Tag Archives: MOCA Grand Avenue


The rise of the feminist movement and the globalism that exposed United States audiences to other cultures were two energizing forces for artist Constance Mallinson, coinciding with the artist’s late-1970s move to Los Angeles. Mallinson worked downtown, creating paintings and drawings that channeled the form and logic of weaving. She focused her attention on employing pattern as a bridge between minimalist aesthetics and a more personal and feminine approach as part of the Pattern and Decoration art movement.

Mallinson joins MOCA assistant curator Rebecca Lowery in a conversation about her practice then, now, and in the context of the exhibition WITH PLEASURE—PATTERN AND DECORATION IN AMERICAN ART 1972–1985.*


Thursday, January 23, at 7 pm.

MOCA Grand Avenue

250 South Grand Avenue, downtown Los Angeles.

Constance Mallinson, artworks courtesy and © the artist, Jason Vass Gallery, and Edward Cella Art and Architecture. Photograph of Mallinson by Todd Gray, courtesy and © the photographer and Mallinson.


“Memento stella” is a original phrase I coined to remind me to “remember the stars” and “never forget that we too reside among the stars.”

For several years I’ve travelled the world, screening my work. And throughout this dark, sad world, amid war and terrorism—countless lives lost to natural cataclysms and caused by humans—and there hasn’t been a single day that death hasn’t been in my thoughts.

At the same time, I do realize that it is not only death that binds us. We are also born and raised and living on this little planet, among the stars. I pursue my work with the idea that if each day, we might be conscious of this truth for even a moment, then maybe perhaps somewhere deep in our hearts, we might find shared artistic expressions, keys to a place beyond the religions, politics, borders, languages, and personal desires which tear us apart.
Makino Takashi

Join Makino for the Los Angeles and San Francisco premieres of his new 60-minute feature MEMENTO STELLA.


Thursday, September 19, at 7 pm.

MOCA Grand Avenue

250 South Grand Avenue, downtown Los Angeles.

Like news reports of wartime Japan, films with stories or a precise structure throw images at an audience with their meanings already intact. Rather than making films with my own imposed structure, my method is to abandon structure altogether or, in other words, layer images that once embodied meaning on top of one another until they become unintelligible. I aim for the resulting composite “image” to be like a nameless animate being with a limitless capacity for meanings so that my films become triggers for an audience to venture into their own imagination. — Makino Takashi*

Thursday, September 26, at 7:30 pm.

Yerba Buena Center for the Arts*

701 Mission Street, San Francisco.

Makino Takashi, Memento Stella (2018), DCP (4K video), color, 5.1 sound, 60 minutes, stills. Images courtesy and © the artist. Photograph of Makino Takashi courtesy and © Nippon Connection.


Join filmmaker Marielle Nitoslawskal for the Los Angeles premiere of her Carolee Schneemann documentary BREAKING THE FRAME.

Presented by the Los Angeles Filmforum at MOCA, BREAKING THE FRAME—shot in 35mm, 16, Super 8, and HD video over the course of six years—is a “kinetic, hyper-­cinematic intervention, a critical meditation on the relation of art to the physical, domestic and conceptual aspects of daily life and on the attributes of memory. It uses Schneemann’s autobiographical materials to narrate the historic upheaval within Western art in post-­war America.”*


Thursday, July 25, at 7 pm.

MOCA Grand

250 South Grand Avenue, downtown Los Angeles.

Marielle Nitoslawska, Breaking the Frame (2012), stills. Images courtesy and the filmmaker and Possible Movements.


TENDER FICTIONS—the late, great Barbara Hammer’s follow-up to Nitrate Kisses—traces the filmmaker’s evolution from would-be child-star of the fifties to heterosexual “earth mother” of the sixties to the lesbian artist and activist of her last decades.

As part of The Legacy Project—a partnership between OUTFEST and UCLATENDER FICTIONS (1996) will screen this weekend as part of the festival.


Sunday, July 21, at noon.

MOCA Grand Avenue

250 South Grand Avenue, downtown Los Angeles.

See A. L. Steiner on Hammer.

From top: Barbara Hammer, Tender Fictions; Barbara Hammer, On the Road, Big Sur, California, 1975, 2017, gelatin silver print; Barbara Hammer, Sappho Production Meeting, Los Angeles, 1978; Hammer. Images courtesy and © the artist’s estate.


“A record of the way a young lesbian feminist dressed in her coming of age” — K8 Hardy

K8 Hardy’s directorial debut OUTFITUMENTARY (2016) will screen this week as part of the Jason Simon series Blame the Audience at MOCA.

Also on the bill: If Andy Warhol’s Super-8 Camera Could Talk, directed by Roddy Bogawa, and Tiger Morse, directed by Warhol.


Thursday, March 7, at 6 pm.

MOCA Grand Avenue

250 South Grand Avenue, downtown Los Angeles.

From top: K8 Hardy, Outfitumentary, still; Andy Warhol, Tiger Morse, aka Tiger Morse (Reel 14 of ****), still; K8 Hardy, How To: Untitled Runway Show book cover, published by DoPe Press in 2013, cover design by Madame Paris.