Tag Archives: Gala Porras-Kim

50 + 50 — CHOUINARD TO CALARTS

50 + 50—A CREATIVE CENTURY FROM CHOUINARD TO CALARTS is an artist-led scholarship endowment initiative and exhibition series anticipating the fiftieth anniversary of California Institute of the Arts and the centenary of Chouinard Art Institute, which was founded in 1921.

Fifty artist alumni will participate in the five-year program. The first group of artists includes John BaldessariAnne CollierLaddie John DillJoe GoodeNaotaka HiroTony OurslerGala Porras-KimStephen PrinaBarbara T. Smith, and Carrie Mae Weems

The inaugural group of works were on view this spring at Redcat, and can now be seen in the Frieze Viewing Room, the virtual gallery space of Frieze New York 2020.

And check out the CalArts Expo 2020.

From top: Barbara T. Smith, Invisible, 2018, blown glass, water, and cotton rope; Carrie Mae Weems, Queen B, 2018–2019, archival digital print; Gala Porras-Kim, Composite Artifact, 2019, Southwest stone, foam, acrylic paint, metal, wood. Artworks photographed by Joshua White. CalArts, unknown photographer, circa 1971–1972, black and white photograph, courtesy and © California Institute of the Arts Archives Photographic Materials Collection. Anne Collier, Aura (John Baldessari 2003), 2018, C-print, courtesy of the artist. Images courtesy and © the artists and published for CalArts by Lisa Ivorian-Jones.

DO YOU KNOW WHERE THE CHILDREN ARE?

As a native Texan, I have witnessed firsthand the discrimination that immigrants face in the United States. I have heard from friends who visited detention centers, and from lawyers representing those detained. I have heard the stories of those who are separated from their families, and read transcripts from underfunded courtrooms operating far beyond capacity. It is devastating. That all of this occurs in the name of “security” and “safety” is the greatest farce of all. Molly Gochman

DO YOU KNOW WHERE THE CHILDREN ARE (DYKWTCA) is a call to action and exhibition of over 100 unique works of art by 100+ leading visual artists that is organized by the artists and activists Mary Ellen Carroll and Lucas Michael. Each work incorporates, or represents an actual account (in whole or in part) from a child who was separated from their family and detained by the U.S. government. This text may be in the native language of the child or a translation into English. The accounts are taken from the interviews that were conducted by the Flores investigators that included legal, medical and mental health experts who visited the detention facilities six months ago in June of 2019. Upon witnessing the deplorable, inhumane, and illegal conditions they found the children in, they decided it was necessary to act upon their findings. They went public.*

The exhibition—WHEN WE FIRST ARRIVED…,curated by Ruth Noack—will open this weekend in Washington, D.C., and proceeds from artwork sales will benefit and support the Safe Passage Project, Terra Firma, Team Brownsville, and the Innovation Law Lab.

WHEN WE FIRST ARRIVED…*

Through March 29.

Opening night: Saturday, January 25, from 6 pm to 8 pm.

The Corner at Whitman-Walker

1701 14th St. NW, Washington, D.C.

When We First Arrived…, artwork, from top: Spencer Ostrander, Ricci Albenda, Mary Lum, Molly Gochman, Rob Pruitt, Terence Gower, Jesse Presley Jones, When We First Arrived invitation card, Amy Sillman, Beto De Volder and Leon Villagran, Kay Rosen, and Carlos Motta. Artwork courtesy and © the artists, the photographers, DYKWTCA, Mary Ellen Carroll, and Lucas Michael.