Tag Archives: National Theatre

THE LEHMAN TRILOGY

THE LEHMAN TRILOGYStefano Massini’s acclaimed epic of immigrant commerce, high finance, and spectacular ruin—stars Simon Russell Beale, Adam Godley, and Ben Miles as a cast of dozens across a century and a half of ascendancy while remaining the three Lehman brothers—Henry, Meyer, and Emanuel—who stepped off the boat in 1844, landing in the “magical music box” of America.

The original five-hour version premiered in Paris in 2013, and went on to Milan, where it was first seen by director Sam Mendes. Shortened to a little over three hours, adapted into English by Ben Power, and designed by by Es Devlin, THE LEHMAN TRILOGY is on the West End boards for one more month. Fortunately for local audiences, over the next several months L.A. Theatre Works will present six encores of the National Theatre Live presentation.

THE LEHMAN TRILOGY—NT Live

Saturday, July 27.

Sunday, July 28, August 4, August 25, and September 8.

Saturday, November 23.

All presentations at 3 pm.

James Bridges Theater

Melnitz Hall, UCLA

235 Charles E. Young Drive, Los Angeles.

THE LEHMAN TRILOGY

Through August 31.

Piccadilly Theatre

16 Denman Street, Soho, London.

The Lehman Trilogy, from top: Simon Russell Beale (2); Beale (left), Ben Miles, and Adam Godley; Miles, Beale, and Godley; Godley; Miles, Godley, and Beale; Miles; Beale, Miles, and Godley; Godley, Beale, and Miles. Photographs by Mark Douet. Images courtesy and © the photographer, the performers, the designer, and the National Theatre.

IVO VAN HOVE’S ALL ABOUT EVE

The origin of Joseph Mankiewicz’s legendary screenplay ALL ABOUT EVE is a true story the actress Elisabeth Bergner told author-actress-playwright Mary Orr about a stage door waif, Martina Lawrence, who insinuated herself into Bergner’s life to a threatening degree. In Orr’s fictional telling, the faux-naïf schemer—Eve—takes over the great actress’ career, husband, and stardom, ending the tale with a thousand-dollar-a-week contract from a Hollywood studio.

Since studio Code dictated that villains must always be punished, 20th Century Fox couldn’t film that version in 1950. So Mankiewicz devised a brilliant ending: the star—Margo Channing—wouldn’t lose everything to the interloper, and Eve ends up with her own Eve to thwart.

Ivo van Hove—the European avant-gardist-turned-unlikely Broadway powerhouse—and his designer Jan Versweyveld have transformed ALL ABOUT EVE for the London stage. Gillian Anderson pulls out all the stops, playing Margo at 50—not the film’s 40—and more obsessed with surface aging as a harbinger of irrelevance than Bette Davis was in her indelible star turn. The essential difference between EVE‘s sparkling 1950s urbanity and its 2019 iteration may be explained by Ben Brantley’s take on van Hove’s sensibility:

“He is a tragedian, first and foremost, though I think we can make room for tragedians in a time when they’re a rare breed among directors… What I think fascinates him, and what often works for me, is the idea of monolithic personalities, damned to suffocate under their own passions (or egos).”

The National Theatre production of ALL ABOUT EVE co-stars Lily James in the title role. Monica Dolan is Margo’s best friend Karen, Rhashan Stone is her husband, playwright Lloyd Richards, Julian Ovenden is Margo’s lover-director Bill, Stanley Townsend is critic Addison DeWitt, and Sheila Reid is Birdie, Margo’s dresser (played in Mankiewicz’s film by Thelma Ritter). PJ Harvey composed the score.

This weekend, L.A. Theatre Works presents the NTLive screening of ALL ABOUT EVE at UCLA.

ALL ABOUT EVE—NT Live

Sunday, June 23, at 3 pm.

James Bridges Theater

Melnitz Hall, UCLA

235 Charles E. Young Drive, Los Angeles.

From top: Gillian Anderson in All About Eve, Noël Coward Theatre, London, 2019; Sheila Reid (left), Anderson, and Monica Dolan; Lily James; Julian Overden and Anderson; Rhashan Stone and Anderson; Anderson and Dolan; Overden and James; Anderson. Photographs by Perou, courtesy and © the photographer, the performers, and the National Theatre.

ANGELS IN AMERICA

The original pre-Broadway production of Tony Kushner’s ANGELS IN AMERICA was staged in 1992 at the Mark Taper Forum in Los Angeles, in the thick of the plague years. The culture wars of that time are still with us, and in a macabre twist, the White House is temporarily occupied by a mentee of one of ANGEL’s key figures—the corrupt, closeted right-wing attorney Roy Cohn.

The play, an epic that remains unsurpassed, is at the end of a sold-out revival at the National Theatre in London, directed by Marianne Elliott, and starring Andrew Garfield as Prior Walter. (Nathan Lane plays Cohn.) As part of National Theatre Live, the production will be broadcast this month at the James Bridges Theater at UCLA.

(A Broadway transfer is set to begin performances in February 2018.)

“Garfield….is splendid in the central role of the ailing Prior Walter….With his razor-edge cheekbones and eyes of fire, this gaunt Prior brings to mind Maria Callas as Medea, which he would surely take as a compliment. Mr. Garfield has the florid mannerisms of a vintage drag queen down pat. But he wields them as part of an intricate defense system born of both fear and defiance. This Prior is palpably as scared as hell, and as mad as hell, too.” — Ben Brantley, New York Times, May 5, 2017

ANGELS IN AMERICA, National Theatre Live broadcast.

PART ONE: MILLENNIUM APPROACHES, Sunday, August 20, at 4 pm.

PART TWO: PERESTROIKA, Sunday, August 27, at 4 pm.

JAMES BRIDGES THEATER, MELNITZ HALL, UCLA, 235 Charles E. Young Drive East, Los Angeles.

ntlive.nationaltheatre.org.uk/productions/61490-angels-in-america

From top: Andrew Garfield as Prior Walter in Angels in America, by Tony Kushner, at the National Theatre in London, 2017; Garfield in rehearsal; Garfield and Amanda Lawrence; Garfield and Denise Gough. All photographs by Helen Maybanks.

Angels in America review

Angels_in_America_London_Rehearsal_Photo_2017_Andrew Garfield rehearsing Angels In America at the National Theatre 052 (c) Helen Maybanks_HR.jpg

'Angels in America'