Tag Archives: Elena Filipovic

ANNE TERESA DE KEERSMAEKER IN PERFORMANCE AND CONVERSATION

On the opening day of her dance installation at Kunstsammlung NRW, Anne Teresa De Keersmaeker will participate in an artist talk with Kunstahalle Basel director and curator Elena Filipovic, who edited De Keersmaeker’s exhibition catalog Work / Travail / Arbeid.

The installation—curated by Isabelle Malz—is a reconception of De Keersmaeker’s 1982 work FASE, FOUR MOVEMENTS TO THE MUSIC OF STEVE REICH. The piece will also be performed once in a stage version at Tanzhaus NRW.

The dancers—in alternating pairs—are Laura Bachman and Soa Ratsifandrihana, and Yuika Hashimoto and Laura Maria Poletti.

Following the presentation in Düsseldorf, De Keersmaeker will return to New York City where she is choreographing Ivo van Hove’s new Broadway production of Leonard Bernstein and Stephen Sondheim’s West Side Story. Previews begin on December 10, with opening night set for February 6, 2020.

ANNE TERESA DE KEERSMAEKER / ROSAS—FASE, FOUR MOVEMENTS TO THE MUSIC OF STEVE REICH installation

October 29–November 10, 2019.

Starting every hour from noon.

ANNE TERESA DE KEERSMAEKER IN CONVERSATION with ELENA FILIPOVIC

Tuesday, October 29, at 6 pm.

Kunstsammlung Nordrhein-Westfalen K20

Grabbeplatz 5, Düsseldorf.

ANNE TERESA DE KEERSMAEKER / ROSAS—FASE, FOUR MOVEMENTS TO THE MUSIC OF STEVE REICH stage adaptation

Saturday, November 9, at 8 pm.

Tanzhaus Nordrhein-Westfalen

Erkrather Strasse 30, Düsseldorf.

From top: Anne Teresa De Keersmaeker; De Keersmaeker (left) and Michèle Anne De Mey performing Fase, Four Movements to the Music of Steve Reich in 1999, photograph by Stephanie Berger (second from top and below); De Keersmaeker, Fase, 2018, Soa Ratsifandrihana (left) and Laura Bachman (2); Laura Maria Poletti; Ratsifandrihana and Bachman; Yuika Hashimoto and Poletti; Hashimoto; photographs by Anne Van Aerschot. Anne Teresa De Keersmaeker—Work / Travail / Arbeid, edited by Elena Filipovic, image courtesy and © Wiels (above). Dance images courtesy and © the choreographer, the dancers, and the photographers.

FELIX GONZALEZ–TORRES

“I believe that irony is still a very useful tool to create meaning. For me, irony stops information in its tracks and makes it unravel.” — Felix Gonzalez–Torres*

A visitor to FELIX GONZALEZ–TORRES (at David Zwirner in New York), confronted by a room-dividing wall of glass beads hanging from the ceiling, sticks out his hand and runs it along the length of the curtain, evoking the unmistakable sound of the boudoir. There are stacks of paper to be shared, candy to be eaten, go-go boys to be ogled. The silent scream in the work of Gonzalez-Torres is drowned—unraveled—by laughter.

FELIX GONZALEZ–TORRES, through June 24.

DAVID ZWIRNER, 537 West 20th Street, New York City.

*ArtCenter Talks: Graduate Seminar–The First Decade, 1986–1995, ed. Stan Douglas (New York: David Zwirner Books, 2016).

“A special talk and book event to celebrate the release of [the publication] FELIX GONZALEZ–TORRES: SPECIFIC OBJECTS WITHOUT SPECIFIC FORM will be held at the Fondation Beyeler during Art Basel. Elena Filipovic and Tino Sehgal will be present in conversation about Gonzalez-Torres’s work, the structure of the exhibition, and the publication.

“[This volume] documents the groundbreaking retrospective curated by Filipovic with the artists Danh VoCarol Bove, and Sehgal that traveled to Wiels Contemporary Art Centre in Brussels, Fondation Beyeler in Basel, and MMK Museum für Moderne Kunst in Frankfurt in 2010 and 2011.”**

FELIX GONZALEZ–TORRES: SPECIFIC OBJECTS WITHOUT SPECIFIC FORM, Thursday, June 15.

FONDATION BEYELER, Baselstrasse 101, Basel.

artbook.com/9783863359737.html

**davidzwirner.com/exhibitions/felix-gonzalez-torres

For information on the Andrea Rosen Gallery‘s co-representation of the estate of Felix Gonzalez–Torres, see:

artreview.com/news/news_22_feb_17_andrea_rosen_closes_gallery/

Image credit © The Felix Gonzalez-Torres Foundation. Courtesy Andrea Rosen Gallery, New York and David Zwirner, New York/London

WEEKLY WRAP UP | OCT. 3-10, 2014

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This week on the blog we discovered the designers Antoine Philippon and Jacqueline Lecoq; saw the first exhibition at Del Vaz Projects; listened Dayvan Cowboy from Boards of Canada; visited the new show of Mark Leckey at Wiels: Lending Enchantment to Vulgar Materials and the show of Jonathan Binet and Martin Laborde at Gaudel de Stampa: Yellow Cabin Saturday Night Remittent Fever.

 

MARK LECKEY: LENDING ENCHANTMENT TO VULGAR MATERIALS AT WIELS

Lending Enchantment to Vulgar Materials is the largest exhibition to date of Turner Prize winning artist Mark Leckey. Taking his title from a letter by Guillaume Apollinaire, where he claims that he and the filmmaker Georges Méliès ‘lend enchantment to vulgar materials’, Leckey identifies a similar impulse at the heart of his own practice. That is precisely what the exhibition highlights by bringing together new and older pieces in each of the media in which the artist has worked. Spread across two floors of WIELS as well as the auditorium, the exhibition features nearly all of the artist’s videos, including his 1999 video of dance hall youth culture, Fiorucci Made Me Hardcore, and others that have been rarely shown, alongside key sculptural works from the last decade, providing a long overdue survey of Leckey’s remarkable oeuvre. 

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Mark Leckey was born in 1964 in Birkenhead, England, and currently lives and works in London. The 2008 Turner Prize winning artist studied at Newcastle Polytechnic, is a reader in fine art at Goldsmiths, London, and served as professor of film studies at the Städelschule Frankfurt am Main from 2005 to 2009. He works in sculpture, sound, performance and video. His influential body of work, from his earliest videos made in the late 1990s to his most recent performances and installations, combs the iconography of popular culture, its brands and its products, as it explores the affective pull they have on us.

Mark Leckey: Lending Enchantment to Vulgar Materials
Curated by Elena Filipovic
26.09.2014 – 11.01.2015
Wiels
Avenue Van Volxemlaan 354
1190 Brussels