Tag Archives: Sally Potter

ORLANDO AT APERTURE

“Virginia Woolf wrote Orlando in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit…

“Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.” — Tilda Swinton*

ORLANDO—the Aperture exhibition inspired by Woolf and curated by Swinton—features the work of Zackary Drucker, Lynn Hershman Leeson, Paul Mpagi Sepuya, Jamal Nxedlana, Elle Pérez, Walter Pfeiffer, Sally Potter, Viviane Sassen, Collier Schorr, Mickalene Thomas, and Carmen Winant.

ORLANDO

Through July 11.

Aperture Gallery

547 West 27th Street, 4th floor, New York City.

From top: Photographer unknown, Virginia Stephen in 1912, photograph sent to Leonard Woolf; Lynn Hershman Leeson (2), Rowlands/Bogart (Female Dominant), 1982, from the series Hero Sandwich, hand-painted collage, and Roberta Getting Ready to Go to Work ,1976, photograph of Roberta Breitmore, Leeson’s alter ego in a multiyear performance piece that lasted throughout the 1970s, both courtesy and © the artist and Bridget Donahue, New York; Mickalene Thomas (2), Untitled #3 (Orlando Series) and Untitled #4 (Orlando Series), both 2019 for Aperture, courtesy and © the artist and Yancey Richardson Gallery, New York, (Untitled #4 is a portrait of Thomas’ partner, Racquel Chevremont); Jamal NxedlanaFAKA Portraits, Johannesburg, 2019, for Aperture, courtesy and © the artist; Walter Pfeiffer, untitled, 2009, courtesy and © the artist and Art + Commerce, Artists Rights Society, New York, and ProLitteris, Zürich; Collier Schorr, untitled (Casil), 2015–18 (2), courtesy and © the artist and 303 Gallery, New York; Carmen WinantA melon, a pineapple, an olive tree, an emerald, a fox in the snow, 2019, for Aperture, courtesy and © the artist, (artwork incorporates a photograph of Woolf’s lover Vita Sackville-West); Zackary DruckerRosalyne, 2019, for Aperture, courtesy and © the artist and Luis De Jesus, Los Angeles.

TILDA SWINTON AND B. RUBY RICH

In conjunction with Aperture‘s Virginia Woolf-inspired ORLANDO exhibition and edition, Tilda Swinton—currently co-starring in Joanna Hogg‘s brilliant new film The Souvenir—and B. Ruby Rich will talk about “images and writings that celebrate gender fluidity, curiosity, and life without limits.”*

TILDA SWINTON and B. RUBY RICH—ORLANDO*

Wednesday, May 29, at 6:30 pm.

New York Public Library, Celeste Bartos Forum

476 Fifth Avenue (at 42nd Street), New York City.

Virginia Woolf‘s 1928 novel Orlando—inspired by her lover Vita Sackville-West—was made into a 1992 film written and directed by Sally Potter, starring Tilda Swinton, Quentin Crisp, and Jimmy Somerville.

From top: Tilda Swinton (left), in the title role of Orlando, with Quentin Crisp as Queen Elizabeth I; Virginia Woolf; Vita Sackville-West; Aperture 235, Summer 2019 issue; Swinton in Orlando. Images courtesy and © the artists, filmmakers, and publishers.

SALLY POTTER’S PARTY

“There’s a kind of sweet nectar of laughter, en masse, and it’s something we need in troubling times.” — Sally Potter*

Potter—the brilliant, self-taught writer/director of Orlando (1992), Yes (2004), and Ginger and Rosa (2012), among others—began making movies in 1963, at age fourteen. This year she returns to the big screen with THE PARTY, a drinks-and-dinner gathering of friends turned Labour Party circular firing squad. This trenchant physical comedy of bad manners, politics, and betrayal stars Kristin Scott Thomas, Patricia Clarkson, Cherry Jones, Emily Mortimer, Bruno Ganz, Cillian Murphy, and Timothy Spall.

 

THE PARTY, now playing.

LANDMARK, 10850 West Pico Boulevard, Rancho Park, Los Angeles.

landmarktheatres.com/the-party

Opens February 23:

PLAYHOUSE, 673 East Colorado Boulevard, Pasadena.

laemmle.com/films

Sally Potter and Elvis Mitchell, discussing the communal film-going experience, at the Film Independent post-screening Q & A at LACMA, February 15, 2018.

From top:

Sally Potter at LACMA at the Film Independent screening of The Party, February 15, 2018.

Sally Potter on set in London, The Party. Image credit: Roadside Attractions.

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Sally Potter on the set of *The Party.*

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CHANTAL AKERMAN AT CINEFAMILY

Women of Cinefamily present a weekend of screenings in their No Great Women Artists series, a look at how the Jill Soloway and Sarah Gubbins web series I Love Dick pays tribute to the work of filmmakers like Chantal Akerman, Sally Potter, Carolee Schneeman, and Naomi Uman.

In the 1970s, Akerman spent her early twenties in New York City and absorbed the cinema of Yvonne Rainer, Michael Snow, and Jonas Mekas. Returning to Belgium, Akerman crafted two of her greatest works: JE, TU, IL, ELLE (1974), and JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (1975), both screening at Cinefamily.

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JE, TU, IL, ELLE

Sunday, May 7, at 6 pm.

JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES
Monday, May 8, at 7:30 pm.
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Cinefamily
611 North Fairfax, Los Angeles.
Above: Chantal Akerman.
Below: Je, tu, il, elle, directed by Chantal Ackerman