Tag Archives: El Anatsui

EL ANATSUI

For the opening night of TRIUMPHANT SCALE, his exhibition at Haus der Kunst in Munich, El Anatsui will give an artist talk at the museum.

The show has been organized by Okwui Enwezor—former Haus der Kunst artistic director—and Chika Okeke-Agulu, with assistance from Damian Lentini.

ARTIST TALK WITH EL ANATSUI

Friday, March 8, at 7 pm.

EL ANATSUI—TRIUMPHANT SCALE

March 3 through July 28.

Haus der Kunst

Prinzregentenstrasse 1, Munich.

From top: El Anatsui, Flag for a New World Power, 2004, aluminum and copper wire; El Anatsui, courtesy the artist; El Anatsui, Gravity and Grace, 2010, aluminum and copper wire. Images courtesy the artist and Haus der Kunst.

PEGGY COOPER CAFRITZ

Peggy Cooper Cafritz—the Washington, D.C., collector of African-American art, salonist, activist, fundraiser, co-founder of the Duke Ellington School of the Arts, and just-published author—died last week in the capital.

Her 2018 book FIRED UP! READY TO GO!—FINDING BEAUTY, DEMANDING EQUITY brings together images of more than 200 works of art that were lost in a 2009 house fire, as well as the art Cooper Cafritz had collected in the years since the catastrophe.

The Cooper Cafritz collection includes pieces by Jacob Lawrence, Romare Bearden, Edward Mitchell Bannister, Alma Thomas, Norman Lewis, Kara Walker, Kerry James Marshall, Mickalene Thomas, El Anatsui, Yinka Shonibare, Nick Cave, Kehinde Wiley, Glenn Ligon, Barkley L. Hendricks, Lorna Simpson, Carrie Mae WeemsNoah Davis, LaToya Ruby Frazier, Titus KapharNjideka Akunyili Crosby, and Toyin Ojih Odutola.

PEGGY COOPER CAFRITZ, FIRED UP! READY TO GO!—FINDING BEAUTY, DEMANDING EQUITY: AN AFRICAN AMERICAN LIFE IN ART, THE COLLECTIONS OF PEGGY COOPER CAFRITZ (New York: Rizzoli , 2018).

Contributors to the book’s text include Thelma Golden, Simone Leigh, Uri McMillan, Jack ShainmanTschabalala Self.

From top: Torkwase Dyson, Strange Fruit (Blue Note), 2015, acrylic on board; Romare Bearden, Prince Cinque (Maquette), 1976, felt pen with watercolor and collage on graph paper; Jas Knight, Autumn, 2015, oil on linen; Loren Holland, The Messenger, 2005, oil on paper; Noah Davis, Black Widow, 2007, acrylic and gouache on canvas; Nina Chanel Abney, Untitled, 2012. All images © the artists, courtesy the Estate of Peggy Cooper Cafritz, and Rizzoli.

AT MARCIANO, UNPACKING REPACKING

UNPACKING—the inaugural show at the Marciano Art Foundation—will be up through mid-September, when it makes way for the installation of a Pacific Standard Time: LA/LA exhibition, opening in October, 2017.

Included in UNPACKING—curated by Philipp Kaiser—are works by El Anatsui, Walead Beshty, Huma Bhabha, Carol Bove, Latifa Echakhch, Cyprien Gaillard, Rashid Johnson, Glenn Ligon, Paul Sietsema, Rirkrit Tiravanija, Oscar Tuazon, and Kaari Upson.

The foundation’s building—a repurposed Masonic temple—also features one of the best small bookstores in town. The shop stocks a comprehensive selection of catalogues and art books by artists in Maurice and Paul Marciano’s collection, as well as a shelf-full of back issues of the recently discontinued journal Parkett.

UNPACKING—THE MARCIANO COLLECTION

Through September 16.

Marciano Art Foundation

Wilshire Boulevard, Los Angeles.

From top: Oscar Tuazon, Playboy Papercrete, 2012/2013 (detail) and Latifa Echakhch, All Over 2016, images courtesy the artists and Galerie Eva PresenhuberAdrián Villar RojasTwo Suns (II), 2015, image courtesy the artist and the Marciano Art Foundation.