Tag Archives: Nicole Eisenman

NASTY WOMEN AT GAVLAK

I don’t really look for inspiration. I just let it come to me, but I don’t stop working. Work comes from work. When I’m stuck I just keep working and make terrible looking things until something else comes out of it. That’s the creative process… You can’t think yourself out a right action. You have to act yourself into right thinking. You can’t sit there and smoke cigarettes and look at the wall waiting for inspiration. — Marilyn Minter

NASTY WOMEN—a celebratory group exhibition at Gavlak Los Angeles—”seeks to uplift communities underrepresented in contemporary art and American visual culture at large… [giving] a platform to a diverse array of perspectives and female voices throughout art history.”*

The show is dedicated to the memory of the late Supreme Court Justice Ruth Bader Ginsburg. See link below for details.

NASTY WOMEN*

Through December 12.

Gavlak Los Angeles

1700 South Santa Fe Avenue, Suite 440, downtown Los Angeles.

NASTY WOMEN features work by Tiffany Alfonseca, Candida Alvarez, Lisa Anne Auerbach, Judie Bamber, Whitney Bedford, Andrea Belag, April Bey, Delia Brown, Deborah Brown, Karen Carson, Elizabeth Catlett, Gisela Colón, Patricia Cronin, Kim Dacres, Linda Daniels, Vaginal Davis, Sonia Delaunay, Florence Derive, Nicole Eisenman, Judith Eisler, Anonymous (Emilian School), Beverly Fishman, Helen Frankenthaler, Viola Frey, Francesca Gabbiani, Vania Gunarti, Trulee Hall, Jenny Holzer, Deborah Kass, Angelica Kauffman, Rachel Kaye, Ella Kruglyanskaya, Becky Kolsrud, Marcia Kure, Yayoi Kusama, Nancy Lorenz, Ann Magnuson, Kate Millett, Anne Minich, Marilyn Minter, Jesse Mockrin, Betty Parsons, Ebony G. Patterson, Genesis Breyer P-Orridge, Fay Ray, Katherine Read, Joan Semmel, Shinique Smith, Sylvia Snowden, Linda Stark, Sophie Tæuber-Arp, AlexisTeplin, Betty Tompkins, Patssi Valdez, Marnie Weber, Brenna Youngblood, and Lisa Yuskavage.

Nasty Women, Gavlak Los Angeles, October 31, 2020–December 31, 2020, from top: Lisa Anne AuerbachKeep Your Rosaries Off My Ovaries, 2020, wool, image © Auerbach; Kim DacresWhitney, 2019, auto tires, bicycle tires, bicycle tubes, wood, bicycle parts, zip ties, and screws, photograph by Sebastian Bach, image © Dacres; Judie BamberNancy Nielson (Miss April 1961), 2019, watercolor on paper, image © Bamber; Viola FreyStubborn Woman, Orange Hands, 2004, ceramic and glazes, photograph by Chris Watson, image © 2020 Frey and the Artists’ Legacy Foundation, licensed by ARS, New York; Nasty Women installation view; April BeyAtlantica Archives (Earth’s Feminism) II, 2020, digitally printed woven blanket with hand-sewn “African” Chinese knock-off wax fabric and glitter, image © Bey; Karen CarsonPower Mad, 2011, acrylic on unstretched canvas, image © Carson; self-portrait Woman Artist Painting, circa mid-17th century, anonymous artist from the Emilian School, oil on canvas; Lisa Anne AuerbachKarma is a Nasty Woman, 2020, wool, image © Auerbach. Images courtesy of the artists and Gavlak, Los Angeles and Palm Beach.

NICOLE EISENMAN — WHERE I WAS, IT SHALL BE

A confident mix of the allegorical, the autobiographical, the historical, and the fictive distinguishes the new and recent work of Nicole Eisenman, now on view in England.

NICOLE EISENMAN—WHERE I WAS, IT SHALL BE

Through January 10.

Hauser & Wirth Somerset

Durslade Farm, Dropping Lane, Bruton, Somerset.

Nicole Eisenman, Where I Was, It Shall Be, Hauser & Wirth Somerset, October 3, 2020–January 10, 2021, from top: Where I Was, It Shall Be, 2020, oil on canvas; Untitled 2020, paper on collage; installation view; Untitled 2020, paper, collage, and paint; installation views (2). Artwork photographs by Thomas Barratt, installation view photographs by Ken Adlard. Eisenman (below) photograph by Nathan Perkel. Images © Nicole Eisenman, courtesy of the artist and Hauser & Wirth.

2020 SOLIDARITY

Wolfgang Tillmans, Between Bridges, and several dozen international artists have joined together to sell posters to benefit art spaces, nightclubs, music venues, and bars at risk of closing for good because of the pandemic and subsequent lockdown.

Participating artists in the 2020 Solidarity project include Nicole Eisenman, Heji Shin, Carrie Mae Weems, Gillian Wearing, Betty Tompkins, Marlene Dumas, Christopher Wool, Jacolby Satterwhite, Isa Genzken, Rachel Harrison, Thomas Ruff, Elizabeth Peyton, Thao Nguyen Phan, Mark Leckey, Ralf Marsault, Heino Muller, Andreas Gursky, Spyros Rennt, Anne Imhof, Ebecho Muslimova, Piotr Nathan, Ming Wong, David Lindert, Heike-Karin Föll, Luc Tuymans, Stefan Fähler, Sabelo Mlangeni, Simon Denny, Melanie Bonajo, Karol Radziszewski, Karl Holmqvist, Özgür Kar, Claire Nicole Egan, Bobby Glew, Stewart Uoo, Felipe Baeza, Jochen Lempert, Seth Price, Tomma Abts, Wade Guyton, Peter Berlin, and David Wojnarowicz with Tom Warren.

See links below for details.

BETWEEN BRIDGES—2020 SOLIDARITY

BALLEZ, Brooklyn.

VISUAL AIDS, New York City.

Between Bridges, 2020 Solidarity, from top: Melanie Bonajo, Night Soil—Economy of Love, 2015; Isa Genzken, Untitled, 2015; Nicole Eisenman, Never Forget Kissing in Bars, 2020; Carrie Mae Weems, Great Expectations, 2020; Rachel Harrison, April 2020, 2020; Ming Wong, Delphine, 2020; Seth Price, Postcard Style Place, 2018; Sabelo Mlangeni, “Identity” Bongani Tshabalala, 2011; Thao Nguyen Phan, March on a Honda Dream, 2020; Claire Nicole Egan and Bobby Glew, Hard Fond, 2020; Stefan Fähler, Kiss Me, 2020; Heike-Karin Föll, AbExGruau 7, 2017; Karol Radziszewski, Vasiliy, 2018; Elizabeth Peyton, Not Me. Us. (Young Bernie 2020), 2020; David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983–1984; Thomas Ruff, Nudes kn30, 2006. Images courtesy and © the artists and Between Bridges.

MASKULINITÄTEN

What does a feminist exhibition on masculinity look like? This was the question asked by curators Eva Birkenstock, Michelle Cotton, and Nikola Dietrich while organizing MASKULINITÄTEN, their three-part exhibition now open in Bonn, Cologne, and Düsseldorf.

The Bonn section—curated by Cotton, head of Artistic Programmes and Content at Mudam, Luxembourg—includes work by Lynda Benglis, Judith Bernstein, Alexandra Bircken, Patricia L. Boyd, Jana Euler, Hal FischerEunice Golden, Richard Hawkins, Jenny Holzer, Hudinilson Jr., Allison Katz, Mahmoud Khaled, Hilary Lloyd, Sarah Lucas, Robert Morris, D’Ette Nogle, Puppies Puppies (Jade Kuriki Olivo), Bea Schlingelhoff, and Anita Steckel.

The Cologne section—curated by Dietrich, director of the Kölnischer Kunstverein—includes Georgia Anderson & David Doherty & Morag Keil & Henry Stringer, Louis Backhouse, Olga Balema, Gerry Bibby, Juliette Blightman, Anders Clausen, Enrico David, Jonathas de Andrade, Jimmy DeSana, Hedi El Kholti, Hilary Lloyd, Shahryar Nashat, Carol Rama, Bea Schlingelhoff, Heji Shin, Evelyn Taocheng Wang, Carrie Mae Weems, Marianne Wex, Martin Wong, and Katharina Wulff.

The presentation in Düsseldorf—curated by Birkenstock, director of the Kunstverein for the Rheinland and Westfalen, Düsseldorf—features the work of Vito Acconci, The Agency, Keren Cytter, Vaginal Davis, Nicole Eisenman, Andrea Fraser, keyon gaskin with Samiya Bashir, sidony o’neal & Adee Roberson, Philipp GuflerAnnette Kennerley, Sister Corita Kent, Jürgen Klauke, Jutta Koether, Tetsumi Kudo, Klara LidénHenrik Olesen, D.A. Pennebaker & Chris Hegedus, Josephine Pryde, Lorenzo Sandoval, Julia Scher, Agnes Scherer, Bea Schlingelhoff, Katharina Sieverding, Nancy Spero, and Evelyn Taocheng Wang.

MASKULINITÄTEN will be accompanied by a catalogue published by Koenig Books, with contributions by—among others—CAConrad, Nelly Gawellek, Chris Kraus, Quinn Latimer, Kerstin Stakemeier, Marlene Streeruwitz, and Änne Söll.

MASKULINITÄTEN

Through November 24.

Bonner Kunstverein

Hochstadenring 22, Bonn.

Kölnischer Kunstverein

Hahnenstrasse 6, Cologne.

Kunstverein Düsseldorf

Grabbeplatz 4, Düsseldorf.

Maskulinitäten, a co-operation of the Bonner Kunstverein, Kölnischem Kunstverein, and Kunstverein für die Rheinlande und Westfalen, Düsseldorf, September 1–November 24, 2019. Cologne installation photographs by Mareike Tocha, except second from top and fourth from bottom, by Katja Illner. Images courtesy and © the artists, the institutions, and the photographers.

VENICE 2019 — GIARDINI

The Giardini section of the 2019 Venice Biennale includes a selection of mostly new work by Nicole Eisenman, Kaari Upson, Njideka Akunyili Crosby, Joi Bittle and Dominique Gonzalez–Foerster, Jill Mulleady, and Hito Steyerl.

LA BIENNALE DI VENEZIA

Through November 24.

Giardini della Biennale

Venice.

From top: Nicole Eisenman, Morning Studio, 2016, oil on canvas, courtesy and © the artist and Anton Kern Gallery, New York; Kaari Upson, There is No Such Thing as Outside, 2019, HD video (still), courtesy and © the artist, Sprüth Magers, and Massimo de Carlo; Njideka Akunyili Crosby, Mama, Mummy and Mamma2014, acrylic, color pencils, charcoal and transfers on paper, courtesy and © the artist and Victoria Miro, London; Joi Bittle and Dominique Gonzalez–Foerster, Martian Dreams Ensemble, 2018, diorama detail, courtesy and © the artists; Jill MulleadyThis Connection is Not Private, 2018, oil on linen, courtesy and © the artist and Freedman Fitzpatrick; Hito Steyerl, Leonardo’s Submarine, 2019, three-screen video, courtesy and © the artist and installation photographer Naomi Rea.