Tag Archives: Germaine Acogny

GERMAINE ACOGNY IN LOS ANGELES

Germaine Acogny—the mother of contemporary African dance and co-founder with her husband of L’Ecole des Sables, a school devoted to its practice—will make a rare local appearance this week as part of the CAP UCLA 2018–2019 season, performing MON ÉLUE NOIRE—SACRE #2.

Choreographed by Olivier Dubois, this tribute to Igor Stravinsky’s Le Sacre du Printemps will run for three nights at the university’s intimate Kaufman Hall, with unreserved general-admission seating.

 

GERMAINE ACOGNY—MON ÉLUE NOIRE: SACRE #2

Friday and Saturday, October 5 and 6, at 8 pm.

Sunday, October 7, at 7 pm.

Kaufman Hall, UCLA, 120 Westwood Plaza, Los Angeles.

Germaine Acogny in Mon élue noire.

Above © François Stemmer.

Below image credit: Brooklyn Academy of Music.

UPCOMING DANCE FROM CAP UCLA

Mon Elue Noire

The Bill T. Jones/Arnie Zane Company—whose collaboration with SITI Company, A Rite, brought down the house at Royce Hall three years ago—is returning to UCLA this autumn with ANALOGY TRILOGY, a marathon work that combines Analogy/Dora and Analogy/Lance with Analogy Ambros, based on a story by W. G. Sebald.

Batsheva_Venezuela_photo (c) Ascaf__2714

The Jones/Zane company engagement is one of several dance presentations now on sale as part of the complete CAP UCLA 2018–2019 season. Other highlights include Germaine Acogny’s performance of Olivier DuboisMON ÉLUE NOIRE—SACRE #2Jérôme Bel’s GALA, the Quote Unquote Collective’s MOUTHPIECE, Batsheva’s VENEZUELA, and the Merce Cunningham celebration NIGHT OF 100 SOLOS.

Dates and tickets: cap.ucla.edu/calendar

From top: Germaine Acogny in Mon élue noire—Sacre #2, Batsheva Dance Company in Venezuela, and the Bill T. Jones/Arnie Zane Company, photograph by Paul B. Goode.

Bill T Jones_Analogy_Dora_PhotobyPaulBGoode