Tag Archives: Marcel Breuer

PIONEERING WOMEN OF AMERICAN ARCHITECTURE

In celebration of Beverly L. Greene (1915-57)—the first African American women architect licensed to practice in the United States—and Norma Merrick Sklarek (1926-2012)—the first African American woman to be made a Fellow of the American Institute of Architects—join architect Roberta Washington, professors Mary McLeod and Patricia Morton, and Victoria Rosner (Dean of Academic Affairs, General Studies at Columbia University) for an online discussion.

McLeod and Rosner are the editors of the Pioneering Women of American Architecture website. See link below to register for the program.

BEVERLY L. GREENE and NORMA MERRICK SKLAREK—NEW RESEARCH IN BLACK WOMEN’S HISTORY IN ARCHITECTURE

Columbia University
Graduate School of Architecture, Planning and Preservation

Friday, January 15.

10 am on the West Coast, 1 pm East Coast, 6 pm London, 7 pm Paris.

From top: Unknown photographer, Contact sheet of Norma Merrick Sklarek, circa mid-20th century, silver and photographic gelatin on photographic paper, collection of the Smithsonian National Museum of African American History and Culture, image courtesy and © the Smithsonian; Sklarek in the meeting room at Gruen Associates, circa 1960, image courtesy and © Gruen Associates; Beverly L. Greene, photograph courtesy and © University of Illinois at Urbana-Champagne; the Gruen Associates projects Sklarek managed included the Pacific Design Center in West Hollywood, image courtesy and © Gruen Associates; Greene worked with Marcel Breuer on the design of the UNESCO United Nations Headquarters in Paris, image courtesy and © UNESCO.

BAUHAUS — DOCUMENTA

BAUHAUS / DOCUMENTA—VISION UND MARKE—a new exhibition in Kassel curated by Philipp Oswalt and Daniel Tyradellis—looks at the crosscurrents between two iconic German institutions:

Bauhaus aimed to confront the crisis of industrialization and the damages caused by the First World War through the applied design of objects, spaces and buildings; documenta took up the romantic idea of the engagement with fine art, through which people should become responsible citizens again.”*

The show—part of the celebration of the Bauhaus centenary—includes works by Marianne Brandt, Marcel Breuer, Bazon Brock, Hans Haacke, Wassily Kandinsky, Barbara Klemm, Aleksandr Ptuschko, and Gilles Raynaldy.

BAUHAUS / DOCUMENTA—VISION UND MARKE*

Through September 8.

Neue Galerie

Schöne Aussicht 1, Kassel.

From top: Staircase of the Fridericianum with tapestry by Fritz Winter, 1956–1957, documenta 2, 1959, photograph by Günther Becker; Sculpture Hall at documenta I, Kassel, 1955, featuring works by Hans Arp, Henri Laurens, Alexander Calder, and Henry Moore; rotunda at the Fridericianum, documenta I, photograph by Günther Becker. Below: invitation card for Bauhaus/documenta—Vision und Marke, featuring images of Haus-Rucker-Co, Oase Nr. 7 (Oasis No. 7), documenta 5, 1972, photograph by Carl Eberth; and Wilhelm Wagenfeld ‘s Tischleuchte (table lamp), 1924, photograph by Joachim Fliegner. Images courtesy and © documenta archiv.

MARCEL BREUER — BUILDING GLOBAL INSTITUTIONS

In conjunction with the recent essay collection MARCEL BREUER: BUILDING GLOBAL INSTITUTIONS, join the book’s editors Barry Bergdoll and Jonathan Massey, along with two of its contributors—Lucia Allais and Guy Nordenson—for a talk and roundtable discussion about Breuer’s practice.

MARCEL BREUER—BUILDING GLOBAL INSTITUTIONS

Monday, March 4, at 6 pm.

Princeton University School of Architecture

Betts Auditorium

McCosh Walk, Princeton.

Also see Hal Foster’s forthcoming Positive Barbarism: Brutal Aesthetics in the Postwar Period (Princeton University Press).

From top: The old Whitney Museum of American Art (now Met Breuer)—designed by Marcel Breuer with his partner Hamilton P. Smith—in 1966, the year it opened, photograph © Photo Ezra Stoller/Esto; portrait of Breuer, circa 1949, photograph © Homer Page, Bauhaus archives, Berlin; Begrisch Hall—designed by Breuer (with Smith and Robert Gatje) and completed in 1961—was part of NYU’s University Heights campus in the Bronx, until it was sold to CUNY, photograph © Ben Schnall, Marcel Breuer Papers, Archives of American Art, Washington, D.C.