Tag Archives: Erin Christovale

CARMEN ARGOTE — FILM PREMIERE AND EDITION LAUNCH

The Hammer Museum and Clockshop present the livestream premiere of Carmen Argote’s new short film LAST LIGHT, followed by a Q & A with the artist and the museum’s associate curator Erin Christovale.

Shot during the first wave of the pandemic, LAST LIGHT is a meditation on walking and memory in Los Angeles. Argote describes her walking habit as synonymous with thinking, a way of taking in and digesting the conditions of her environment. Through walking, the artist “deconstructs and reconstructs my ideas, thoughts, and self.” Combining video and still images of an evacuated city with an intimate voice-over, the narrator reflects on feelings of vulnerability and betrayal, and draws on childhood memories to make sense of a city transformed. Over the course of the piece, day moves to night as the artist traces a path from demolition and sickness to envisioning a different world.*

Also this week, the artist will launch her limited edition print BLOAT—a LACE edition guided by artist and printmaker Eric Gero—and join a conversation with LACE chief curator and director of programming Daniela Lieja Quintanar.

See links below for details.

CARMEN ARGOTE—LAST LIGHT*

Tuesday, July 21.

6 pm on the West Coast; 9 pm East Coast.

CARMEN ARGOTE—LACE EDITION LAUNCH and CONVERSATION

Wednesday, July 22.

7 pm on the West Coast; 10 pm East Coast.

Carmen Argote, Last Light (2020), images courtesy and © the artist.

FEMINIST PERSPECTIVES ON JULIE MEHRETU

In conjunction with the LACMA exhibition JULIE MEHRETU, join Sadie Barnette and curators Erin Christovale, Cecilia Fajardo Hill, and Essence Harden for the panel discussion FEMINIST PERSPECTIVES ON JULIE MEHRETU.

Rujeko Hockley, co-curator of the exhibition, will moderate.

FEMINIST PERSPECTIVES ON JULIE MEHRETU

Monday, March 2, at 7:30 pm.

LACMA

5905 Wilshire Boulevard, Los Angeles.

Julie Mehretu, from top: Stadia II, 2004, ink and acrylic on canvas, Carnegie Museum of Art, Pittsburgh; Julie Mehretu, exhibition catalog; Retopictics: A Renegade Excavation, 2001, ink and acrylic on canvas, photograph by Erma Estwick. Images courtesy and © the artist, the photographers, Carnegie Museum of Art, and the Whitney Museum of American Art.

THE LIES THAT BIND

In a conversation moderated by Erin Christovale of the Hammer Museum, Kwame Anthony Appiah and Njideka Akunyili Crosby will discuss twenty-first-century identity politics and the appropriation of culture.

Anthony Appiah is The Ethicist columnist for the New York Times , and Akunyili Crosby is one of the many artists featured in the new documentary The Price of Everything.

 

THE LIES THAT BIND—RETHINKING IDENTITY

Thursday, October 25, at 7:30 pm.

Mark Taper Auditorium, Central Library, 630 West 5th Street, downtown Los Angeles.

Above image credit: W.W, Norton.

Below: Kwame Anthony Appiah, on couch, surrounded by his sisters and parents, 1969. Image courtesy of the author.

FOR JACK WHITTEN

In a tribute to Jack Whitten, a group of his friends and colleagues, artists and curators—including Candida Alvarez, Jose Luis Blondet, Joshua Chambers Letson, Erin Christovale, Harry Dodge, Naima Keith, Diana Nawi, Betye Saar, Gary Simmons, Lily Blue Simmons, Bennett Simpson, and Alphaeus Taylor—will read from NOTES FROM THE WOODSHED, the just-published collection of Whitten’s writing.

 

JACK WHITTEN—NOTES FROM THE WOODSHED Reading and Launch

Saturday, August 25, at 3 pm.

hauserwirth.com/jack-whitten-notes-woodshed

hauserwirth.com/publications/jack-whitten

JACK WHITTEN—SELF PORTRAIT WITH SATELLITES, through September 23.

HAUSER & WIRTH, 901 East 3rd Street, downtown Los Angeles.

hauserwirth.com/jack-whitten-self-portrait-satellites

Above image courtesy of Hauser & Wirth.

Below: Jack Whitten in the early 1970s on the corner of Broadway and Broome Street, New York City. Courtesy the Estate of Jack Whitten.

FAITH RINGGOLD IN CONVERSATION

Join Faith Ringgold and her daughter Michele Wallace in conversation as they discuss the timeframe captured in the exhibition WE WANTED A REVOLUTION—BLACK RADICAL WOMEN, 1965–1985, which closes this weekend at CAAM.

This event will be moderated by Erin Christovale, assistant curator at the Hammer Museum.

 

FAITH RINGGOLD IN CONVERSATION, Saturday, January 14, at 1:30 pm.

CALIFORNIA AFRICAN AMERICAN MUSEUM, 600 State Drive, Exposition Park, Los Angeles.

caamuseum.org/programs/current/we-wanted-a-revolution-closing-symposium

WE WANTED A REVOLUTION—BLACK RADICAL WOMEN, 1965–1985, through January 14.

CALIFORNIA AFRICAN AMERICAN MUSEUM, 600 State Drive, Exposition Park, Los Angeles.

caamuseum.org/we-wanted-a-revolution

Jan van RaayFaith Ringgold (right) and Michele Wallace (middle) at Art Workers Coalition Protest, Whitney Museum, 1971.

Image result for Jan van Raay Faith Ringgold (right) and Michele Wallace

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