Tag Archives: Happy End (Haneke)

GARY INDIANA IN LOS ANGELES

“In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows.” — Gary IndianaVile Days

Indiana’s art reviews for the Voice—collected and republished as Vile Days: The Village Voice Art Columns, 1985–1988—combine “his novelistic and theatrical gifts with a startling political acumen to assess art and the unruly environments that give it context.”

Indiana will give this week’s graduate art lecture at ArtCenter’s Hillside Campus.

In mid-January he will read from Vile Days and present the Michael Haneke film Happy End (2017) at a Hard to Read event in West Hollywood.

 

GARY INDIANA ON VILE DAYS

Tuesday, December 4, at 7:30 pm.

ArtCenter College of Design

Hillside Campus

1700 Lida Street, Pasadena.

 

GARY INDIANA AT HARD TO READ

Tuesday, January 15, at 7 pm.

Standard Hotel

8300 Sunset Boulevard, West Hollywood.

 

See ArtCenter Talks: Graduate Seminar, The First Decade 1986–1995, Stan Douglas, ed. (New York: David Zwirner Books/Pasadena, CA: ArtCenter Graduate Press, 2016).

Image credit above: Semiotext(e).

Below: Gary Indiana. Photograph by Hedi El Kholti, courtesy El Kholti and Indiana.

HANEKE’S BACK

Bourgeois eviscerator Michael Haneke is back with the droll, disjunctive HAPPY END, where all the adults, infantalized by their status, behave like children. Given the director’s cool detachment, this never descends into slapstick—until a joyous final iPhone shot of Anne (Isabelle Huppert) running to rescue her father (Jean-Louis Trintignant) from the abyss.

 

HAPPY END, now playing.

ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

laemmle.com/films

See: huffingtonpost.com/michael-hanekes-timely-take-down

Fantine Harduin and Mathieu Kassovitz in Happy End (2017). Image credit: Sony Pictures Classics.

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