Tag Archives: Nicolas Duvauchelle

CLAIRE DENIS — BEAU TRAVAIL RESTORED

BEAU TRAVAIL was a very small budget and very few days of shooting, it was a completely free experience. Also free because the French army that was really training in Djibouti was opposed to the fact that we were doing the movie, and therefore we had to keep in mind that the script should be able to change day by day in case they stopped the movie. I always told my producer that I was ready to finish shooting in hotel rooms, in case they would stop us from going outside. So we did rehearse in Paris. We rehearsed a long time. We knew everything we wanted to do, and then in Djibouti it was like free jazz, you know? It was like being free and every day we could shoot. — Claire Denis

With her ravishingly sensual take on Herman Melville’s novella, Claire Denis firmly established herself as one of the great visual tone poets of our time. Amid the azure waters and sunbaked desert landscapes of Djibouti, a French Foreign Legion sergeant (Denis Lavant) sows the seeds of his own ruin as his obsession with a striking young recruit (Grégoire Colin) plays out to the thunderous, operatic strains of Benjamin Britten. Denis and cinematographer Agnès Godard fold military and masculine codes of honor, colonialism’s legacy, destructive jealousy, and repressed desire into shimmering, hypnotic images that ultimately explode in one of the most startling and unforgettable endings in all of modern cinema.

The 4K restoration of Denis’ masterpiece—supervised by the cinematographer—is now streaming via Janus Films. See link below for details.

BEAU TRAVAIL

Now playing.

Laemmle, Los Angeles

Claire Denis, Beau Travail (1999), from top: Grégoire Colin; Beau Travail (4); Denis Lavant; Nicolas Duvauchelle (second from right) and Colin (left); Beau Travail. Images courtesy and © the filmmaker, the actors, the photographers, and Janus Films.

PASCAL BONITZER — LES ENVOÛTÉS

A contemporary update of the Henry James ghost story “The Way it Came,” LES ENVOÛTÉS / SPELLBOUND)—directed by Pascal Bonitzer and written by Agnès de Sacy and Bonitzer—follows a chain of friends, lovers, and apparitions through Paris and the Pyrennes.

The cast includes Sara Giraudeau, Nicolas Duvauchelle, Anabel Lopez, and Nicolas Maury.

A selection of the canceled Rendez-Vous with French Cinema 2020 festival, LES ENVOÛTÉS is screening free on Festival Scope.

See link below for details.

LES ENVOÛTÈS / SPELLBOUND

Free sign-in through April 16.

Pascal Bonitzer, Les envoûtés / Spellbound (2019): Sara Giraudeau and Nicolas Duvauchelle; Anabel Lopez, and Nicolas Maury (with Giraudeau) below French poster, SBS. Images courtesy and © the filmmaker, the actors, the photographers, and SBS.

CLAIRE DENIS IN SANTA MONICA

For the opening night of the American Cinematheque program Salt, Sweat and Sunshine—The Cinema of Claire Denis, the director will join L.A. Times writer Mark Olsen for an onstage conversation at the Aero, followed by a double-bill of CHOCOLAT and WHITE MATERIAL, both of which reference Denis’ upbringing in colonial French Africa.

On Saturday afternoon, Denis will present BEAU TRAVAIL and participate in a post-screening discussion with Justin Chang.

Double-features will fill the rest of the weekend, with pairings of NÉNETTE ET BONI with 35 RHUMS, both with Alex Descas, and TROUBLE EVERY DAY with LET THE SUNSHINE IN, each featuring Nicolas Duvauchelle.

CLAIRE DENIS—CHOCOLAT and WHITE MATERIAL

Friday, April 12, at 7:30

CLAIRE DENIS—BEAU TRAVAIL

Saturday, April 13, at 5 pm.

NÉNETTE ET BONI and 35 RHUMS

Saturday, April 13, at 7:30 pm.

TROUBLE EVERY DAY and LET THE SUNSHINE IN

Sunday, April 14, at 7:30 pm.

Aero Theatre

1321 Montana Avenue, Santa Monica.

From top: Cécile Ducasse and Isaach De Bankolé in Chocolat (1988); Alice Houri in Nénette et Boni (1996); Grégoire Colin (left) and Denis Lavant in Beau Travail (1999); Béatrice Dalle in Trouble Every Day (2001); Mati Diop and Alex Descas in 35 rhums (2008); Isabelle Huppert in White Material (2009); Juliette Binoche and Nicolas Duvauchelle in Let the Sunshine In (2017).

CLAIRE DENIS’ SUNSHINE

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LET THE SUNSHINE IN—the brilliant new film from Claire Denis that is not, contrary to reports, based on Barthes’ Fragments d’un discours amoureux—has been held over by Laemmle until June 21.

LET THE SUNSHINE IN

June 15 through June 21.

Monica Film Center

1332 2nd Street, Santa Monica.

 

Through June 14:

Royal

11523 Santa Monica Boulevard, West Los Angeles.

 

Through June 7:

Playhouse

673 East Colorado Boulevard, Pasadena.

 

Through May 31:

Town Center

17200 Ventura Boulevard, Encino.

Juliette Binoche (below with Nicolas Duvauchelle) in Let the Sunshine In.

DALIDA

A star was born last spring at the COLCOA screening of DALIDA, a sweeping, big-screen biopic in the manner of Love Me or Leave MeLady Sings the Blues, and I’ll Cry Tomorrow. This week, Angelenos can see what the fuss was about in a series of Monday night screenings, courtesy of Laemmle.

In the title role, Sveva Alviti pulls out all the stops as the towering, tragic international chanteuse Dalida, climbing the charts while unsuccessfully navigating perfidious showbiz, bad marriage choices, and an irreversible spiral of despair.

 

DALIDA, Monday, October 23, at 7:30 pm.

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

LAEMMLE PLAYHOUSE, 673 East Colorado Boulevard, Pasadena.

LAEMMLE TOWN CENTER, 17200 Ventura Boulevard, Encino.

LAEMMLE CLAREMONT, 450 West 2nd Street, Claremont.

laemmle.com/films/42735

 

DALIDA is also the opening night feature at this year’s ARPA International Film Festival in Hollywood.

Friday, November 3, at 8 pm.

EGYPTIAN THEATRE, 6712 Hollywood Boulevard, Los Angeles.

arpafilmfestival.com/

 

DALIDA, video on demand, from December 5. All platforms.

Sveva Alviti and Nicolas Duvauchelle in Dalida (2017). Image credit: Under The Milky Way.

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