Tag Archives: Paris-LA

ANDREA BOWERS STUDIO VISIT

The Hammer Museum and the Museum of Contemporary Art Chicago present a virtual studio visit with Andrea Bowers, who will be joined in conversation by Dr. Kaitlin Reed.

The co-curators of Bowers’ forthcoming survey exhibitionConnie Butler (the Hammer) and Michael Darling (MCA)—will introduce the event. See link below to r.s.v.p.

VIRTUAL STUDIO VISIT—ANDREA BOWERS with KAITLIN REED

Hammer Museum and MCA Chicago

Friday, October 16.

Noon on the West Coast; 2 pm Chicago; 3 pm East Coast.

From top: Andrea Bowers, photograph courtesy and © the artist and the Hammer Museum; Hammer Projects: Andrea Bowers (detail), Hammer Museum, March 11–July 16, 2017, image courtesy and © the artist and the Hammer Museum; Andrea Bowers (2021), edited by Connie Butler and Michael Darling, forthcoming exhibition catalog cover image courtesy and © Hammer Museum, MCA Chicago, and Prestel / DelMonico; PARIS LA 14, the Arts Education Issue, Winter 2016, Andrea Bowers, Educate, Agitate, Organize, 2010, low-voltage LED lights, plexiglas, and aluminum, cover image courtesy and © the artist; Kaitlin Reed, photograph courtesy and © Dr. Reed and the Hammer Museum.

FOR GLENN O’BRIEN

At the Hammer Museum on Tuesday, Ernest Hardy, Jonathan Lethem, Andy Spade, and Linda Yablonsky will read from INTELLIGENCE FOR DUMMIES, the final book of essays and other writings by the late editor and author Glenn O’Brien.

Following the readings, Yablonsky and the book’s publisher Michael Zilkha will participate in a conversation and Q & A.

GLENN O’BRIEN—INTELLIGENCE FOR DUMMIES

Tuesday, January 14, at 7:30 pm.

Hammer Museum

10899 Wilshire Boulevard, Los Angeles.

From top: Glenn O’Brien, PARIS LA 15 (2017); O’Brien (left) and Mick Jones of The Clash on O’Brien’s TV Party in the 1970s, photograph by Kate Simon; Dash Snow (left) and O’Brien at Margiela show, Paris, September 2008, photograph by Tamara Weber; O’Brien, Intelligence for Dummies: Essays and Other Collected Writings (2019), ZE Books; O’Brien, editor, The Cool School: Writing from America’s Hip Underground, Library of America; O’Brien. Images courtesy and © the author’s estate, the photographers, the publishers, and the Hammer Museum.

ACID-FREE 2019

ACID-FREE is back at Blum & Poe. Join nearly 100 publishers and galleries for a full weekend of talks, readings, signings, music, food, drink, and—of course—books and publications for perusal and sale.

This year, PARIS LA is happy to share a table with F magazine

See link below for schedule and details.

ACID-FREE LOS ANGELES ARTBOOK MARKET 2019

Friday through Sunday, November 1, 2, and 3.

Blum & Poe

2727 South La Cienega Boulevard, Los Angeles.

From top: PARIS LA 16, inside cover photograph of Michèle Lamy by Katerina Jebb; F magazine, no. 8; Kate Zambreno, Appendix Project, Semiotext(e) ; Animal Shelter 5, edited by Hedi El Kholti and Chris Kraus, Semiotext(e); Huma Bhabha, They Live, David Kordansky; Andrea Büttner, David Kordansky; K8 Hardy, How To: Untitled Runway Show, DoPe Press (2); Alex Hubbard, Eat Your Friends, DoPe Press. Images courtesy and © the artists, galleries, photographers, and publishers.

KIM GORDON — SHE BITES HER TENDER MIND

Inhabiting the four rooms of the IMMA’s Courtyard Galleries, Kim Gordon’s exhibition SHE BITES HER TENDER MIND presents new and unseen work—including paintings, drawings, sculptures from the Noise Painting, From the Boyfriend, and Airbnb series—and an immersive video projection.

KIM GORDON—SHE BITES HER TENDER MIND

Through November 10.

Irish Museum of Modern Art

Royal Hospital Kilmainham, Dublin.

See “No Retirement Plan: Kim Gordon and Carrie Brownstein in Conversation with Dorothée Perret.” PARIS LA 15 (2017).

Kim Gordon, from top: Proposal For a Dance, 2008–2010, DVD still, 12 minutes; Dead Machines, 2018, acrylic on canvas; Lay Down Thy Limbs 2, 2019, acrylic and medium on canvas; Black Glitter Circle, 2008, glitter; Mood, 2018, acrylic on canvas; Untitled (from the boyfriend series), 2015, acrylic, medium, and interference powder on denim skirt; Proposal For a Dance, 2008–2010, still. Images courtesy and © the artist and 303 Gallery, New York.

PARKETT — PHOTO

Parkett presents PHOTO, “the first survey exhibition of all photographic works made by artists for the journal over the last three decades. On view at Parkett’s Zurich space, the show includes some ninety works spanning a rarely seen, vast, and diverse range of photographic positions and ideas.”*

“The exhibition follows the evolution of photographic methods in the past three decades, with many of the earlier photographs making use of analog techniques, while digital editing informs the more recent works. Common threads including people and portraiture, landscapes both urban and natural, everyday objects, and abstraction, connect an otherwise expansive range of visual topics.”*

“Many of the works on view combine photographic elements with other media, such as gouache, collage, textiles, installation, or printmaking. Also on view are works, which while similar in terms of media and format, are unique and contain distinct differences within each project. Further exhibition displays include five video works, as well as a selection of artists’ inserts—the specially commissioned 10–12 book page projects published in each issue of Parkett.”*

“You can grab an issue from thirty years ago and see the context. You can grab that context and time. The internet has no historical orientation. You click on an article and you don’t know what context [it was published in]. I think this loss of memory is deplorable.” — Jacqueline Burckhardt, Parkett co-founding editor**

PHOTO

THE FIRST SURVEY OF ALL PHOTOGRAPHIC WORKS MADE BY ARTISTS FOR PARKETT SINCE 1984*

Through September 28.

Parkett Space Zürich

Limmatstrasse 268, Zürich.

**See “Time, Context, Object—The Parkett Story,” PARIS LA 16 (2018).

PHOTO artists include: Tomma Abts, Franz Ackermann, Doug Aitken, Allora/Calzadilla, Francis Alys, Ed Atkins, John Baldessari, Yto Barrada, Vanessa Beecroft, Alighiero e Boetti, Christian Boltanski, Glenn Brown, Angela Bulloch, Maurizio Cattelan, Chuck Close, Tacita Dean, Jeremy Deller, Thomas Demand, Trisha Donnelly, Tracey Emin, Omer Fast, Robert Frank, Katharina Fritsch, Cyprien Gaillard, Ellen Gallagher, Adrian Ghenie, Gilbert & George, Robert Gober, Nan Goldin, Dominique Gonzalez-Foerster, Felix Gonzalez-Torres, Dan Graham, Andreas Gursky, David Hammons, Rachel Harrison, Christian Jankowski, Annette Kelm, Martin Kippenberger, Jeff Koons, Jannis Kounellis, Lee Kit, Zoe Leonard, Liu Xiaodong, Paul McCarthy, Marilyn Minter, Tracey Moffatt, Jean-Luc Mylayne, Bruce Nauman, Gabriel Orozco, Richard Phillips, Sigmar Polke, Richard Prince, RH Quaytman, Charles Ray, Jason Rhoades, Pipilotti Rist, Ugo Rondinone, Mika Rottenberg, Thomas Ruff, Anri Sala, Wilhelm Sasnal, Gregor Schneider, Shirana Shahbazi, Cindy Sherman, Roman Signer, Dayanita Singh, Hito Steyerl, Beat Streuli, Thomas Struth, Sturtevant, Hiroshi Sugimoto, Sam Taylor-Wood, Diana Thater, Rosemarie Trockel, Wolfgang Tillmans, Danh Vo, Charline von Heyl, Jeff Wall, Andy Warhol, Lawrence Weiner, Christopher Wool, and Yang Fudong.

Parkett editions, from top: Doug Aitken, Decrease the Mass and Run like Hell, 1999, for Parkett 57; Vanessa Beecroft, untitled, 1999, for Parkett 56; Andy Warhol, untitled, 1987, for Parkett 12, 1987; David Hammons, Money Tree, 1992, for Parkett 31; Wolfgang Tillmans, Parkett edition 1992–1998, for Parkett 53; Trisha Donnelly, The Dashiell Delay, 2006 (2), for Parkett 77; Shirana Shahbazi, Composition with Mountain, 2014, for Parkett 94; Sigmar Polke, Desastres und andere bare Wunder, 1982–1984, for Parkett 2; Cindy Sherman, untitled, 1991, for Parkett 29; Jannis Kounellis, untitled, 1985, for Parkett 6; Tracey Emin, Self-Portrait, 12.11.01, for Parkett 63; Franz Ackermann, Peak Season, 2003, for Parkett 68. Images courtesy and © the artists and Parkett.