Tag Archives: Raymond Pettibon

ENTRE TINTA Y LUCHA — SELF HELP GRAPHICS & ART RETROSPECTIVE

ENTRE TINTA Y LUCHA—“between ink and protest”—is an exhibition of fine art prints covering forty-five years of art and graphic design from Self Help Graphics & Art,* the East Los Angeles organization dedicated to the “production, interpretation, and distribution of prints and other art media by Chicana/o and Latina/o artists.”

Seen as a descendant of Mexico City’s Taller de Gráfica Popular (founded in 1937), Self Help was incorporated as a non-profit in Boyle Heights in 1973 by Sister Karen Boccalero and the artists Carlos Bueno, Antonio Ibañez, and Frank Hernandez.

The collective’s “disciplinary, intergenerational programs” continue to promote “artistic excellence and empower community by providing access to working space, tools, and training.”*

ENTRE TINTA Y LUCHA—

45 YEARS OF SELF HELP GRAPHICS & ART

Opening January 31, from 6 pm to 8 pm.

Exhibition runs through March 9.

Todd Madigan Gallery, CSUB 

9001 Stockdale Highway, Bakersfield.

Artists in the exhibition include William Acedo, Margaret Alarcon, Judy Baca, Sandow Birk, Sister Karen BoccaleroChaz Bojorquez, Barbara Carrasco, Yreina Cervantez, Lawerence Colación, Sam Coronado, Alfredo de Batuc, Roberto Delgado, Victoria Delgadillo, Alex Donis, Richard Duardo, Felipe Ehrenberg, Enik One, Luis Genaro Garcia and Lilia Ramirez, Mark Steven Greenfield, Dolores Guerrero-Cruz, Gronk, Miles Hamada, Wayne Healy, Ester Hernandez, Bernard Stanley Hoyes, Jean LaMarr, Leo Limon, Alma Lopez, Jose Lozano, El Mac, Dalila Paola Mendez, Willie R. Middlebrook, Delilah Montoya, Malaquias Montoya, Eduardo Oropeza, Raymond Pettibon, Miguel Angel Reyes, Frank Romero, Sonia Romero, Favianna Rodriguez, Shizu Saldamando, Teddy Sandoval, Miyo Stevens-Gandara, Joey Terrill, Eloy Torrez, Peter Tovar, John Valadez, Patssi Valdez, Vincent Valdez, Linda Vallejo, Lawrence M. Yanez, Ernesto Yerena, and Jaime (Germs) Zacarias.

From top: Joey Terrill, Remembrance, 2008, serigraph; Jean Lamarr, Some Kind of Buckaroo, 1990, serigraph; Ester HernandezLa Ofrenda, 1988, serigraph; Chaz BojorquezNew World Order, 1994, serigraph; Wayne Healy, Bolero Familiar, 2002, serigraph.

THE LARRY CLARK COLLECTION

“Symbols are more meaningful than things themselves.”—  Jenny Holzer, from Truisms, in LARRY CLARK—WHITE TRASH

Larry Clark is one of the great New York collectors, and the walls of his Tribeca loft present an ever-changing gallery of the art he has bought, traded, been given by friends, or created himself over the last half century.

LARRY CLARK—WHITE TRASH, at Luring Augustine Bushwick, is an exhibition of artworks from Clark’s personal collection. In addition to the work below, participating artists include: Vito Acconci, Richard Artschwager, Donald Baechler, Max Blagg, Lisa Bowman, Chris Burden, Jeff Elrod, Leo Fitzpatrick, Robert Frank, Paul Gauguin, Robert Gober, Mark Gonzales, Martin Kippenberger, Sherrie Levine, Paul McCarthy, Bjarne Melgaard, Scott Myles, Méret Oppenheim, Jack Pierson, Jason Polan, Sigmar Polke, Christy Rupp, Philip Taaffe, Koichiro Takagi, Sally Webster, Sue Williams, Franz West, Brian Weil, David Wojnarowicz, and Christopher Wool.

LARRY CLARKWHITE TRASH, through June 18.

LUHRING AUGUSTINE BUSHWICK, 25 Knickerbocker Avenue, Brooklyn.

luhringaugustine.com/exhibitions/larry-clark9

 

i-d.vice.com/en_au/article/larry-clark-on-his-astoundingly-eccentric-personal-art-collection

 

Image credits (top to bottom): Joe Andoe, Spaniard in the Works, 2012, oil on canvas; Wade Guyton, Untitled, 2008, Xerox print; Mike Kelley, Blood and Soil (Potato Print), 1989, silkscreen in colors on a silk banner; Richard Prince, Untitled (Joke), 2013, ink jet on canvas; Wallace Berman, Untitled, 1967, verifax collage; Helmut Newton, Larry Clark, Cannes, 1995, photograph; Raymond Pettibon, No Title (They Ought To…), 1985, pen and ink on paper.

Larry Clark’s White Trash

Larry Clark’s White Trash

Marfa Girl: il regista del film Larry Clark fotografato da Helmut Newton

THE ’90S AT REGEN PROJECTS

Regen Projects’ Spring 2017 show is an extraordinary survey of art from the 1990s.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S includes Catherine Opie’s Vaginal Davis and Justin Bond; Glenn Ligon’s Untitled (I Remember the Very Day); Lari Pittman’s Existential and Needy; Karen Kilimnik’s Actresses sisters as murderers; erotic work from Wolfgang Tillmans, Marilyn Minter, and Cindy Sherman; Elizabeth Peyton’s Stephen Malkmus; Jack Pierson’s large collage tribute to ’50s iconography, Self Portrait (James Dean); Mike Kelley’s Party Girl; wall texts by Kara Walker and Lawrence Weiner; and an extensive series of drawings by Raymond Pettibon. Sixty works by 27 artists are on view.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S, through April 13, 2017.

REGEN PROJECTS, Los Angeles

regenprojects.com/exhibitions/what-i-loved-selected-works-from-the-90s

Glenn Ligon, Runaways [detail] 1993 Suite of 10 lithographs 16 x 12 inches each Courtesy Regen Projects Los Angeles

Glenn Ligon, Runaways [detail]1993
Suite of 10 lithographs
16 x 12 inches each
Courtesy Regen Projects Los Angeles