I like to work in a way that all the processes about the creation of the work are visible in the end when the work is done. I do not like works where you have to think, “How is this done?” Everything can be visible. — Monica Bonvicini*
Bonvicini gives a video tour of her traveling exhibition LOVER’S MATERIAL, through the beginning of May.
See link below for details.
Through May 3.
Monica Bonvicini, Lover’s Material, Kunsthalle Bielefeld, October 10, 2020–May 3, 2021, from top: Little Liar, 2020, photograph by Jens Ziehe; Remember This House, 2020, and Black Chain Rain, 2020; Grab Them by the Balls #3, 2020; Breach of Decor, 2020 (floorpiece), and LEGSCUTOUT Big #3, 2015; Pendant (Guilt) #1, 2020; Ekel, 2020, and Grab Them by the Balls #3; White Out, 2020; NEVER TIRE, 2020, photograph by Ziehe; In My Hand, 2019, photograph by Ziehe; Marlboro Man, 2019, photograph by Ziehe. Images © Monica Bonvicini and VG Bild-Kunst, Bonn 2020, courtesy of the artist and König Galerie, Berlin, Galerie Krinzinger, Vienna, Galleria Raffaella Cortese, Mailand, Galerie Peter Kilchmann, Zürich, Mitchell-Innes & Nash, New York, and Kunsthalle Bielefeld.