Tag Archives: Jonas Wood

JONAS WOOD BOOK SIGNING

JONAS WOOD—a Phaidon publication, and the artist’s first monograph—is out now. This week, join Wood at the Geffen Contemporary at MOCA for a book signing.

The extensively illustrated volume includes essays by Helen Molesworth and Ian Alteveer, and a conversation between Wood and Mark Grotjahn.

JONAS WOOD BOOK SIGNING

Thursday, December 12, from 6 pm to 8 pm.

Geffen Contemporary at MOCA

152 North Central Avenue, downtown Los Angeles.

Jonas Wood, 2019, Phaidon. Images courtesy and © the artist, the publisher, Gagosian, and David Kordansky Gallery. Bball Studio, 2019—the black-and-white etching of the book cover image—is a print (200 copies) included in the special hardcover limited edition of JONAS WOOD, the proceeds of which benefited the Oakland-based non-profit Creative Growth.

ABSTRACT FIGURATION

Earlier this year, former Interview editor and Vanity Fair special correspondent Bob Colacello made his curatorial debut with THE AGE OF AMBIGUITY: ABSTRACT FIGURATION/FIGURATIVE ABSTRACTION at the Vito Schnabel Gallery in St. Moritz.

The catalogue—published by Schnabel, with text by Colacello—is an 82-page hardcover featuring work by Jean-Michel Basquiat, The Bruce High Quality Foundation, Jeff Elrod, Jacqueline Humphries, Rashid Johnson, Adam McEwen, Sterling Ruby, Borna Sammak, Jonas Wood, Vito’s father Julian Schnabel, and Bob’s former employer Andy Warhol.

“As the 21st century grapples its way through its second decade, America seems to have entered what may be called The Age of Ambiguity, a time when everything is fluid and nothing concrete, and confusion overwhelms certainty… It is said that the best artists are the antennae of their society, the prophets of their era. Is it any wonder, then, that many younger American painters and sculptors have long abandoned the bygone absolutisms of Minimalism on one hand and Hyper-Realism on the other and are making works today that hover in a hard to define space that might be called Abstract Figuration or Figurative Abstraction?” — Bob Colacello*

BOB COLACELLO, THE AGE OF AMBIGUITY (Vito Schnabel, 2017). Edition: 1000.

SKYLIGHT BOOKS, 1818 North Vermont Avenue, Los Feliz, Los Angeles.

BOOK SOUP, 8818 Sunset Boulevard, West Hollywood.

ART CATALOGUES, LACMA, 5905 Wilshire Boulevard, Los Angeles.

vitoschnabel.com/fr/publications/the-age-of-ambiguity

vitoschnabel.com/fr/projets/group-show7/artworks?view=slider

* artnet.com/galleries/vito-schnabel/the-age-of-ambiguity-curated-by/

Top: Exhibition catalogue. Bottom: The Bruce High Quality Foundation, Landscape with Travelers Resting, 2015. Both images courtesy of the Vito Schnabel Gallery.

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THE WHITE ALBUM

1The White Album, a group exhibition curated by Gladys-Katherina Hernando, opened this past weekend at Richard Telles Fine Art in Los Angeles and features work by Christopher Badger, Kristin Beinner James, Alika Cooper, Eduardo Consuegra, Dan Finsel, Mark Hagen, Daniel Ingroff, Barry Johnston, James Krone, Max Maslansky, Dianna Molzan, Laurie Nye, Fay Ray, Amanda Ross-Ho, Kathleen Ryan, Owen Schmit, Semi-Tropics Spiritualists, Mary Weatherford, and Jonas Wood. The exhibition is on view until August 16th.

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