Tag Archives: Pauline Oliveros

LE CHOC DU FUTUR

The year is 1978. Punk rock has captured the imagination of the world, but another group of musicians has taken a different path into the world of machine-driven electronica. The new film LE CHOC DU FUTUR—the directorial debut of Marc Collin, co-founder of the band Nouvelle Vague—explores the birth of a scene through the eyes and ears of a young woman in Paris.

Housesitting for a producer and availing herself of the wall of synthesizers in his apartment, Ana (Alma Jodorowsky)—a commercial jinglest and budding composer—works to create a new music-sans-musicians, what she calls “a dance for oscillators,” a layering process the film considers with lovely, unhurried detail. She dreams of leaving behind the old rock venues, “stinking of beer and piss,” and communing with nature in a mass gathering.

LE CHOC DU FUTUR features music by Throbbing Gristle, Human League, Julie London, Aksak Maboul, Jean-Michel Jarre, Suicide, and Clara Luciani—who co-stars—and is dedicated to the female pioneers of electronic music, among them Clara Rockmore, Wendy Carlos, Daphne Oram, Delia Derbyshire, Eliane Radigue, Laurie Spiegel, Suzanne Ciani, Johanna Beyer, Charlotte “Bebe” Barron, Pauline Oliveros, Else Marie Pade, and Beatriz Ferreyra.

See link below for details.

LE CHOC DU FUTUR

A film by Marc Collin.

Cleopatra Entertainment

Marc Collin, Le choc du futur (2019), starring Alma Jodorowsky. Photographs and film poster courtesy and © Cleopatra Entertainment.

FULL PINK MOON — OPERA POVERA IN QUARANTINE

Experience and participate in FULL PINK MOON—OPERA POVERA IN QUARANTINE—a livestream durational opera with a score comprised of Pauline Oliveros’ composition The Lunar Opera: Deep Listening for _Tunes, with an original libretto and story by IONE.

The event is a fundraiser for the Equal Sound Corona Relief Fund, which is raising money to help musicians financially affected by the Covid-19 pandemic.

Over 250 artists are expected to join together for this event—a call to arms to the community to harness livestream technology in this time of crisis. To participate, sign in here.

There will also be a livestream pre-event discussion with artists and musicians, including Ron AtheyGeorge Lewis, and Sean Griffin.

Full Pink Moon is co-sponsored by the University of Chicago’s Gray Center for Arts & Inquiry and California Institute of the Arts.

FULL PINK MOON—OPERA POVERA IN QUARANTINE

Tuesday, April 7.

Pre-opera discussion

5 pm on the West Coast; 8 pm East Coast.

Opera performance

6 pm to midnight on the West Coast; 9 pm to 1 am East Coast.

From top: Sean Griffin, Dramaturgical Sketch 1 for Full Pink Moon, courtesy and © the artist and Opera Povera; Pauline Oliveros; poster courtesy and © Opera Povera; Griffin, Dramaturgical Sketch 2 for Full Pink Moon, courtesy and © the artist and Opera Povera.

WINTER DANCE AT REDCAT

This weekend, CalArts Winter Dance at Redcat takes an iconic turn with a presentation of works by revolutionaries Jawole Willa Jo Zollar, Trisha Brown, Rennie HarrisJiří Kylián, and Merce Cunningham, staged by dancers who carry deep histories of the choreographers’ practices and intentions.

Cunningham’s CANFIELD (1969) will be staged by his former company member Holley Farmer, Zollar’s SHELTER (1988) by fellow Urban Bush Women member Marjani Forté, and Brown’s SOLO OLOS (1976) by her former company member Samuel Wentz.

For CANFIELD, Ben Richter, Justin Scheid, and Davy Sumner will perform a score by Pauline Oliveros, and actor-vocalist Toritseju Danner and drummer Emilia Moscoso Borja will accompany SHELTER.

Kylián’s FALLING ANGELS is staged by Fiona Lummis, who danced with Nederlands Dans Theater in the 1989 premiere of the piece. Live percussion will be provided by drummers Brandon Carson, Katie Eikam, Jason Fragoso, and Kevin Good performing a composition by Steve Reich.

FACING MEKKA was choreographed in 2003 by Harris—whose new Lazarus for the Alvin Ailey company created a sensation in New York last week—and will be staged by Nina Flagg, a former member of Rennie Harris Puremovement.

CALARTS WINTER DANCE

Friday and Saturday, December 7 and 8, at 8:30 pm.

Redcat

631 West 2nd Street, downtown Los Angeles.

From top: Facing Mekka, Rennie HarrisCanfield, Merce CunninghamShelter, Jawole Willa Jo ZollarSolo Olos, Trisha Brown; Falling AngelsJiří Kylián; and Facing Mekka. All images from the CalArts Winter Dance Concert, November 2018, at CalArts. Photographs by Rafael Hernandez, courtesy CalArts. Special thanks to Kelly Hargraves and Margaret Crane.

PAULINE OLIVEROS TRIBUTE AT ONE ARCHIVES

This weekend, a tribute to the avant-garde composer and performer Pauline Oliveros (1932–2016) will take place at the ONE Archives.

The afternoon-long event will feature “an open set of performances across multiple spaces, meditations, deep listening, archival film and video screenings, and discussions about Oliveros’s musical work, 1970s Southern California, and Latina and Latino musical history.”*

This tribute is a collaboration between the poet, author, playwright and director Ione, the International Contemporary Ensemble, and ONE Archives—in conjunction with the PST: LA/LA exhibition Axis Mundo—Queer Networks in Chicano L.A.

 

BEETHOVEN WAS A LESBIAN—A TRIBUTE TO PAULINE OLIVEROS, Sunday, October 29, from 4 pm to 7 pm.

ONE NATIONAL GAY & LESBIAN ARCHIVES AT THE USC LIBRARIES, 909 West Adams Boulevard, University Park, Los Angeles.

*visionsandvoices.usc.edu/events

factmag.com/2016/11/26/scanner-holly-herndon-black-madonna-pay-tribute-pauline-oliveros

one.usc.edu

iceorg.org

Pauline Oliveros.

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