Tag Archives: Le Corbusier

EILEEN GRAY

The Bard Graduate Center Gallery presents a virtual tour of their current exhibition EILEEN GRAY.

Curated by Gray expert Cloé Pitiot, this is the first comprehensive exhibition in the United States of the work of the pioneer designer and architect.

See link below for details.

EILEEN GRAY

Bard Graduate Center Gallery

New York City.

Eileen Gray, from top: Tempe a Pailla, Castellar, France; dressing cabinet in aluminum and cork, 1926-29, courtesy and © Centre Pompidou; Au Cap Martin Roquebrune, 1926–1929, from L’Architecture Vivante, no. 26, courtesy and © Centre Pompidou, Bibliothèque Kandinsky, Paris, Eileen Gray collection; exhibition pavilion, final design, 1937, composite plan, section, and elevation, pen and ink (and inscription by Le Corbusier in red and orange crayon) on tracing paper, courtesy and © Victoria and Albert Museum, London; dining room serving table, 1926–1929, courtesy and © Centre Pompidou; Transat chair, 1926–1929, varnished sycamore, tubular steel, synthetic leather, courtesy and © Centre Pompidou; Berenice Abbott, Eileen Gray, 1926, courtesy and © the National Museum of Ireland; extendable metal wardrobe at Tempe a Pailla, 1934; dressing table, circa 1920; breakfast table, 1927; E 1027, courtesy and © Centre Pompidou, Bibliothèque Kandinsky, Eileen Gray collection.

CHARLOTTE PERRIAND — INVENTING A NEW WORLD

The comprehensive exhibition CHARLOTTE PERRIAND—INVENTING A NEW WORLD is in its last weeks in Paris.

CHARLOTTE PERRIAND—INVENTING A NEW WORLD

Through February 24.

Fondation Louis Vuitton

8 avenue du Mahatma Gandhi, 16th, Paris.

From top: Charlotte Perriand in the Chaise longue basculante B 306, 1929; Perriand, Agence Air France, 1957, photograph by Gaston Karquel; Le Corbusier, Pierre Jeanneret, and Perriand, Dining Room 28, included her tubular steel chair; Perriand, sketch of house elevation, 1993; Fernand Léger (left), Perriand, Le Corbusier (Charles Edouard Jeanneret), Albert Jeanneret, Pierre Jeanneret, and Matila Ghyka, Athens, 1933; Le monde nouveau de Charlotte Perriand exhibition catalog, Fondation Louis Vuitton and Gallimard; Perriand, Work and Sport, 1927–1929; Perriand, revolving chair, 1927; Dining Room 28 reproduction, Fondation Louis Vuitton. Images courtesy and © Adagp, Paris, 2019, the Vitra Design Museum, and the Archives Charlotte Perriand.

LE CORBUSIER’S DRAWINGS

The exhibition LE CORBUSIER—LESSONS OF MODERNISM brings over sixty of the artist’s drawings to Italy for the first time.

 

LE CORBUSIER—LESSONS OF MODERNISM

Through March 17.

Museo Nivola

Via Gonare 2, Orani, Sardinia.

Above: Le Corbusier in California, 1937. Photograph by Rogi André. Image credit Centre Pompidou.

Below: Le Corbusier, Study for Red Woman and Green Ball, circa 1932-1935. © Fondation Le Corbusier.

DECORUM: CARPETS AND TAPESTRIES BY ARTISTS

18

A very unique exhibition is currently on view in Shanghai, Decorum: Carpets and Tapestries by Artists features over one hundred examples of woven works. The carpets and tapestries span four continents and date from the 6th Century to today. The exhibition features examples of fiber art from, among others, China, Egypt, Bulgaria, the Arts & Crafts movement, feminist movements, Neo-Craft movement, and the New Tapestry movement, along with Modern and Contemporary artists such as Picasso, Le Corbusier, Vassily Kandinsky, Sonia Delaunay, Joan Miro, Annette Messager, Mike Kelley, and Pae White. Decorum is on view until July 13 at the Power Station in Shanghai, China.

64

03

55

13

14

23

27

29

34

36

38

42

OPEN TO GIVE, OPEN TO RECEIVE

IMG_0464

 

Entering a new year, our friend and contributor Martin Krutski, who is currently based in India, shares a photographic portrait of the Capitol Complex located in Chandigarh, the dream city of India’s first Prime Minister, Sh. Jawahar Lal Nehru.

“Chandigarh was planned by the famous French architect Le Corbusier. Picturesquely located at the foothills of Shivaliks, it is known as one of the best experiments in urban planning and modern architecture in the twentieth century in India.

Chandigarh derives its name from the temple of “Chandi Mandir” located in the vicinity of the site selected for the city. The deity ‘Chandi’, the goddess of power and a fort of ‘garh’ laying beyond the temple gave the city its name “Chandigarh-The City Beautiful”.

Le Corbusier conceived the master plan of Chandigarh as analogous to human body, with a clearly defined head (the Capitol Complex, Sector 1), heart (the City Centre Sector-17), lungs ( the leisure valley, innumerable open spaces and sector greens), the intellect (the cultural and educational institutions), the circulatory system (the network of roads, the 7Vs) and the viscera (the Industrial Area). The concept of the city is based on four major functions: living, working, care of the body and spirit and circulation.

The Capital complex comprises three architectural masterpieces: the “Secretariat”, the “High Court” and the “Legislative Assembly”, separated by large piazzas. In the heart of the Capital Complex stands the giant metallic sculpture of The Open Hand, the official emblem of Chandigarh, signifying the city’s credo of “open to give, open to receive”. ” (via the official website of the Chandigarh Administration)

IMG_0498

 

 

 

 

 

 

IMG_0458

 

 

 

 

 

 

IMG_0469

 

 

 

 

 

 

IMG_0445

 

 

 

 

 

 

IMG_0499

 

 

 

 

 

 

IMG_0490

 

 

 

 

 

 

IMG_0461

 

 

 

 

 

 

IMG_0457

 

 

 

 

 

 

IMG_0489

 

 

Photography Martin Krutzki for ©PARIS, LA