Tag Archives: Eat Your Friends (Hubbard)

ALEX HUBBARD — THE CORNER OF THE TABLE

The videos involve a long, slow process, hunched in front of the computer… The paintings, when they started, were about changing gears in the studio and working quickly… With most if not all of the materials I use, there is no going back. With the plastics, the urethanes, and the resins, once they are mixed, the clock is ticking. The slower I am to start, the less time I have to work with them.Alex Hubbard*

THE CORNER OF THE TABLE—Hubbard’s solo show at Regen Projects—includes his new multimedia works on linen and cotton as well as two handmade projectors streaming animated videos.

ALEX HUBBARD—THE CORNER OF THE TABLE

Through December 21.

Regen Projects

6750 Santa Monica Boulevard, Los Angeles.

*”Alex Hubbard in conversation with Debra Singer,” in Alex Hubbard—Eat Your Friends (Los Angeles: DoPe Press, 2015), 37–38.

Alex Hubbard, The Corner of the Table, November 16–December 21, 2019, Regen Projects, Los Angeles, from top: Youth Apparatus, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on linen; Vaper’s Salon, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on cotton; Romeo’s Purple Welcome, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on linen; The way things I wish they used to be, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on cotton; Boule’s, 2019, urethane, acrylic, UV print, epoxy resin, and fiberglass on cotton; Life Preserver, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on cotton; Animal Dance, 2019, urethane, acrylic, UV print, epoxy resin, and fiberglass on linen; Infrared, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on linen; 1,000,000 (Iguana), 2019, urethane, acrylic, UV print, and oil on linen. Images courtesy and © the artist and Regen Projects.

ACID-FREE 2019

ACID-FREE is back at Blum & Poe. Join nearly 100 publishers and galleries for a full weekend of talks, readings, signings, music, food, drink, and—of course—books and publications for perusal and sale.

This year, PARIS LA is happy to share a table with F magazine

See link below for schedule and details.

ACID-FREE LOS ANGELES ARTBOOK MARKET 2019

Friday through Sunday, November 1, 2, and 3.

Blum & Poe

2727 South La Cienega Boulevard, Los Angeles.

From top: PARIS LA 16, inside cover photograph of Michèle Lamy by Katerina Jebb; F magazine, no. 8; Kate Zambreno, Appendix Project, Semiotext(e) ; Animal Shelter 5, edited by Hedi El Kholti and Chris Kraus, Semiotext(e); Huma Bhabha, They Live, David Kordansky; Andrea Büttner, David Kordansky; K8 Hardy, How To: Untitled Runway Show, DoPe Press (2); Alex Hubbard, Eat Your Friends, DoPe Press. Images courtesy and © the artists, galleries, photographers, and publishers.

L.A. ART BOOK FAIR

DoPe Press is extremely happy to see the return of the Printed Matter–LA Art Book Fair to the Geffen Contemporary at MOCA. We will be in section H07 on the main level.

Our newest publications—the journal PARIS LA 16: “The Fashion and Writing Issue” and the artist’s book …my life in the sunshine—Liz Craft 2006–2017—will be available, as well as our back catalogue and a selection of out-of-print titles.

For art and fashion lovers: In 2013 the artist Max Hooper Schneider created a silk scarf edition with P.P.M. Studio, Milan. We are offering the edition for purchase, as well as his last available original artwork from this series—dense, hand-drawn graphic lines recalling imaginative worlds and biologies—which will be part of a forthcoming book published by DoPe Press in September 2019.

In addition, we have invited some friends and family from Paris to share their publications and journals: Paraguay Press, MAY, and Profane.

PRINTED MATTER—L.A. ART BOOK FAIR 2019

Opening night, April 11, from 6 pm to 9 pm.

Friday, April 12, from 1 pm to 7 pm.

Saturday, April 13, from 11 am to 7 pm.

Sunday, April 14, from 11 am to 6 pm.

Geffen Contemporary at MOCA

152 North Central Avenue, downtown Los Angeles.

From top: Cassi Namoda, Love and compromise between a clock and hyena, 2018, from “Selected Paintings,” PARIS LA 16; Liz Craft, …my life in the sunshine–Liz Craft 2006-2017 page layout; image from PARIS LA 16, drawing of Lotta Volkova by Cédric Rivrain, 2018; image from PARIS LA 14, photograph of Elizabeth Schmitt Jennerjahn and Robert Rauschenberg at Black Mountain College by Hazel Larsen Archer; image from Alex Hubbard, Eat Your Friends (DoPe Press, 2015); Max Hooper Schneider, silk scarf edition for P.P.M. Studio, 2013, photograph by Nuage Lepage, 2019; image from PARIS LA 14, Juliana Huxtable, Sympathy for the Martyr, 2015; image from Oscar Tuazon, Live (DoPe Press and Buchhandlung Walther König, 2014); cover image, Pentti Monkkonen, Box Truck Paintings (DoPe Press, 2014); PARIS LA 16 inside covers, Michèle Lamy, photograph by Katerina Jebb, 2018.