Tag Archives: Kelly Akashi

ARTISTS FOR NEW YORK

Fourteen at-risk non-profit visual arts organizations in New York City—Artists Space, the Bronx Museum of the Arts, Dia Art Foundation, the The Drawing CenterEl Museo del BarrioHigh Line Art, MoMA PS1, New Museum, Public Art Fund, Queens Museum, Sculpture Center, the The Studio Museum in Harlem, Swiss Institute, and White Columns—will benefit from the sale of artwork made available as part of the Hauser & Wirth initiative ARTISTS FOR NEW YORK.

Two non-profit charitable partners are also supported: The Mayor’s Fund to Advance New York City and the Foundation for Contemporary Arts (FCA).

Located at the gallery’s two New York locations and online, more than 100 artists are participating in the project, including Rita Ackermann, Kelly Akashi, Ida Applebroog, Genesis Belanger, Lynda Benglis, Katherine Bernhardt, Huma Bhabha, Carol Bove, Katherine Bradford, Sam Falls, Charles Gaines, Maureen Gallace, Joanne Greenbaum, Mona Hatoum, Mary Heilmann, Camille Henrot, Jenny Holzer, Roni Horn, Shara Hughes, Rashid Johnson, Joan Jonas, Sanya Kantarovsky, June Leaf, Simone Leigh, Zoe Leonard, Glenn Ligon, Sam McKinniss, Marilyn Minter, Sarah Morris, Angel Otero, Adam Pendleton, Elizabeth Peyton, Jack Pierson, R.H. Quaytman, Deborah Roberts, Ugo Rondinone, Mika Rottenberg, Tschabalala Self, Amy Sherald, Cindy Sherman, Amy Sillman, Laurie Simmons, Taryn Simon, Lorna Simpson, Avery Singer, Sarah Sze, Kara Walker, Mary Weatherford, and the estate of Anne Truitt.

See link below for details.

ARTISTS FOR NEW YORK

Through October 22.

Hauser & Wirth

548 West 22nd Street, New York City.

32 East 69th Street, New York City.

From top: Lorna Simpson, Haze, 2019, ink and screenprint on gessoed fiberglass, photograph by James Wang, image courtesy and © the artist and Hauser & Wirth; Kelly Akashi, Feel Me (Flesh), 2020, hand-blown glass and bronze, image courtesy and © the artist, Tanya Bonakdar Gallery, New York, and François Ghebaly Gallery, Los Angeles; Mary Weatherford, Meeting in the Forest, 2019, flashe and neon on linen, photograph by Fredrik Nilsen Studio, image courtesy and © the artist, David Kordansky Gallery, and Gagosian; Rashid Johnson, Standing Broken Men, 2020, ceramic tile, mirror tile, spray enamel, oil soap, black stick, wax, photograph by Martin Parsekian, image courtesy and © the artist; Jack Pierson, Inquire Within, 2020, metal and wood, image courtesy and © the artist and Regen Projects; Angel Otero, Sleepy Fire, 2020, oil paint and fabric collaged on canvas, image courtesy and © Lehmann Maupin; Jenny Holzer, from Survival (1983–85), 2020, photograph by Graham Kelman, image courtesy and © the artist and Artist Rights Society (ARS).


CONCRETE ISLAND AT VENUS

Matt Johnson, Drywall #5 (Baby Aqua M440–3), 2017. Painted wood, 72 x 101 x 72 inches (182.9 x 256.5 x 182.9 cm) Image credit: Venus Over Manhattan

Matt Johnson, Drywall #5 (Baby Aqua M440–3), 2017.
Painted wood, 72 x 101 x 72 inches (182.9 x 256.5 x 182.9 cm)
Image credit: Venus Over Manhattan

“Welcome to Concrete Island: an overlooked city within a city, an entropical paradise where leisure is lean….Listen to our walls: they speak in a rare blend of hobo shamanism and contemporary primitivism that captures the texture of the urban psyche.”*

This group show at Venus’ Boyle Heights outpost features work by Kelly Akashi, William Anastasi, Vern Blosum, Will Boone, Jedediah Caesar, Center for Land Use Interpretation, the Crenshaw Cowboy, Catharine Czudej, Jaime Davidovich, Harry Dodge, Sam Falls, Francesca Gabbiani, Kim Gordon, Matt Johnson, Lazaros, Jason Matthew Lee, Jason Bailer Losh, Tony Matelli, Pentti Monkkonen, Ruben Ochoa, Jon Pylypchuk, Ry Rocklen, Nancy Rubins, Sterling Ruby, Analia Saban, Blair Saxon-Hill, Max Hooper Schneider, Daniel R. Small, Piotr Uklanski, Kaari Upson, and Chris Wiley.

 

CONCRETE ISLAND, through May 20.

VENUS LOS ANGELES, 601 South Anderson Street, Los Angeles.

*venusovermanhattan.com/exhibition/concrete-island/