I like to work in a way that all the processes about the creation of the work are visible in the end when the work is done. I do not like works where you have to think, “How is this done?” Everything can be visible. — Monica Bonvicini*

Bonvicini gives a video tour of her traveling exhibition LOVER’S MATERIAL, through the beginning of May.

See link below for details.

MONICA BONVICINI—LOVER’S MATERIAL*

Kunsthalle Bielefeld

Through May 3.

Monica Bonvicini, Lover’s Material, Kunsthalle Bielefeld, October 10, 2020–May 3, 2021, from top: Little Liar, 2020, photograph by Jens Ziehe; Remember This House, 2020, and Black Chain Rain, 2020; Grab Them by the Balls #3, 2020; Breach of Decor, 2020 (floorpiece), and LEGSCUTOUT Big #3, 2015; Pendant (Guilt) #1, 2020; Ekel, 2020, and Grab Them by the Balls #3; White Out, 2020; NEVER TIRE, 2020, photograph by Ziehe; In My Hand, 2019, photograph by Ziehe; Marlboro Man, 2019, photograph by Ziehe. Images © Monica Bonvicini and VG Bild-Kunst, Bonn 2020, courtesy of the artist and König Galerie, Berlin, Galerie Krinzinger, Vienna, Galleria Raffaella Cortese, Mailand, Galerie Peter Kilchmann, Zürich, Mitchell-Innes & Nash, New York, and Kunsthalle Bielefeld.