Tag Archives: Royce Hall

DIMITRIS PAPAIOANNOU — THE GREAT TAMER

Dimitris Papaioannou started out as a painter and comics artist, but now he does it all—director, choreographer, performer, costumer, and set and lighting designer.

Last year he premiered Since She at Tanztheater Wuppertal Pina Bausch, the first choreographer invited to do so since Bausch’s death.

THE GREAT TAMER—his mysterious evening-length performance work in its U.S. premiere this week at Royce Hall—is a dreamlike journey through time and the underworld, with references to Rembrandt’s Anatomy Lesson of Dr. Nicolaes Tulp, Botticelli’s The Birth of Venus, Michelangelo’s David, the myths of Orpheus and Eurydice, and Kubrick’s use of “The Blue Danube.”

Performers for the Los Angeles and Ann Arbor dates include Pavlina Andriopoulou, Costas Chrysafidis, Dimitris Kitsos, Ioannis Michos, Evangelia Randou, Kalliopi Simou, Drossos Skotis, Christos Strinopoulos, Yorgos Tsiantoulas, and Alex Vangelis.

DIMITRIS PAPAIOANNOU—THE GREAT TAMER

Friday, January 11, at 8 pm.

Royce Hall, UCLA

10745 Dickson Court, Los Angeles.

Friday and Saturday, January 18 and 19, at 8 pm.

Power Center, University of Michigan

121 Fletcher Street, Ann Arbor.

The Great Tamer. All photographs by Julian Mommert.

REBECCA SOLNIT IN CONVERSATION

“I have been fascinated by trying to map the ways that we think and talk, the unsorted experience wherein one can start by complaining about politics and end by confessing about passions, the ease with which we can get to any point from any other point…

“The straight line of conversational narrative is too often an elevated freeway permitting no unplanned encounters or unnecessary detours. It is not how our thoughts travel, nor does it allow us to map the whole world rather than one streamlined trajectory across it.”

“I wanted more, more scope, more nuance, more inclusion of crucial details and associations that are conventionally excluded. The convergence of multiple kinds of stories shaped my writing in one way; this traveling by association shaped it in others.” — Rebecca Solnit*

This week, CAP UCLA presents the essential author and activist Rebecca Solnit, in conversation with UCLA professor and LENS founder Jon Christensen.

REBECCA SOLNIT IN CONVERSATION WITH JON CHRISTENSEN

Thursday, October 25, at 8 pm.

Royce Hall, UCLA, 10745 Dickson Court, Los Angeles.

See Solnit on Christine Blasey Ford.

On Kavanaugh.

On the October 2018 IPCC report on climate change.

*Rebecca Solnit, Storming the Gates of Paradise (Berkeley: University of California Press, 2007), 2.

Below: Rebecca Solnit. Photograph by Adrian Mendoza. Image credit: CAP UCLA.

Book cover image credits: Haymarket Books, and Penguin (A Field Guide to Getting Lost).

UPCOMING DANCE FROM CAP UCLA

Mon Elue Noire

The Bill T. Jones/Arnie Zane Company—whose collaboration with SITI Company, A Rite, brought down the house at Royce Hall three years ago—is returning to UCLA this autumn with ANALOGY TRILOGY, a marathon work that combines Analogy/Dora and Analogy/Lance with Analogy Ambros, based on a story by W. G. Sebald.

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The Jones/Zane company engagement is one of several dance presentations now on sale as part of the complete CAP UCLA 2018–2019 season. Other highlights include Germaine Acogny’s performance of Olivier DuboisMON ÉLUE NOIRE—SACRE #2Jérôme Bel’s GALA, the Quote Unquote Collective’s MOUTHPIECE, Batsheva’s VENEZUELA, and the Merce Cunningham celebration NIGHT OF 100 SOLOS.

Dates and tickets: cap.ucla.edu/calendar

From top: Germaine Acogny in Mon élue noire—Sacre #2, Batsheva Dance Company in Venezuela, and the Bill T. Jones/Arnie Zane Company, photograph by Paul B. Goode.

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COLSON WHITEHEAD AT ROYCE

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Colson Whitehead – who won the Pulitzer Prize for his 2016 novel The Underground Railroad – will talk about his work, among other things, in an appearance this week at UCLA.

 

COLSON WHITEHEAD, Thursday, April 19, at 8 pm.

ROYCE HALL, UCLA, 10745 Dickson Court, Los Angeles.

cap.ucla.edu/colson_whitehead

Colson Whitehead. Photograph by Michael Nagle. Image credit: Minneapolis Star-Tribune.

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ABDULLAH IBRAHIM — FOR HUGH MASEKELA

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This weekend at Royce Hall, Abdullah Ibrahim & Ekaya will celebrate the late Hugh Masekela and pay tribute to South Africa’s first black jazz band The Jazz Epistles—the collaboration between the Dollar Brand Trio from Cape Town, Kippie Moeketsi from Johannesburg, and Moeketsi’s protégés Jonas Gwangwa and Masekela.

(Dollar Brand would later be known as Abdullah Ibrahim and his Trio, with Johnny Gertze on bass, and Early Mabuza or Makaya Ntshoko on drums. At the Royce Hall concert, Freddie Hendrix will play trumpet.)

“Mr. Ibrahim’s stark pianism and gently rapturous compositions are steeped in the bright harmonies and bouncing rhythms of his native Cape Town, and they seem to suggest that escape or transcendence could almost be possible. But then there’s the inevitable longing for home, for harmony, for rest. He lives in that balance.”*

 

ABDULLAH IBRAHIM & EKAYA IN TRIBUTE TO THE JAZZ EPISTLES, Saturday, March 3, at 8 pm.

ROYCE HALL, UCLA, 10745 Dickson Court, Los Angeles.

cap.ucla.edu/jazz_epistles

nytimes.com/jazz-epistles-abdullah-ibrahim-review

hughmasekela.co.za/family-statement

abdullahibrahim.co.za

Abdullah Ibrahim.

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