Tag Archives: Rena Butler

MERCE CUNNINGHAM — NIGHT OF 100 SOLOS

On Tuesday, in celebration of what would have been Merce Cunningham‘s 100th birthday, the Merce Cunningham Trust will present NIGHT OF 100 SOLOS—A CENTENNIAL EVENT.

In three venues—first at London’s Barbican, then at the Brooklyn Academy of Music, and finally at UCLA—an 80-minute performance of 100 overlapping solos will be overseen by Merce Cunningham Dance Company alumni as the work of the late, great choreographer continues to invigorate the canon and astonish new generations.

“This Event, and the longstanding, continuing partnerships with these three premier organizations, are true signs that the Cunningham legacy is alive and well ten years after his passing.” — Ken Tabachnick, executive director of the trust

In Los Angeles, the event will be staged by Andrea Weber—a dancer with the company from 2004 to 2011—with Dylan Crossman. Jennifer Steinkamp designed the set at Royce Hall, and Jessica Wodinsky is the lighting designer.

Madison Greenstone, Bethan Kellough, Stephan Moore, Stephanie Richards, and Suzanne Thorpe will provide live musical accompaniment, organized by Stephan Moore.

The dancers for the Los Angeles section are Paige Amicon, Barry Brannum, Lorrin Brubaker, Rena Butler, Tamsin Carlson, Erin Dowd, Katherine Helen Fisher, Joshua Guillemot-Rodgerson, Casey Hess, Thomas House, Laurel Jenkins, Burr Johnson, Vanessa Knouse, Cori Kresge, Brian Lawson, Jessica Liu, Victor Lozano, Daniel McCusker, Polly Motley, Jermaine Maurice Spivey, Savannah Spratt, Pam Tanowitz, Ros WarbyRiley Watts, and Sam Wentz, with Cemiyon Barber and Una Ludviksen as understudies.

NIGHT OF 100 SOLOS—A CENTENNIAL EVENT

Tuesday, April 16, at 8 pm.

Royce Hall, UCLA

10745 Dickson Court, Los Angeles.

From top: Gerda Peterich, Merce Cunningham in Sixteen Dances for Soloist and Company of Three (detail), 1952; Robert Rauschenberg, Untitled [Merce (III)] , 1953, courtesy of the Robert Rauschenberg Foundation; Andrea Weber at the Philadelphia Museum of Art in 2012, dancing Cunningham as part of the exhibition Dancing Around the Bride, photograph by Constance Mensh; Cunningham (2).

HUBBARD STREET DANCE CHICAGO AND THIRD COAST PERCUSSION

The Windy City is in the house this week at The Wallis with the collaborative performance of Hubbard Street Dance Chicago and the music ensemble Third Coast Percussion, here for a three-night engagement in Beverly Hills.

The West Coast premiere of Emma Portner’s FOR ALL ITS FURY will open the show, prefaced by the composition “Perfectly Voiceless.” The solo work by Rena Butler is outstanding in this piece, and the energetic male pairings between Craig D. Black, Jr., Elliot Hammans, Florian Lochner, and Andrew Murdock are distinctive.

A second local premiere—Teddy Forance’s EVERYTHING MUST GO—will close out the first half of the evening. The works in Act One run in continuum, and the music for all three was written by Devonté Hynes.

After the break, the groups will perform Ohad Naharin’s IGNOREAlejandro Cerrudo’s PACOPEPEPLUTO, and Crystal Pite’s SOLO ECHO.

HUBBARD STREET DANCE CHICAGO

and THIRD COAST PERCUSSION

Thursday through Saturday, January 10, 11, and 12.

All shows at 7:30 pm.

Wallis Annenberg Center for the Performing Arts

Bram Goldsmith Theater

9390 Santa Monica Boulevard, Beverly Hills.

From top:

Hubbard Street Dance Chicago performs choreographer Teddy Forance’s Everything Must Go with David Skidmore of Third Coast Percussion.

Hubbard Street dancers (from left) Kellie Epperheimer, Jacqueline Burnett, Adrienne Lipson, Alicia Delgadillo, and Rena Butler in Ignore from Decadance/Chicago by Ohad Naharin.

Hubbard Street dancer Craig D. Black Jr. in PACOPEPEPLUTO by Alejandro Cerrudo.

Hubbard Street Dance Chicago in Solo Echo by Crystal Pite.

Hubbard Street dancer Rena Butler in For All Its Fury by Emma Portner.

All photographs by Kevin Parry, January 10, 2019, at the Wallis Annenberg Center for the Performing Arts.