Tag Archives: Donna De Salvo

DONNA DE SALVO ON WARHOL

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As part of the Warhol Lecture Series, Donna De Salvo—curator of the exhibition ANDY WARHOL—FROM A TO B AND BACK AGAIN, organized by the Whitney and now at the Art Institute of Chicago—will talk about the artist’s impact and importance, followed by a reception and dinner on the Near North Side.

DONNA DE SALVO

Wednesday, November 20, at 6 pm.

Art Institute of Chicago, Fullerton Hall

111 South Michigan Avenue, Chicago.

Reception and Dinner

Luxbar

18 East Bellevue Place, Chicago.

Andy Warhol—From A to B and Back Again, Art Institute of Chicago, October 20– January 26, 2020, from top: Self-Portrait, 1966, Art Institute of Chicago; Gun, 1981–82, San Francisco Museum of Modern Art; Nine Jackies, 1964, Whitney Museum of American Art, New York; Ladies and Gentlemen (Marsha P. Johnson), 1975, Museum Brandhorst, Munich; Green Coca-Cola Bottles, 1962, Whitney Museum of American Art, New York; Skull, 1976, collection Larry Gagosian; Big Electric Chair, 1967–1968, Art Institute of Chicago; Shot Orange Marilyn, 1964. Images courtesy and © the lenders and the Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York.

JOHN GIORNO AT WARHOL DRAWINGS PANEL

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A trove of over 150 drawings by Andy Warhol—now on view at the New York Academy of Art—trace nearly four decades of work by the hand of the artist who wanted to be a machine.

This week—in conjunction with ANDY WARHOL: BY HAND—join curator and Warhol associate Vincent Fremont, curator Donna De Salvo, and poet, artist, and Warhol actor John Giorno for a panel discussion on the exhibition, moderated by curator and New York Academy of Art president David Kratz.

ANDY WARHOL: BY HAND—

DRAWINGS 1950s–1980s

JOHN GIORNO, DONNA DE SALVO, and VINCENT FREMONT panel

Monday, February 11, at 6:30 pm.

Exhibition runs through March 10.

New York Academy of Art

111 Franklin Street, New York City.

From top: Andy Warhol, Two Male Heads; Andy Warhol, Self Portrait, 1986 synthetic polymer paint on paper; Andy Warhol, Mick Jagger, 1975; Andy Warhol, Serious Girl, circa 1954, ink and graphite on paper. Images courtesy the Andy Warhol Foundation for the Visual Arts, Inc., licensed by Artists Rights Society (ARS).


IRVING BLUM IN CONVERSATION

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“Warhol didn’t make a mark on American culture. He became the instrument with which American culture designated itself.” — Peter Schjeldahl

In conjunction with the Whitney show ANDY WARHOL—FROM A TO B AND BACK AGAIN, Irving Blum—whose Ferus Gallery in Los Angeles was the first to exhibit Warhol’s post-advertising artwork, the Campbell’s soup-can paintings—will talk about working with the artist.

Blum will be joined by Bob Colacello—Interview editor throughout the 1970s—and Vincent Fremont, the former executive manager of Warhol’s studio and a co-founder of the Andy Warhol Foundation for the Visual Arts.

Exhibition curator Donna De Salvo will moderate the conversation.

MY LIFE WITH WARHOL

Friday, November 16, at 6:30 pm.

ANDY WARHOL—FROM A TO B AND BACK AGAIN

Through March 31.

Whitney Museum of American Art, 99 Gansevoort Street, New York City.

From top:

Andy Warhol, Irving Blum, Polaroid.

Andy Warhol, from the Campbell’s Soup Can series, 1962. © The Andy Warhol Foundation for the Visual Arts, Inc.

Andy Warhol’s Exposures (1979), edited by Bob Colacello.

Warhol (left) and Irving Blum.