Tag Archives: Jana Euler

MASKULINITÄTEN

What does a feminist exhibition on masculinity look like? This was the question asked by curators Eva Birkenstock, Michelle Cotton, and Nikola Dietrich while organizing MASKULINITÄTEN, their three-part exhibition now open in Bonn, Cologne, and Düsseldorf.

The Bonn section—curated by Cotton, head of Artistic Programmes and Content at Mudam, Luxembourg—includes work by Lynda Benglis, Judith Bernstein, Alexandra Bircken, Patricia L. Boyd, Jana Euler, Hal FischerEunice Golden, Richard Hawkins, Jenny Holzer, Hudinilson Jr., Allison Katz, Mahmoud Khaled, Hilary Lloyd, Sarah Lucas, Robert Morris, D’Ette Nogle, Puppies Puppies (Jade Kuriki Olivo), Bea Schlingelhoff, and Anita Steckel.

The Cologne section—curated by Dietrich, director of the Kölnischer Kunstverein—includes Georgia Anderson & David Doherty & Morag Keil & Henry Stringer, Louis Backhouse, Olga Balema, Gerry Bibby, Juliette Blightman, Anders Clausen, Enrico David, Jonathas de Andrade, Jimmy DeSana, Hedi El Kholti, Hilary Lloyd, Shahryar Nashat, Carol Rama, Bea Schlingelhoff, Heji Shin, Evelyn Taocheng Wang, Carrie Mae Weems, Marianne Wex, Martin Wong, and Katharina Wulff.

The presentation in Düsseldorf—curated by Birkenstock, director of the Kunstverein for the Rheinland and Westfalen, Düsseldorf—features the work of Vito Acconci, The Agency, Keren Cytter, Vaginal Davis, Nicole Eisenman, Andrea Fraser, keyon gaskin with Samiya Bashir, sidony o’neal & Adee Roberson, Philipp GuflerAnnette Kennerley, Sister Corita Kent, Jürgen Klauke, Jutta Koether, Tetsumi Kudo, Klara LidénHenrik Olesen, D.A. Pennebaker & Chris Hegedus, Josephine Pryde, Lorenzo Sandoval, Julia Scher, Agnes Scherer, Bea Schlingelhoff, Katharina Sieverding, Nancy Spero, and Evelyn Taocheng Wang.

MASKULINITÄTEN will be accompanied by a catalogue published by Koenig Books, with contributions by—among others—CAConrad, Nelly Gawellek, Chris Kraus, Quinn Latimer, Kerstin Stakemeier, Marlene Streeruwitz, and Änne Söll.

MASKULINITÄTEN

Through November 24.

Bonner Kunstverein

Hochstadenring 22, Bonn.

Kölnischer Kunstverein

Hahnenstrasse 6, Cologne.

Kunstverein Düsseldorf

Grabbeplatz 4, Düsseldorf.

Maskulinitäten, a co-operation of the Bonner Kunstverein, Kölnischem Kunstverein, and Kunstverein für die Rheinlande und Westfalen, Düsseldorf, September 1–November 24, 2019. Cologne installation photographs by Mareike Tocha, except second from top and fourth from bottom, by Katja Illner. Images courtesy and © the artists, the institutions, and the photographers.

WEEKLY WRAP UP | SEPT. 1-5, 2014

Downtown Los Angeles

Downtown Los Angeles

This week we visited the Night Gallery exhibition TRAINS curated by Sterling Ruby and the bizarre home of The Bunny Museum. We announced Jana Euler‘s exhibition of paintings at Kunsthalle Zurich, Jonathan Binet at Gaudel de Stampa and Clement Rodzielski at Chantal Crousel, and K8 Hardy at Kunstlerhaus, Graz. We took a tour of architecture at the Bradbury Building in Downtown Los Angeles and announced the upcoming 2014 New York Art Book Fair. Make sure to also check out Miranda July‘s new app “Somebody” sponsored by Miu Miu.

 

JANA EULER AT KUNSTHALLE ZURICH

“Where the energy comes from”
Jana Euler
30.08. – 09.11.14

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Kunsthalle Zürich presents the first comprehensive institutional solo show by Jana Euler (born in Friedberg, Germany in 1982, lives and works in Brussels). The exhibition is entitled «Where the energy comes from» and comprises all new works created for this show. The exhibition and the accompanying catalogue are organised in collaboration with the Bonner Kunstverein, where the presentation will be on show from December 6, 2014 to February 22, 2015.

Jana Euler’s work encompasses a variety of artistic media, aesthetic decisions and discursive practices. Her paintings, sculptures and texts explore the possibilities of digital and analogue images and respond to our contemporary conditions of experience with optical, cognitive and sensual models and vehicles of reflection. 

The real material and hyperreal states of objects and subjects carry equal weight in Euler’s works. Through their dynamic interplay in her works, figurative, abstract and surreal forms of representation shift our perception and the definition of reality and image. The figures in the artist’s paintings are simultaneously physis and bearers of wide-ranging social and cultural-historical relationships.

 

 

WEEKLY WRAP UP | AUG. 25-29, 2014

Historic Farmer's Market, Los Angeles, 1960s

Historic Farmer’s Market, Los Angeles, 1960s

This week on the blog we saw one of the largest flowers in the world bloom at the Huntington Library & Gardens in Pasadena – Titan Arum a.k.a “The Corpse Flower.” We visited Le Louvre in Paris and took a look at the new installation in the Department of Decorative Art from Louis XIV to Louis XVI where we saw a beautiful gold coffee grinder. The British prog rock band Yes played at the Greek Theater in L.A. We marveled at the architecture of The Church of Notre-Dame du Raincy. We attended a screening of the must-see documentary for every Angelino – Los Angeles Plays Itself. We announced Michaela Eichwald’s exhibition of paintings and sculpture at Palais de Tokyo in ParisJana Euler at Kunsthalle Zürich, and Matias Faldbakken at Standard (Oslo). And, one of our favorite bookshops in Los Angeles – Family – reopened this past week with the launch of Sean Wilsey’s new book ‘More Curious.’

 

 

JANA EULER AT KUNSTHALLE ZURICH OPENING AUGUST 29, 6-9

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JANA EULER «Where the energy comes from» (30.08. – 09.11.14)

Kunsthalle Zürich presents the first comprehensive institutional solo show by Jana Euler (born in Friedberg, Germany in 1982, lives and works in Brussels). The exhibition is entitled «Where the energy comes from» and comprises all new works created for this show. The exhibition and the accompanying catalogue are organised in collaboration with the Bonner Kunstverein, where the presentation will be on show from December 6, 2014 to March 1, 2015.

Jana Euler’s work encompasses a variety of artistic media, aesthetic decisions and discursive practices. Her paintings, sculptures and texts explore the possibilities of digital and analogue images and respond to our contemporary conditions of experience with optical, cognitive and sensual models and vehicles of reflection.

The real material and hyperreal states of objects and subjects carry equal weight in Euler’s works. Through their dynamic interplay in her works, figurative, abstract and surreal forms of representation shift our perception and the definition of reality and image. The figures in the artist’s paintings are simultaneously physis and bearers of wide-ranging social and cultural-historical relationships.

text from kunsthallezurich.ch