Tag Archives: Ingmar Bergman

BERGMAN’S RITE

In RITEN (The RiteThe Ritual), three actors – played by Ingrid ThulinAnders Ek, and Gunnar Björnstrand, each reflecting various personal traits of their director, Ingmar Bergman – are accused of pornographic performances, and must testify before a judge (Erik Hell).

This 1969 television drama, slightly over an hour in length, was quickly put together to relieve and reflect on the tension and anger that had marked Bergman’s tenure as head of the Royal Dramatic Theater in Stockholm.

“Thea, the woman in the film, is, I believe, a half-conscious attempt to depict my own intuition. She is faceless, doesn’t recognize her maturity, submissive, and has a need to please. She has sudden impulses, speaks with God, angels, and demons, believes herself to be a saint. She tries to accomplish stigmatization, is unbearably sensitive – cannot even stand to wear clothes at times. She is a kind of satellite dish for secret signals from extraterrestial radio stations.” – Bergman*

As part of the American Cinematheque series The Season of Bergman, this rarely screened film will play in 35mm on a double-bill with Bergman’s classic SMILES OF A SUMMER NIGHT.

SMILES OF A SUMMER NIGHT and THE RITE, Wednesday, May 16, at 7:30 pm.

AERO THEATRE, 1328 Montana Avenue, Santa Monica.

americancinemathequecalendar.com/smiles-of-a-summer-night-the-rite

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Top: Bergman’s shooting script.

Above: Ingrid Thulin.

Below: Scenes from Riten.

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INGMAR BERGMAN CENTENARY

SUMMER INTERLUDE was my first film in which I felt I was functioning independently, with a style of my own, making a film all on my own.” — Ingmar Bergman

The worldwide celebration of Bergman’s centenary continues this month at the American Cinematheque.

Little-seen titles such as WAITING WOMEN and ALL THESE WOMEN will screen this weekend in Hollywood, and SUMMER INTERLUDE and LESSON IN LOVE (later in May in Santa Monica) will play on double-bills with Bergman classics CRIES AND WHISPERS and WILD STRAWBERRIES.

WAITING WOMEN and ALL THESE WOMEN

Sunday, May 6, at 7:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

 

CRIES AND WHISPERS and SUMMER INTERLUDE

Thursday, May 17, at 7:30 pm.

WILD STRAWBERRIES and A LESSON IN LOVE

Saturday, May 19, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

From top:

Poster for A Lesson in Love.

Scenes from Summer Interlude and Waiting Women (a/k/a Secrets of Women).

CHOREOGRAPHING BERGMAN

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The documentary INGMAR BERGMAN THROUGH THE CHOREOGRAPHER’S EYE (2016, directed by Fredrik Stattin) will screen this weekend as part of the 17th annual Dance Camera West Film Festival.

Choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg, and Joakim Stephenson—joined by Royal Swedish Ballet principals—interpret, in four performances, Bergman’s ideas on movement, music, and human relationships.

 

INGMAR BERGMAN THROUGH THE CHOREOGRAPHER’S EYE, Saturday, April 14, at 3 pm.

LAEMMLE MONICA FILM CENTER, 1332 2nd Street, Santa Monica.

dancecamerawest.org

Stills from Ingmar Bergman Through the Choreographer’s Eye.

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ANIMAL SHELTER

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The fifth and final issue of ANIMAL SHELTER—edited by Hedi El Kholti, Chris Kraus, and Janique Vigier—includes a story by Colm Tóibín, poems by Ariana Reines, and essays by Bruce Hainley (on Hervé Guibert), Masha Tupitsyn (on Ingmar Bergman), Jean-Louis Schefer (on Hitchcock’s Vertigo), and Natasha Stagg (“Alone at Safeway”).

 

ANIMAL SHELTER 5, available at Stories in Echo Park, and Oooga Booga in Chinatown.

semiotextes.com/animal-shelter

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oogaboogastore.com

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Image credit: Animal Shelter.

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