BarrioHigh Line Art, MoMA PS1, New Museum, Public Art Fund, Queens Museum, Sculpture Center, the The Studio Museum in Harlem, Swiss Institute, and White Columns—will benefit from the sale of artwork made available as part of the Hauser & Wirth initiative ARTISTS FOR NEW YORK.

Two non-profit charitable partners are also supported: The Mayor’s Fund to Advance New York City and the Foundation for Contemporary Arts (FCA).

Located at the gallery’s two New York locations and online, more than 100 artists are participating in the project, including Rita Ackermann, Kelly Akashi, Ida Applebroog, Genesis Belanger, Lynda Benglis, Katherine Bernhardt, Huma Bhabha, Carol Bove, Katherine Bradford, Sam Falls, Charles Gaines, Maureen Gallace, Joanne Greenbaum, Mona Hatoum, Mary Heilmann, Camille Henrot, Jenny Holzer, Roni Horn, Shara Hughes, Rashid Johnson, Joan Jonas, Sanya Kantarovsky, June Leaf, Simone Leigh, Zoe Leonard, Glenn Ligon, Sam McKinniss, Marilyn Minter, Sarah Morris, Angel Otero, Adam Pendleton, Elizabeth Peyton, Jack Pierson, R.H. Quaytman, Deborah Roberts, Ugo Rondinone, Mika Rottenberg, Tschabalala Self, Amy Sherald, Cindy Sherman, Amy Sillman, Laurie Simmons, Taryn Simon, Lorna Simpson, Avery Singer, Sarah Sze, Kara Walker, Mary Weatherford, and the estate of Anne Truitt.

See link below for details.

ARTISTS FOR NEW YORK

Through October 22.

Hauser & Wirth

548 West 22nd Street, New York City.

32 East 69th Street, New York City.

From top: Lorna Simpson, Haze, 2019, ink and screenprint on gessoed fiberglass, photograph by James Wang, image courtesy and © the artist and Hauser & Wirth; Kelly Akashi, Feel Me (Flesh), 2020, hand-blown glass and bronze, image courtesy and © the artist, Tanya Bonakdar Gallery, New York, and François Ghebaly Gallery, Los Angeles; Mary Weatherford, Meeting in the Forest, 2019, flashe and neon on linen, photograph by Fredrik Nilsen Studio, image courtesy and © the artist, David Kordansky Gallery, and Gagosian; Rashid Johnson, Standing Broken Men, 2020, ceramic tile, mirror tile, spray enamel, oil soap, black stick, wax, photograph by Martin Parsekian, image courtesy and © the artist; Jack Pierson, Inquire Within, 2020, metal and wood, image courtesy and © the artist and Regen Projects; Angel Otero, Sleepy Fire, 2020, oil paint and fabric collaged on canvas, image courtesy and © Lehmann Maupin; Jenny Holzer, from Survival (1983–85), 2020, photograph by Graham Kelman, image courtesy and © the artist and Artist Rights Society (ARS).


ARTISTS FOR BIDEN FUNDRAISER

Over 100 artists and estates have donated works for a fundraiser supporting Democratic presidential nominee Joe Biden.* Presented on Platform.art—an initiative developed by David Zwirner—participating galleries include Regen Projects, Jack Shainman, Gladstone, Lehmann Maupin, Petzel, and Marian Goodman, as well as Gemini G.E.L.

Following a virtual kickoff earlier this week with vice-presidential nominee Kamala Harris, Carrie Mae Weems, and Catherine Opie, the sale is now live. See link below for details.

ARTISTS FOR BIDEN

October 2–October 8, 2020.

Platform.art

*Participating artists and estates include Marina Adams, Doug Aitken, Richard Aldrich, John Baldessari (donated by Gemini G.E.L.), Alvin Baltrop, Walead Beshty, McArthur Binion, Dike Blair, Sebastian Blanck, Carol Bove, Cecily Brown, George Condo, Patricia Cronin, Sarah Crowner, N. Dash, Tara Donovan, Carroll Dunham, Marcel Dzama, William Eggleston, Rafa Esparza, Shepard Fairey, Rochelle Feinstein, Radamés “Juni” Figueroa​, Spencer Finch, Suzan Frecon, Charles Gaines, Jerrell Gibbs, Sam Gilliam, Joanne Greenbaum, Isca Greenfield-Sanders, Thomas Hager, Trenton Doyle Hancock, Tyler Haughey, Michael Heizer, Carmen Herrera, Lynn Hershman Leeson, Jenny Holzer, Ridley Howard, Alex Hubbard, John Huggins, Ayana V. Jackson, Rashid Johnson, Deborah Kass, KAWS, Ellsworth Kelly, Jon Kessler, Toba Khedoori, Christine Sun Kim, Jeff Koons, Doron Langberg, Liz Larner, Bonnie Lautenberg, An-My Lê, Roy Lichtenstein, Maya Lin, Robert Longo, Emmanuel Lubezki, Brice Marden, Julie Mehretu, Marilyn Minter, Ivan Morley, Rebecca Morris, Vik Muniz, Wangechi Mutu, Jordan Nassar, Alice Neel, Shirin Neshat, Catherine Opie, Angel Otero, Jack Pierson, Lari Pittman, Martin Puryear, Christina Quarles, Robert Rauschenberg (donated by Gemini G.E.L.), Alexis Rockman, Ugo Rondinone, Victoria Roth, Ed Ruscha, Alison Saar, Betye Saar, Fred Sandback, Fanny Sanín, Kenny Scharf, Richard Serra, Cindy Sherman, Amy Sillman, Gary Simmons, Laurie Simmons, Xaviera Simmons, Vaughn Spann, Tavares Strachan, Sarah Sze, Mika Tajima, Kyle Thurman, Fred Tomaselli, Leo Villareal, Charline von Heyl, Carrie Mae Weems, Lawrence Weiner, James Welling, Stanley Whitney, Kehinde Wiley, Chloe Wise, Christopher Wool, Rob Wynne, Lisa Yuskavage, and Andrea Zittel.

From top: Carrie Mae WeemsRemember to Dream, 2020, screenprint on rag paper, printed by Kaleb Hunkele of Standard Art Supply, image courtesy and © the artist and Jack Shainman Gallery, New York; Michael Heizer, Blue Diorite, 1981, 89-lb. blue diorite in aluminum frame, image © Michael Heizer, courtesy Agnes Gund, the artist, and Gagosian, photograph by Rob McKeever, donated by a private collector; Carol BoveCoy Satanism, 2020, stainless steel and urethane paint, image courtesy and © the artist and David Zwirner; Liz Larner, Fictile, 2010–2011, ceramic and epoxy, image courtesy and © the artist and Regen Projects; Kyle Thurman, Suggested Occupation 56 (Spring Image, travel nightly), 2020, gouache, graphite, and watercolor on paper in artist’s frame, image courtesy and © the artist and David Lewis; Charline von Heyl, The Sticky Hour, 2018, acrylic and crayon on linen, image courtesy and © the artist and Petzel Gallery; Tavares StrachanWe Are in This Together (Multi),, 2019, neon and transformers, image courtesy and © the artist and Marian Goodman Gallery; Jenny Holzer, selection from Truisms: Abuse of power comes as no surprise, 2015, dark labradorite footstool, image courtesy and © the artist and Artists Rights Society (ARS), New York; Sam Gilliam, Untitled, 2020, watercolor on washi paper, image courtesy and © the artist and David Kordansky Gallery; KAWS, Together, 2017, painted bronze, image courtesy and © the artist; Alvin Baltrop, The Piers (profile portrait), n.d., gelatin silver print, image courtesy and © the Alvin Baltrop Trust, Third Streaming, and Galerie Buchholz; Lari Pittman, Portrait of a Human (Pathos, Ethos, Logos, Kairos #17), 2018, cel vinyl and spray paint on linen on wood panel, image courtesy and © the artist and Regen Projects; Ed RuschaWe (#1), dry pigment and acrylic on paper, 2020, image courtesy and © the artist.

JONAS WOOD BOOK SIGNING

JONAS WOOD—a Phaidon publication, and the artist’s first monograph—is out now. This week, join Wood at the Geffen Contemporary at MOCA for a book signing.

The extensively illustrated volume includes essays by Helen Molesworth and Ian Alteveer, and a conversation between Wood and Mark Grotjahn.

JONAS WOOD BOOK SIGNING

Thursday, December 12, from 6 pm to 8 pm.

Geffen Contemporary at MOCA

152 North Central Avenue, downtown Los Angeles.

Jonas Wood, 2019, Phaidon. Images courtesy and © the artist, the publisher, Gagosian, and David Kordansky Gallery. Bball Studio, 2019—the black-and-white etching of the book cover image—is a print (200 copies) included in the special hardcover limited edition of JONAS WOOD, the proceeds of which benefited the Oakland-based non-profit Creative Growth.