Tag Archives: Jean-Michel Jarre


The year is 1978. Punk rock has captured the imagination of the world, but another group of musicians has taken a different path into the world of machine-driven electronica. The new film LE CHOC DU FUTUR—the directorial debut of Marc Collin, co-founder of the band Nouvelle Vague—explores the birth of a scene through the eyes and ears of a young woman in Paris.

Housesitting for a producer and availing herself of the wall of synthesizers in his apartment, Ana (Alma Jodorowsky)—a commercial jinglest and budding composer—works to create a new music-sans-musicians, what she calls “a dance for oscillators,” a layering process the film considers with lovely, unhurried detail. She dreams of leaving behind the old rock venues, “stinking of beer and piss,” and communing with nature in a mass gathering.

LE CHOC DU FUTUR features music by Throbbing Gristle, Human League, Julie London, Aksak Maboul, Jean-Michel Jarre, Suicide, and Clara Luciani—who co-stars—and is dedicated to the female pioneers of electronic music, among them Clara Rockmore, Wendy Carlos, Daphne Oram, Delia Derbyshire, Eliane Radigue, Laurie Spiegel, Suzanne Ciani, Johanna Beyer, Charlotte “Bebe” Barron, Pauline Oliveros, Else Marie Pade, and Beatriz Ferreyra.

See link below for details.


A film by Marc Collin.

Cleopatra Entertainment

Marc Collin, Le choc du futur (2019), starring Alma Jodorowsky. Photographs and film poster courtesy and © Cleopatra Entertainment.


Evoking the experience of being in a club, the exhibition ELECTRONIC—FROM KRAFTWERK TO THE CHEMICAL BROTHERS will transport you through the people, art, design, technology, and photography that have been shaping the electronic music landscape.*

See link below for details.


Through February 14, by appointment.

Design Museum

224–238 Kensington High Street, Kensington, London.

Electronic: From Kraftwerk to the Chemical Brothers, Design Museum, London, July 31, 2020–February 14, 2021, from top: Adam Smith and Marcus Lyall’s sensory experience for the Chemical Brothers’ track “Got to Keep On,” photograph by Guy Bell / Rex / Shutterstock; Kraftwerk, photograph by Guy Bell / Rex / Shutterstock; installation view, photograph by Felix Speller; Yuri Suzuki and Jeff Mills, The Visitor; masks from the Aphex Twin video Windowlicker (1999), photograph by Speller; Smith and Nyall’s “Got to Keep On” installation; Haçienda club designs by Ben Kelly and Peter Saville; Electronic: From Kraftwerk to the Chemical Brothers exhibition catalog; Jean-Michel Jarre’s imaginary studio, photograph by Speller; Weirdcore, Aphex Twin’s Collapse; 1024 Architecture, Core; Bruno Peinado, Untitled (The Endless Summer), 2007, photograph by Speller. Images courtesy and © the artists, the photographers, and the Design Museum.