Tag Archives: Kenny Scharf

ARTISTS FOR BIDEN FUNDRAISER

Over 100 artists and estates have donated works for a fundraiser supporting Democratic presidential nominee Joe Biden.* Presented on Platform.art—an initiative developed by David Zwirner—participating galleries include Regen Projects, Jack Shainman, Gladstone, Lehmann Maupin, Petzel, and Marian Goodman, as well as Gemini G.E.L.

Following a virtual kickoff earlier this week with vice-presidential nominee Kamala Harris, Carrie Mae Weems, and Catherine Opie, the sale is now live. See link below for details.

ARTISTS FOR BIDEN

October 2–October 8, 2020.

Platform.art

*Participating artists and estates include Marina Adams, Doug Aitken, Richard Aldrich, John Baldessari (donated by Gemini G.E.L.), Alvin Baltrop, Walead Beshty, McArthur Binion, Dike Blair, Sebastian Blanck, Carol Bove, Cecily Brown, George Condo, Patricia Cronin, Sarah Crowner, N. Dash, Tara Donovan, Carroll Dunham, Marcel Dzama, William Eggleston, Rafa Esparza, Shepard Fairey, Rochelle Feinstein, Radamés “Juni” Figueroa​, Spencer Finch, Suzan Frecon, Charles Gaines, Jerrell Gibbs, Sam Gilliam, Joanne Greenbaum, Isca Greenfield-Sanders, Thomas Hager, Trenton Doyle Hancock, Tyler Haughey, Michael Heizer, Carmen Herrera, Lynn Hershman Leeson, Jenny Holzer, Ridley Howard, Alex Hubbard, John Huggins, Ayana V. Jackson, Rashid Johnson, Deborah Kass, KAWS, Ellsworth Kelly, Jon Kessler, Toba Khedoori, Christine Sun Kim, Jeff Koons, Doron Langberg, Liz Larner, Bonnie Lautenberg, An-My Lê, Roy Lichtenstein, Maya Lin, Robert Longo, Emmanuel Lubezki, Brice Marden, Julie Mehretu, Marilyn Minter, Ivan Morley, Rebecca Morris, Vik Muniz, Wangechi Mutu, Jordan Nassar, Alice Neel, Shirin Neshat, Catherine Opie, Angel Otero, Jack Pierson, Lari Pittman, Martin Puryear, Christina Quarles, Robert Rauschenberg (donated by Gemini G.E.L.), Alexis Rockman, Ugo Rondinone, Victoria Roth, Ed Ruscha, Alison Saar, Betye Saar, Fred Sandback, Fanny Sanín, Kenny Scharf, Richard Serra, Cindy Sherman, Amy Sillman, Gary Simmons, Laurie Simmons, Xaviera Simmons, Vaughn Spann, Tavares Strachan, Sarah Sze, Mika Tajima, Kyle Thurman, Fred Tomaselli, Leo Villareal, Charline von Heyl, Carrie Mae Weems, Lawrence Weiner, James Welling, Stanley Whitney, Kehinde Wiley, Chloe Wise, Christopher Wool, Rob Wynne, Lisa Yuskavage, and Andrea Zittel.

From top: Carrie Mae WeemsRemember to Dream, 2020, screenprint on rag paper, printed by Kaleb Hunkele of Standard Art Supply, image courtesy and © the artist and Jack Shainman Gallery, New York; Michael Heizer, Blue Diorite, 1981, 89-lb. blue diorite in aluminum frame, image © Michael Heizer, courtesy Agnes Gund, the artist, and Gagosian, photograph by Rob McKeever, donated by a private collector; Carol BoveCoy Satanism, 2020, stainless steel and urethane paint, image courtesy and © the artist and David Zwirner; Liz Larner, Fictile, 2010–2011, ceramic and epoxy, image courtesy and © the artist and Regen Projects; Kyle Thurman, Suggested Occupation 56 (Spring Image, travel nightly), 2020, gouache, graphite, and watercolor on paper in artist’s frame, image courtesy and © the artist and David Lewis; Charline von Heyl, The Sticky Hour, 2018, acrylic and crayon on linen, image courtesy and © the artist and Petzel Gallery; Tavares StrachanWe Are in This Together (Multi),, 2019, neon and transformers, image courtesy and © the artist and Marian Goodman Gallery; Jenny Holzer, selection from Truisms: Abuse of power comes as no surprise, 2015, dark labradorite footstool, image courtesy and © the artist and Artists Rights Society (ARS), New York; Sam Gilliam, Untitled, 2020, watercolor on washi paper, image courtesy and © the artist and David Kordansky Gallery; KAWS, Together, 2017, painted bronze, image courtesy and © the artist; Alvin Baltrop, The Piers (profile portrait), n.d., gelatin silver print, image courtesy and © the Alvin Baltrop Trust, Third Streaming, and Galerie Buchholz; Lari Pittman, Portrait of a Human (Pathos, Ethos, Logos, Kairos #17), 2018, cel vinyl and spray paint on linen on wood panel, image courtesy and © the artist and Regen Projects; Ed RuschaWe (#1), dry pigment and acrylic on paper, 2020, image courtesy and © the artist.

BEYOND THE STREETS

Dash Snow, Maripol, Guerrilla Girls, Barry McGee, Kenny Scharf, Shepard Fairey, Jenny Holzer, André Saraiva, Crash, Daze, Taki 183 , and Gordon Matta-Clark are among the artists in BEYOND THE STREETS, the “definitive showcase of graffiti and street art” at Werkartz, curated by Roger Gastman.*

Image result for now we are far away paul insect

BEYOND THE STREETS, through July 6.

WERKARTZ, 1667 North Main Street, downtown Los Angeles.

beyondthestreets.com

artsy.net/beyond-the-streets

Top: Martha Cooper, Lil Crazy Legs during shoot for Wild Style, Riverside Park, NY, 1983.

Above: Paul Insect, Now We are Far Away, 2018.

Below: Martha Cooper, Keith Haring Painting Houston/Bowery Wall.

Image result for keith haring martha cooper

BTS-Martha-Cooper-714x1024

larger

81014-1442245580-Martha Cooper-xl

CLUB 57 AT MOMA — OPENING NIGHT

Eric Marciano—director of The Age of Insects and four other films in MoMA’s collection—reports from the opening night of the museum’s new exhibition CLUB 57: FILM, PERFORMANCE, AND ART IN THE EAST VILLAGE, 1978–1983:
 “The reception at MoMA was stunning! I know that we will never again see that group of people together in one place at one time: Andre DegasDavid IlkuJohn KellyDavid ByrneBianca BobChris TannerAlexa Hunter (Disturbed Furniture), Tessa ChuaBob CarrithersMarty AbrahamsAbel FerraraMichael HolmanScott Covert, Henny Garfunkel, Scott Wittman, Art Labriola, M. Henry Jones, John Waters, Tish & Snooky (Manic Panic), Kenny Scharf, MoMA curators Ron Magliozzi and Sophie Cavoulacos, and guest curators Ann Magnuson and John “Lypsinka” Epperson were among the many in attendance. (Ignacio Valero—who was covering the bike path attack downtown—and Bill Brovold were unable to attend*)
“MoMA went all out. Truly a deep dive into one of the great scenes that was occurring in tandem with other great scenes. The show reveals an energy and crazy intensity in the art—people expressing themselves in an analog era when it took time to do art. Such an eclectic group came to admire and celebrate the work and reminisce about those vibrant (and dangerous) days. The Lingerie Family painting from The Age of Insects is one of the seminal works, with a video of Frank Holliday‘s eye taking the place of the lost original.”
Two days before the opening, participating artist Richard Hambleton died at 65.
CLUB 57: FILM, PERFORMANCE, AND ART IN THE EAST VILLAGE, 1978–1983, through April 1.
MUSEUM OF MODERN ART, 11 West 53rd Street, New York City.
*Bill BrovoldVictoire Taittinger, and Barlo Perry starred in The Jimmy Donahue Story (1982), written and produced by Ignacio Valero and Eric Marciano, and directed by Marciano—a participating artist in the CLUB 57 show.
Ann Magnuson at Club 57, circa 1980. Photograph by Robert Carrithers.
studio57-14