Tag Archives: Jeremy O. Harris

JEREMY O. HARRIS

This week, playwright Jeremy O. Harris—author of Slave Play and Daddy: A Melodrama—will participate in the opening night event of the New York Times series OFFSTAGE.

Patti LuPone, Mary-Louise Parker, Katrina Lenk, and Elizabeth Stanley will also perform.

R.s.v.p. below.

OFFSTAGE—OPENING NIGHT

Thursday, June 11.

4 pm on the West Coast; 7 pm East Coast.

Jeremy O. Harris, from top: Ronald Peet and Charlayne Woodard in Daddy: A Melodrama (2019); Kahyun Kim and Tommy Dorfman in Daddy; Kim, Woodard, Peet, Alan Cumming, and Dorfman in Daddy, photograph by Sara Krulwich; Joaquina Kalukango and James Cusati-Moyer in Slave Play, photograph by Joan Marcus; Cusati-Moyer and Ato Blankson-Wood in Slave Play, photograph by Matthew Murphy. Images courtesy and © the actors, photographers, publishers, producers, and playwright.

THE POWER OF THE ARTIST

AIDS completely changed American culture. People always say “pop culture.” As if we have some high culture to distinguish it from. The effect of AIDS was like a war in a minute country. Like, in World War I, a whole generation of Englishmen died all at once. And with AIDS, a whole generation of gay men died practically all at once, within a couple of years. And especially the ones that I knew.

The first people who died of AIDS were artists. They were also the most interesting people. I know I’ve said this before, but the audience for the arts—whether it was for writing or films or ballet—also died and no longer exists in a real way. So all the judgment left at the same time that all this creativity left. And it allowed people who would be fifth-rate artists to come to the front of the line. It decimated not just artists but knowledge. Knowledge of a culture. There’s a huge gap in what people know, and there’s no context for it anymore. — Fran Lebowitz*

Daniel Mendelsohn will moderate the panel THE POWER OF THE ARTIST at the Kitchen.

Presented by David Zwirner and the New York Review of Books, panelists include Jeremy O. Harris, Fran Lebowitz, Elizabeth Alexander, and Lisa Yuskavage.

THE POWER OF THE ARTIST—ELIZABETH ALEXANDER, JEREMY O. HARRIS, FRAN LEBOWITZ, and LISA YUSKAVAGE

Monday, February 3, at 6:30 pm

The Kitchen

512 West 19th Street, New York City.

*“The Voice: Fran Lebowitz,” interview by Francesco Clemente, Interview, March 2016.

From top: Jeremy O. Harris; Fran Lebowitz with Andy Warhol; Elizabeth Alexander. , photograph by Djeneba Aduayom. Photographs courtesy and © the subjects and the photographers. Above and below: Lisa Yuskavage, Bonfire, 2013–2015, oil on linen, diptych; Lisa Yuskavage, Naked Neighbors, 2019, oil on linen. Images courtesy and © the authors, the artist, the photographers, and David Zwirner.

DAVID HOCKNEY — A BIGGER SPLASH

Through the end of the month, Metrograph has invited a number of writers and artists—as well as director Jack Hazan—to present screenings of the 4K restoration of A BIGGER SPLASH, Hazan’s time capsule of David Hockney and Peter Schlesinger’s London and New York life in the early 1970s.

Hazan will participate in a post-screening Q & A on Saturday, June 22, after the 7 pm show, and Ryan McNamara will introduce the 7:15 pm screening on Sunday, June 23.

Jeremy O. Harris will introduce the 9:30 pm screening on Friday, June 28, and on Saturday, June 29, at 5:30, there will be a Q & A and book signing with Catherine Cusset, author of Life of David Hockney: A Novel.

On Sunday, June 30, filmmaker Matt Wolf will introduce the 6:15 pm show.

A BIGGER SPLASH

Through June 30.

Metrograph

7 Ludlow Street, New York City.

See Peter Schlesinger, Checkered Past: A Visual Diary of the ’60s and ’70s (New York: Vendome Press, 2003).

A Bigger Splash, directed by Jack Hazan, from top: David Hockney in London painting Peter Schlesinger in the Portrait of an Artist (Pool with Two Figures); photographs used in composition of the painting; scenes from A Bigger Splash (6), including Schlesinger leaning on sliding glass door. Images courtesy Metrograph Pictures.