Tag Archives: Kerry James Marshall

PEGGY COOPER CAFRITZ

Peggy Cooper Cafritz—the Washington, D.C., collector of African-American art, salonist, activist, fundraiser, co-founder of the Duke Ellington School of the Arts, and just-published author—died last week in the capital.

Her 2018 book FIRED UP! READY TO GO!—FINDING BEAUTY, DEMANDING EQUITY brings together images of more than 200 works of art that were lost in a 2009 house fire, as well as the art Cooper Cafritz had collected in the years since the catastrophe.

The Cooper Cafritz collection includes pieces by Jacob Lawrence, Romare Bearden, Edward Mitchell Bannister, Alma Thomas, Norman Lewis, Kara Walker, Kerry James Marshall, Mickalene Thomas, El Anatsui, Yinka Shonibare, Nick Cave, Kehinde Wiley, Glenn Ligon, Barkley L. Hendricks, Lorna Simpson, Carrie Mae WeemsNoah Davis, LaToya Ruby Frazier, Titus KapharNjideka Akunyili Crosby, and Toyin Ojih Odutola.

PEGGY COOPER CAFRITZ, FIRED UP! READY TO GO!—FINDING BEAUTY, DEMANDING EQUITY: AN AFRICAN AMERICAN LIFE IN ART, THE COLLECTIONS OF PEGGY COOPER CAFRITZ (New York: Rizzoli , 2018).

Contributors to the book’s text include Thelma Golden, Simone Leigh, Uri McMillan, Jack ShainmanTschabalala Self.

From top: Torkwase Dyson, Strange Fruit (Blue Note), 2015, acrylic on board; Romare Bearden, Prince Cinque (Maquette), 1976, felt pen with watercolor and collage on graph paper; Jas Knight, Autumn, 2015, oil on linen; Loren Holland, The Messenger, 2005, oil on paper; Noah Davis, Black Widow, 2007, acrylic and gouache on canvas; Nina Chanel Abney, Untitled, 2012. All images © the artists, courtesy the Estate of Peggy Cooper Cafritz, and Rizzoli.

DEANA LAWSON ON KERRY JAMES MARSHALL

Fresh from a terrific exhibition of her photographs at the 2017 Whitney Biennial, DEANA LAWSON visits MOCA for a talk about the art of KERRY JAMES MARSHALL during the final week of MASTRY.

ARTISTS ON ARTISTS: DEANA LAWSON ON KERRY JAMES MARSHALL, Thursday, June 29, 2017, at 7 pm.

KERRY JAMES MARSHALL: MASTRY, through July 3.

MOCA GRAND AVENUE, 250 South Grand Avenue, downtown Los Angeles.

moca.org/program/artists-on-artists-deana-lawson-on-kerry-james-marshall

Kerry James Marshall, Slow Dance, 1992–1993. Image credit: Kerry James Marshall and the Museum of Contemporary Art, Los Angeles.​Kerry James Marshall, Slow Dance

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KERRY JAMES MARSHALL AND HELEN MOLESWORTH IN CONVERSATION

“[Kerry James] Marshall’s Garden Project series, five enormous canvases produced in 1994 and 1995, is one of the great painting cycles of our period….Before seeing the group installed together, as it is in MASTRY, one might have thought it impossible for contemporary painting to simultaneously occupy a position of beauty, difficulty, didacticism, and formalism with such power. There are really no other American painters who have taken on such a project.” — Carroll Dunham*

On the occasion of the Museum of Contemporary Art exhibition KERRY JAMES MARSHALL: MASTRY, the Colburn School welcomes Marshall and Helen Molesworth—chief curator at MOCA—for a public conversation.

MASTRY—organized by Molesworth, Ian Alteveer (associate curator at the Metropolitan Museum of Art, New York), and Dieter Roelstraete (guest curator for the Museum of Contemporary Art, Chicago)—is Marshall’s first major retrospective exhibition in the United States.

 

KERRYJAMESMARSHALLANDHELENMOLESWORTHINCONVERSATION

Thursday, March 30 at 7 pm.

Zipper Hall, Colburn School, 200 South Grand Avenue, downtown Los Angeles.

 

 

KERRY JAMES MARSHALL—MASTRY

Through July 3.

MOCA Grand Avenue, 250 South Grand Avenue, downtown Los Angeles.

*Carroll Dunham, “The Marshall Plan,” Artforum, January 2017, 184–185.

Kerry James Marshall, Untitled (Painter), 2009, acrylic on PVC, 44 5/8 x 43 1/8 x 3 7/8 inches. Collection of the Museum of Contemporary Art, Chicago. Gift of Katherine S. Schamberg by exchange. Photograph by Nathan Keay © MCA Chicago.

Kerry James Marshall, Untitled (Painter), 2009. Acrylic on PVC, 44 5/8 x 43 1/8 x 3 7/8 inches.
Collection of the Museum of Contemporary Art, Chicago.
Gift of Katherine S. Schamberg, by exchange.
Photograph by Nathan Keay
© MCA Chicago.