In the context of America, it’s very difficult to prove racism. It’s very difficult to prove what that looks like and how it’s articulated on a systematic level. — Garrett Bradley
Join Bradley for a streamed screening of her new film TIME, followed by an online Q & A with the director. See link below for details.
I saw a call for the “Best American Experimental Writing,” and it said something like, “Bring us your weirdest, your wildest writing.” And I thought, Is that it? What creates the experimental, the innovative, the hybrid that has to be weird or wild? There’s always grace, there’s always stealth, there’s always nuance, there’s always structural intervention. And, depending on readers, one might not always notice what literary forms are being manipulated until you get uncomfortable with your expectations not being met. The tag on the book says one thing, but your experience of what you’re reading is doing something else. — Tisa Bryant*
Join Bryant—author of Unexplained Presence and a forthcoming book from Semiotext(e)—and Cauleen Smith in conversation as part of LACMA’s Confabulations series.
Filmmaker Alysa Nahmias and Film atLACMA present the documentary THE NEW BAUHAUS, which focuses on László Moholy-Nagy and the Chicago iteration of the legendary school.
The event includes a post-screening conversation with the director. See link below for details.
In conjunction with the exhibition NOT I—THROWING VOICES (1500 BCE–2020 CE), LACMA presents a new video, installation, and performance work by Puppies Puppies (Jade Kuriki Olivo): Performance–Trans, Transfeminine, Femme, Trans Womxn, Trans Women, Gender Non-Conforming, Non-Binary, Genderqueer, and Two-Spirit people (Dedicated to Camila María Concepción—Rest In Peace).
In addition to the artist, the performance features Jerome AB, Cielo Oscuro, Bamby Salcedo, Davia Spain, and Bri Williams. See link below for viewing information about this online event.
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