Tag Archives: Paul Chan

ABORTION IS NORMAL — PART 2

Recognizing the ongoing threat to reproductive rights in the United States, ABORTION IS NORMAL—sponsored by the Downtown for Democracy Independent Expenditure Committee—is an “emergency art exhibition curated by Jasmine Wahi and Rebecca Pauline Jampol and organized by Marilyn Minter, Gina Nanni, Laurie Simmons, and Sandy Tait.”*

Part 2 of the show opens this week at Arsenal Contemporary in Manhattan.

Contributing artists include Allison Janae Hamilton, Ameya Marie Okamoto, Amy Khoshbin, Andrea Chung, Arlene Shechet, Barbara Kruger, Betty TompkinsCajsa von ZeipelCarrie Mae Weems, Carroll Dunham, Catherine Opie, Cecily Brown, Chloe Wise, Christopher Myers, Christen Clifford, Cindy Sherman, Delano DunnDerrick Adams, Dominique Duroseau, Elektra KB, Fin Simonetti, Grace Graupe Pillard, Hank Willis Thomas, Hayv Kahraman, Jaishri Abichandani, Jack Pierson, Jane Kaplowitz, Jon Kessler, Jonathan HorowitzJonathan Lyndon Chase, Judith Bernstein, Judith Hudson, Katrina Majkut, Louise Lawler, Lyle Ashton HarrisMarisa Morán Jahn, Michele PredMiguel Luciano, Mika Rottenberg, Nadine Faraj, Nan GoldinNarcissister, Natalie Frank, Rob Pruitt, Ryan McGinley, Sahana Ramakrishnan, Sarah Sze, Shirin Neshat, Shoshanna Weinberger, Shout Your Abortion, Sojourner Truth Parsons, Suzy Lake, Tatyana Fazlalizadeh, Viva Ruiz, Walter Robinson, Wangechi Mutu, Xaviera Simmons, Yvette Molina, and Zoe Buckman.

New editions by Paul Chan, Rashid Johnson, and Richard Prince are also available.

ABORTION IS NORMAL*

Opening Night

Tuesday, January 21, 6 pm to 8 pm.

Exhibition runs through February 1.

Arsenal Contemporary

214 Bowery, New York City.

Abortion is Normal, Galerie Eva Presenhuber, New York, January 9–18, 2020, Arsenal Contemporary, New York, January 21–February 1, 2020, from top: Nadine FarajYo Aborte, 2016; Judith Bernstein, Abortion is Normal, 2019; Lyle Ashton HarrisBillie #21, 2002; Cindy Sherman, Untitled, 2019; Marilyn MinterCuntrol, 2020; Shoshanna WeinbergerHair Between the Legs, 2015; Arlene ShechetTo Be Continued, 2018; Nan GoldinGeno by the lake, Bavaria, Germany 1994, 1994; Christen CliffordI Want Your Blood, 2013–2020 (detail); Rob Pruitt, American Quilts 2018: Neighbors, 2018; Catherine Opie, Nicola, 1993; Natalie Frank, Portrait 1, 2019; Laurie SimmonsMother Nursery, 1976; Ameya Marie OkamotoThe Notorious RBG, 2018; Barbara KrugerWho will write the history of tears?, 2011. Images courtesy and © the artists, the photographers, Downtown for Democracy, and Abortion is Normal.


CRAIG OWENS LAUNCH AND PANEL

A newly edited and updated version of Craig Owens’ 1984 interview with Lyn Blumenthal and Kate Horsfield has been published by Badlands Unlimited.

Join Lynne Tillman, Thomas Beard, and Horsfield for CRAIG OWENS—PORTRAIT OF A YOUNG CRITIC, a book launch and panel discussion with Paul Chan and Johanna Burton at the New Museum.

Owens (1950–1990) was an associate editor at October and a senior editor at Art in America. His essays are collected in Beyond RecognitionRepresentation, Power, and Culture (1994).

In his memoir Before Pictures, Douglas Crimp describes the quality of Owen’s “unrestrained intellectual enthusiasm.”:

“In many of our late-night phone calls… [Owens] would say something like, ‘I’m writing a brilliant essay on…’—on whatever it was he was working on at the moment. I was at first taken aback by his apparent immodesty, but I grew to understand and appreciate his elation at the process of his own thinking, sparked by his voracious reading.” — Douglas Crimp*

CRAIG OWENS—PORTRAIT OF A YOUNG CRITIC

Launch and panel

Friday, March 2, at 7 pm.

New Museum

235 Bowery, New York City.

* Douglas Crimp, “Agon,” in Before Pictures (Brooklyn: Dancing Foxes Press/Chicago: University of Chicago Press, 2016), 213.

From top: Craig Owens, 1982, from the series Art World, photograph © Timothy Greenfield-SandersCraig Owens photographed by Barbara Kruger in her loft, 1988, image credit New Museum.